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do you think kurogiri sees the back of dabi (black hair), toga (blonde hair) and shigarakis heads (blue hair) together and part of him is reminded of when he was with aizawa and yamada
might draw this later
the riddler and his dumb instagram lives be like
These cards side by side looks kinda😏
Loving the dungeon meshi anime so far! The manga is one of my favorite of all time and I encourage everyone to read it
I'm not surprised that the Fandom is divided in two moods after this scene
There is the
And there is the
Personally, i am the
Thinking about how Denji and Angel Devil were kept in the dark about how they killed their own family until they lost someone they care about to Makima and have it be her proof to them about why they can't truly be loved. Because they're devils who killed those they loved. They can't have a family.
PREVIOUS BATCH HERE
2012 comic, second batch!
I’ve got such big feels for raphael ;_;
I’m on season 4 now! boooyyy howdy howdy
Ram/Sita + spy au+ friends to lovers + “you know i’ll do anything for you”
lol this…AGAIN….spun out of my control…..and is apparently 6020 words while still having massive massive holes in characterization and plot and …general stuff..lol. anyways hope u like it? it ended up being way less Spy Spy and more ….arranged marriage au…… because everything i’ve written has basically been that now lol and raazi is the only spy movie i could think of that works bc rama and sita dont have mr and mrs smith vibes to me. love u!!!!!!
—-
“Are you serious?”
The face on the screen is somehow almost as familiar as Sita’s own – she’s never been one for the gossip rags, but at some point, it’s almost harder not to know the features of someone who’s been famous since his parents announced his conception.
“You know him, then.” Sita’s handler Kaikeyi seems remarkably even-tempered for a woman charging Sita, her top recruit, to attach herself to the arm of Kaikey’s stepson – a boy that the papers seem to believe Kaikeyi prefers even to her own Bharata. Sita raises an incredulous eyebrow before realizing that Kaikeyi does actually expect Sita to recite what she knows about her newest target.
“Ramachandra Raghav,” Sita recites from memory, “but the papers call him Ram. Only son of Dasaratha and his first wife Kausalya, sole presumptive inheritor to the Kosala industries fortune. Dasaratha Raghav and his wife publicly struggled to conceive and adopted a daughter, Shanta, nine years before they had Ram whose birth coincided with the release of Dasartha’s final film and his entry into politics.” Sita purses her lips, unsure if she should continue, but Kaikeyi remains impassive. “Dasaratha and Kausalya divorced when Ram was five, and three months later Dasaratha married you.” Judiciously Sita chooses not to include the fact that Kaikeyi, who during her acting days had only been paired with the already greying movie star, reportedly delivered her eight-pound son Bharata three months early.
Kaikeyi rolls her eyes, still the same striking green that had made her first film such a hit. “Of course I was pregnant when we got married. What else.”
Sita racks her mind. “The custody case was unusual – Kausalya shifted to America with her children, but Dasaratha petitioned for them to stay with him in India. Shanta was 16 and decided to finish school abroad with Kausalya, but the courts decided that Ram would spend alternate years with each parent until he reached his majority.” It was the oddity of the arrangement that kept the Indian public so desperate for news about what otherwise might have been just another star-turned-politician’s son: pictures of Bharata, who was constantly being presented at building openings, movie premiers and other assorted Party functions went for nearly a quarter of the price as those of Ram whose arrival at the Delhi airport became more and more of a national event in sync with his father’s increasing political power. The exoticism of his American English was viewed with as much pride as his unaccented Hindi which the Party often used to great effect, having him canvass his father’s constituents on camera the year Dasaratha was put forward as the party’s candidate for Chief Minister and releasing them online.
But it has been a few years since Ram was last in India for more than a month or so’s vacation – at 16 he graduated from school and sent the Indian media into near paralytic shock when he decided to attend university in Delhi. Not even three years dimmed the public’s fascination, which quickly turned into genuine discontent when it was announced that Ram had accepted an offer to do his doctorate in California and had barely been seen in India since.
“You want me to investigate a Chief Minister’s son?” Again, Sita leaves unsaid the rumors that swirl even in headquarters – that Dasaratha’s relative competency at state-wide management has made him a viable candidate for even higher office. That after the last election’s dismal results, it is apparent that Dasaratha might be the only remaining Party figure popular enough to lead a coalition that would bring them to power in the Centre after nearly a decade at the periphery.
Kaikeyi laughs. “Not quite,” she says, still perfect red lips twisting in a faint smile, “Ram is in New York now working for the UN, and it seems that he will have a long and illustrious career in diplomacy which will bring him into contact with all sorts of people of interest to our national security agencies. We need someone at his side to make sure that those contacts are being utilized to their full potential.”
Sita frowns. “He’s too young to need a trusted aide or a secretary.”
“Correct. That’s why we’re sending you to New York as his wife.”
–
When Sita is 18, a woman comes up to her on the street asking if she’d like to be a model. As a laugh Sita shows up at what the woman’s business card says is the head-hunting agency’s main office only to be quickly moved to a backroom, divested of her backpack, phone and shoes and investing her with a new lifelong wariness of strangers with offers too good to be true. Her father is the aging yet venerable University President – they don’t have the money for ransom, but Sita just as quickly rules out potential trafficking since her father has one or two connections that would raise quite the fuss if he informed them that his daughter was missing. But before she can think of another reason behind her apparent kidnapping, the door opens, and Sita’s life changes with the incoming rush of bright light into the dark room.
“You’re..” she splutters, eyes raking up and down the perfect figure of the woman in front of her.
“Yes,” Kaikeyi Raghav says, sunglasses perched delicately at the top of her head as she adjusts the pallu of her elegant chiffon sari. “I’m sorry for all the confusion, but we really needed to get you alone before we could try and talk to you.”
“Talk,” Sita rasps, suddenly hyper aware of her own dry throat. Kaikeyi sighs, clapping her hands once before taking a bottle of water that appeared almost instantly at the door’s threshold, opening the cap and offering it to Sita who gulps it down. “Talk about what?” Sita asks.
“One of our associates brought you to our attention about a year ago thinking that with some work you could be turned into something quite extraordinary.” Kaikeyi brings up her right hand to pull down her hair from its updo, the cascades only making her more breathtaking to Sita, whose father always had a soft spot for the old Dasaratha-Kaikeyi films. “I’ve been observing you ever since, and recently came to the same conclusion.”
Sita can’t help but glow at the praise, even as she tries to keep her sense of rationality – she’s been kidnapped after all, even if by one of the nation’s most illustrious figures. First: “Are you trying to traffick me into sex work?”
Kaikeyi laughs, and the sound is clear and captivating like a bell. The more Sita watches, the smaller details begin to stand out – a mole just slightly to the right of Kaikeyi’s collarbone, the green of the embroidery that brings out those colors in her eyes, the red fingernails that perfectly match Kaikeyi’s lips.
“Do I look like a pimp?” Kaikeyi’s tone is one that does not truly seek a response, though Sita is not sure she even has one. The proclivities of the rich and powerful are rumored to skew to the truly scandalous, and there is no reason that an elegant woman could not be the front for the procurement of such services.
“Then is this supposed to be recruitment for politics?” Sita has never thought herself particularly gifted at deception, which seems to be the first requirement for a fruitful career of public service.
“No,” Kaikeyi laughs again, “but I find it interesting that you didn’t consider that I might be signing you on as a heroine.”
“I don’t have a face for film,” Sita says, “and I have no intention of leaving Delhi.”
“You have exactly the face for film,” Kaikeyi counters, “but I agree – your mind would be as wasted as mine in Bombay.”
“Then politics?” Sita, who was born and brought up in Calcutta before her father was given a position in Delhi had never given much thought to the Raghav’s stronghold Ayodhya – she can’t imagine what Kaikeyi could possibly see in her.
Kaikeyi shakes her head. “What do you know about this country’s intelligence services?”
Sita blinks. “You want me to be a spy?”
–
Five years after their first meeting, Sita has learned how to handle all sorts of weapons including her own body, how to speak a dozen languages, how to scope out a room. In some strange way, Kaikeyi seems to have filled the gaping hole left behind by Sita’s long-dead mother Sunaina, who Sita is not entirely sure would approve of what her daughter decided to make of her life. There isn’t quite a bond of affection, but there is loyalty beyond even what Sita would have given her own mother – no better proof than the fact that here Sita is agreeing to marry Kaikeyi’s stepson entirely because Kaikeyi demanded it, where Sunaina would have had quite the shock if she had tried to suggest a man for Sita to wed. Sita had dreamed of marrying for love, but loyalty she reasons is close enough.
Ostensibly, Sita has finished her MA with high honors and works at an NGO that enjoys Kaikeyi’s patronage – this, they decide, is how the papers will be told Kaikeyi knows Sita. There are a few strategically leaked photos of Kaikeyi first paying the NGO a visit, then taking Sita out for a series of lunches. Sita finally travels to the ancestral Raghav mansion in Ayodhya for Diwali, bringing along her father to meet and pay his respects to his favorite screen star.
“You must be Sita’s father,” Dasaratha booms when they approach, somehow brimming with the same vitality and presence that drew such crowds to the theater in his youth. He grins, left arm wound around Kaikeyi’s waist at his side as he turns to speak to Sita. “My wife has grown old and taken up matchmaking to pass the time, but from what I have seen you would be a fine choice for my Ram.”
Janaka stiffens at Sita’s side, hearing about such an arrangement for the first time, but Dasaratha’s charisma pulls him into its orbit as Dasaratha reaches out his hands. “I confess that I was never well educated myself, but I believe it would only bring me and my family honor to be able to call someone as learned as yourself ‘Brother.’”
Janaka is sold. Sita, who has never been quite sure about the real dynamic between Kaikeyi and her husband, realizes with some relief that there is genuine fondness, even love, in the smile she flashes her husband. Perhaps there might be hope for Sita herself.
Dasaratha insists that the informal engagement is enough to justify Sita and her father’s extended stay at the mansion. After one day, he calls Ram himself informing his son that Dasaratha has found him a wife. Within a week, the news reports that Dasaratha’s eldest son has found himself back on Indian soil.
Sita finally leaves the mansion two weeks after Diwali with the instruction that she must treat the property as her own home whenever she returns to India – after all, Dasaratha booms, she is his beloved Ram’s wife now, and Dasaratha’s daughter now as much as Janaka’s.
–
“So,” Sita says on their first night, sitting on what’s supposed to be their marital bed, “what name should I call you?”
Her husband raises an eyebrow, silent just as he has been for almost the entire week since he was called home. Kaikeyi, when Sita asked for details, had not elaborated on the character of her stepson nor had she offered details about how Sita might best seduce him.
“Follow your instincts,” Kaikeyi had said, smiling at Sita’s frustration. “You’ll know what I mean when you spend time with him.”
Well, Sita thinks perversely, her instincts are telling her to confess everything to the man she has promised herself to in front of her father, and God almighty. Somehow, she is meant to maintain a lifelong relationship with a man she is only now speaking to, and to mine his contacts for information to send back to her handler, his stepmother.
“The papers call you Ram,” Sita says, only a little sullen at the thought of the task ahead of her, “as does your family. Is that what you prefer to go by?”
“My father’s family,” he corrects mildly, and Sita immediately flushes at the mistake. Kaushalya and Shanta had of course come, but arrived only the night before the wedding – Sita had met them both the morning of, but only enough to touch their feet and have Kaushalya cluck, teary-eyed, over the beauty of Sita in her wedding sari.
“Of course,” Kaushalya had said off-handedly to Shanta standing at her side, “Kaikeyi has always had excellent taste.” Sita had not trusted herself to answer.
“Will we live with your mother in America?” Sita has been provided with what she considers shockingly little information regarding her future living situation – Kaikeyi insists that, largely, this assignment requires Sita to effectively live her own life and as such being more information than provided a new wife would only detract from her performance.
He shakes his head. “My mother and Shanta live in New York too, but Shanta needed to be closer to Columbia and…” he looks away, suddenly just slightly awkward. “Things changed so much for Mother throughout my life that I think she was finally able to find some type of stability when I was away at university. When it turned out that I was moving back, I didn’t want to be the one to throw her life back into flux.”
Sita nods. “Are you close?”
Her husband hums, fingers of one hand slightly worrying at the hem of a blanket. “As much as I can be, having spent every other year away.”
Sita can’t imagine – for years, the story of the boy caught so explicitly between two worlds has always been interesting or amusing, but now that she’s confronted with him in the flesh she knows that it must have been sad, too. She tries to imagine a mother committing to the notion that the child she waves off at the airport gate would not be the one who returned, and finds that it’s impossible.
“It must have been difficult,” she offers, not elaborating on whether she is speaking of her husband’s family, or himself.
He nods. “Father and Mother Kaikeyi always had Bharata, and the Party. I was glad when Mother found Sumitra and the boys.”
Sita’s eyes widen. “A friend?”
He turns his body to look at her for the first time head-on. “No,” he says, eyes boring into Sita’s, exuding the same gravitational force as his father. “Her wife. The boys are my Father’s during a…period of disagreement with Mother Kaikeyi, and when Sumitra decided to keep them Mother brought her to New York to have the children. They fell in love.”
This is a test, Sita realizes, and for the first time, she realizes the wisdom of Kaikeyi’s lack of preparatory material even as she curses Kaikeyi in equal measure. She would have liked to have not been blindsided, but there is a truth to her reaction she could never have mimicked so effectively. Her mind roils with the amount of information relayed in such few sentences – Dasaratha, already so old, still fathering sons. Kaikeyi and her husband having a disagreement so strident it sent him into another’s arms. Kausalya, raising more of Dasaratha’s children as her own. Kausalya, in love with a woman.
Her silence has drawn on too long during her contemplation, and her husband’s eyes have gone cold as he leans away from her.
“You call her Sumitra,” she decides on, “but if she’s your mother’s wife, should I call her mother in law as well?”
Her husband is wide-eyed himself for a moment, but then his face cracks into a smile just dripping with sudden, unexpected delight. Sita’s heart skips a beat at the sight.
“It would make her very happy if you did,” he says. “And as for me, my mother has always insisted on calling me Ramachandra and none of my siblings use my name at all. You can call me whatever you’d like.”
—
“Rama!” Sita exclaims, trying to rise from the chair behind her desk and managing to trip on the hanging sleeve of the sweater she had been sitting on. She laughs, picking herself up off the ground. “Oh, and you brought the boys too!”
It’s been a year since Sita moved to New York, a year in which she’s found fulfilling work at a South Asian women’s shelter, learned how to navigate herself via subway to find the best of ten different cuisines in New York, read three books related to Shanta’s new area of interest, featured in the boys’ Instagram Lives over 20 different times, and found herself a best friend in the form of her husband.
Ram, she had decided, was how the public knew him even if his father’s family chose the same. Ramachandra was much too long. Rama was short, sweet, vowels easy in Sita’s mouth.
“No one calls me that,” he’d said when she’d first used the name, his tone again one of unexpected delight. “I’ve always thought it was strange that they never did.”
Sita’s due a lunch break, but she’s always been prone to eating at her desk unless she’s eating out – a budgeted, once weekly expense she keeps track of after the humiliating exorbitancy of her first month’s bill.
“We have money,” Rama had said, bemused at Sita’s profuse apologies. “I’ve got a trust fund, but my salary certainly pays well enough for this.” He’d glanced at the bill Sita had handed him as she had wrung her hands in front of him, so unsure of how she’d managed to spend so much. “It looks like this is mostly just restaurant charges anyway, and,” he’d looked up at Sita with a smile, rising to hold her hands before she could twist them again, “you live in New York now. I’m glad that you’ve spent the last month trying all sorts of the things the city has to offer. It’s exactly what I did when I moved back, except I probably spent twice as much.”
Sita had felt the first of many twin pangs at his kindness – one pang of joy, at being with someone so well suited to herself, and another of sorrow when she thought of how their relationship was founded on a lie. Kaikeyi had told Sita that there was no need to actively seek out contacts for at least the first year, and so the extent of her real work was having regular conversations with Kaikeyi that easily blurred the line between professional and personal relationships.
“Is he any good at sex,” Kaikeyi had asked one day after asking for a report about Rama’s “family situation” which Sita found distressingly similar to the inquiries of a second wife wondering about her husband’s former paramours. Sita had hung up.
“Sita?” Sita starts, bringing herself out of her reverie and smiling.
“Sorry,” she says, grabbing her coat. “I was just thinking about something.”
“Something interesting?” He takes the coat and holds it out for Sita to slip her arms into, smoothing down the lapels when she turns around. “I spent the whole morning stuck in the single least productive set of meetings, and knowing them they’re probably arguing about what appetizers to get for lunch. I’ve never felt as lucky as I did when I told them all that, unfortunately, I’d already logged that I was taking a half-day to take care of my brothers.”
The boys scowl. “We’re thirteen years old,” Lakshmana says. Shatrughana nods in agreement. “We could have gone home by ourselves!”
Sita flashes Rama a smile, leaning down with an expression as if in deep thought. “That’s true enough – if you’d like we can send you home and just join you after I finish work, but aren’t your moms on a health kick right now?”
Lakshmana, always the more suspicious of the pair, crosses his arms. “And?”
“Well,” Sita drawls, hearing Rama snort softly next to her, “your brother and I were thinking of taking you to the greasiest joint we can find in walking distance, and then to 7/11 after to find you both snacks for when you spend the weekend at our apartment. But if you’d rather not, that’s totally ok too!”
The boys fall for the line, hook and sinker.
“Oh,” Lakshmana says, voice suddenly a pitch lower than usual as he squares his shoulders in what Sita doesn’t think any of the three recognize is his best imitation of Rama, “that’s ok.” He looks over at Shatrughana, who nods. “Family is important. Let’s go eat!”
“Thank you,” Rama says softly after they’ve finally decided where to eat and are walking in the correct direction. Sita raises an eyebrow. “You’re good with the boys,” he explains, shrugging his shoulders. “I was expecting to have to take them out on my own, and stay at my mother’s when I wanted to spend time with them but –”
Sita interrupts him before he says something truly embarrassing about what she only sees as a pleasure. “It’s easy when they’re such good kids,” she says, “and I would have done it even if it was harder. It’s the least I could have done for you, after everything.”
Everything being the credit cards he’d given her when they landed, his insistence that he wouldn’t monitor her spending and would set up a bank account for her that he would periodically transfer money into but not be able to access. Everything being the books he shared with her and the books he read on her recommendation, in turn, the concerts they’d attended together, the plays and musicals and movies and street festivals. Everything being the conversations they’d had on the couch until late at night, the meals he learned to cook because they reminded her of home.
The one similarity underlying all others between them, Sita realized one day, was that they had both grown up lonely, without anyone person, they could claim truly, entirely understood them. Neither of them had had a best friend until they met the other. By unspoken agreement, they had not consummated their marriage that first night, nor during the first few hectic months of Sita’s acclimation to New York. Eventually, it became easier to simply maintain things as they were and to enjoy the novelty of a companion before things became … complicated.
If a part of Sita insisted that she hold off from sex so as to not build even more on an inherently unstable foundation – if that same part screamed that her husband had given her trust beyond all else and she squandered the gift every day she didn’t tell him who she really was – then that was something for Sita, and only Sita, to think about.
—
“Oh,” Sita hears from the bathroom threshold, glancing through the mirror at the figure Rama cuts in his tailored tuxedo. It’s been nearly a year and six months since their marriage, and what Sita thought of as friendship has since bloomed into a wild, uncontrollable love. Yet, she keeps her love to herself, knowing that it would be cruel to offer him fruit with a rotted core.
He cares too, she knows – only a fool could willingly ignore the little signs of it he offers so freely, long and lingering looks, kisses to her cheek, forehead, the corner of her lips and the edges of her knuckles. She knows that her resistance to further intimacy must confuse him, perhaps even hurt him, but still, she can’t help but think that things would be worse if she gave in only for him to find out later. Sometimes, she wonders if Dasaratha knows about Kaikeyi – if Lakshmana and Shatrughana owe their existence to a revelation of the truth which so discomfited their sire that he sought another woman to drown in.
Sita is selfish, far too much so, to allow the truth to poison what she now has, half-life as it is. So she smiles over meals Rama cooks for her, meets the contacts Kaikeyi has started sending her way during lunch breaks she takes less frequently at her desk and begins preparing her heart for when things will inevitably fall apart. Today, she and Rama will attend a gala meant to raise funds for refugees which will double as a drop-point for some dissident’s data collection from the last five years on the inside of their regime’s surveillance operation.
“You look beautiful,” Rama says, walking in. Sita’s hands, haphazardly smoothing down the last wisps of hair that refuse to curve to her skull in their updo, pause when he places his own over them. “Is that my mother’s sari?”
Sita nods. “The style has come back,” she says, reaching out to the counter for the strand of jasmine Sumitra had sent to their apartment to be paired with Kausalya’s sari. “Even Kaikeyi approved, which means that this outfit technically has the approval of all three of your mothers, and your sister as well.”
Rama smiles softly, taking the jasmine and pinning it up with a deft hand that speaks of experience. “I’ve never been one to keep up with fashion trends, but I think you wear it very well.”
“Kaikeyi says it makes me look like a movie star.” In order for the drop to be successful, Kaikeyi had demanded Sita pull out all the stops possible within the relatively demure confines of charity-wear. Sita’s blouse plunges at the back, skin unobstructed by a pallu or bra, and she shivers slightly when Rama’s left-hand traces lines.
“I suppose she would know,” he says absently, eyes raking up and down at Sita’s reflection in the mirror they both face, passing over her eyes rimmed with kohl and her dark red lips. His right-hand falls to his pocket, searching for a moment before he finds what he needs, pulling out a pair of beautiful earrings Sita hadn’t known he had.
“Mother Kaikeyi had me get these from storage a few weeks ago, but I wasn’t sure if they would suit what you were planning on wearing.” They look at the pieces in his hands, realizing together how well the earrings will look with Sita’s sari.
“Will you put them on me,” Sita asks, voice thin and breathy despite herself. His hands are gentle, just slightly cool to the touch as they gently thread the earrings into her lobes, tightening the screws and caressing her ear before moving to ghost over Sita’s hips. If Sita moved into his touch, allowed him to grasp her body so hard that she bruised if she turned her face just slightly and brushed her lips against his – her entire body is one flame, but even now she is attending this gala with her own motive, even has a small gun she plans on holstering to her left leg as insurance. She can’t.
She can’t. Sita takes one step forward, Rama’s hands falling back to his own sides.
“We’ll be late,” Sita says, moving them back into purgatory instead of choosing heaven or hell.
Rama shakes his head slightly, taking a breath. “Yes,” he replies, tone never betraying a sense of the frustration he must feel. He smiles again, holding out a hand. Sita will tell him one day, she tells herself. He deserves that much.
“Let’s go.”
–
One day, it seems, will be sooner rather than later. Sita’s very first drop of this assignment, after nearly two years of prep, and it seems like she’s going to end up just another statistic, shot in the head for all her efforts.
Worse, she thinks, she’s going to break Rama’s heart. The dissident was less careful than they’d thought, trusted someone they shouldn’t have, and now they’re both being held up against a wall and being told to recite any final prayers for their souls. Sita’s single measly gun at her hip wouldn’t change the odds of 10 against 2, especially since no amount of physical training will significantly change the realities of her smaller physique going up against larger numbers of even better-trained muscle.
She only wishes that she’d thrown caution to the wind once, had told Rama the truth and let the cards fall where they may. She wishes she could see him one more time and apologize, reassure him that her love was true even if her initial motives weren’t.
“Hey,” she hears from somewhere in the distance, away from their cluster of a firing squad. Her heart simultaneously sinks and soars to realize that the voice is Rama. “That’s my wife!”
The leader laughs, just as the dissident sobs. Sita clutches their hand tighter. “Then I’m sorry to say that she hasn’t been much of a wife,” the leader sneers, “just another one of Kaikeyi’s little rats meddling where they’re unwanted.”
“Run!” Sita screams, deciding that she’d rather Rama be alive than hear her confessions before he too is killed. “For my sake run, before they decide to kill you too!” In the back of her mind, she knows that it’s already too late – people are executed for far less than what Rama is doing, which is continuing to walk forward.
He sighs audibly, not even pausing his forward momentum. “I’m sorry,” he says, and for some reason, Sita genuinely believes that he is. “You know I’d do anything for you, but there’s something I haven’t told you yet about me.”
Shouldn’t that be Sita’s line? “What,” she croaks, captivated by how he’s somehow holding the group hostage, each of them curiously watching as he walks right up to wear Sita and her companion stand against the wall. “Please,” she sobs, breaking her own vow to face death with dignity, “if you’ve ever cared about me, you would leave.”
Rama’s fingers come up to trace Sita’s bruised eye, her puffy lip, the cut at her cheekbone. “Concussion?” he asks, completely ignoring Sita’s plea.
“It hardly matters,” she says, “when I’m going to die in about five minutes. Just like you will if you don’t leave right now.”
Rama hums, right hand shifting down to her thigh, where her gun is strapped. Sita’s eyes widen as though the fabric he seems to be easing the gun out and up to where the fabric wraps around her waist. Left hand still caressing her cheek as the right holds the gun in place against her stomach, he leans in to gently kiss Sita’s forehead.
“All three of us are going to live tonight,” he says, so confident that it seems as if it would be absurd for Sita to think anything else as if even three against 10 the odds are stacked firmly in their favor. “Hold this for me?”
Sita’s hand shifts down to the gun still hidden in the fabric as Rama steps away and turns, his hands now busy divesting himself of his tuxedo jacket and the bowtie Sita had so painstakingly learned how to tie for him earlier.
“Now,” he says casually, as everyone watches him worry at his cufflinks, dropping them in the pile now at Sita’s feet, later followed by his wedding ring. “Unfortunately for you all this means that you will not be surviving this encounter. Do you have any last words?”
The leader laughs. “Are you fucking kidding me?”
Rama’s left-hand reaches out behind him. Sita, as if in a trance, dutifully fishes out the gun and places it in his hand before realizing that she has something she needs to say before it’s too late. His own confidence gives her some of her own, but still how could he possibly win? How will they possibly survive – and if, against all odds they do, what on earth is she going to say?So: “I love you,” she blurts out, smiling slightly when Rama’s head twists to look at her, incredulous, but before he can respond the first bullet fires and he explodes into action.
For the first two minutes, the fight is 10 against 1 and still, Rama makes it look like child play. Weaving in and out, every shot he fires taking down at least one if not more of the men against him. At some point, he grabs another gun and tosses it in Sita’s direction, whose entrance into the melee serves to turn the tide even further. At least she’s always been a good shot, she thinks to herself, taking a man out even when her head rings with what she knows her husband accurately diagnosed as the beginning of a concussion. Part of her can’t do anything but watch as her studious, gentle husband breaks someone’s nose before shooting them through the heart.
Within five minutes, it’s over. Just like Rama said, all ten men are dead at their feet. The gun drops out of his hand, slippery now with other people’s blood. Sita’s kill count is 2. He’s just killed eight men.
“I…” Sita starts, realizing she doesn’t know what to say. She swallows, looking at the carnage around her and tries again to reconcile the sight with Rama’s soft sweaters, old fashioned glasses, and aversion of horror films. “How?”
Rama purses his lips. “Same as you,” he says, wiping his hands on his pants with a grimace. “Mother Kaikeyi trained me, and while I was in India I was sent on assignment.”
Sita pauses. “You’re a spy?” Even as she says it, she knows that she’s in no position to speak with such scandal in her voice – yet, she thinks, she had thought she knew him, that he had trusted her.
Rama laughs as he never has: short, hollow, bitter. “No,” he says, “not anymore. And even when I was, I was more of a hitman than anything else. I quit and moved away, and I assume that’s why Mother Kaikeyi sent someone to make sure I didn’t step too far out of line as a rogue element.”
Somehow, Sita thinks, this is worse than she imagined. “No,” she says, rushing forward, hands wringing as if he’s looking again at her first credit card bill. “I asked at the beginning. It was never about you.”
Rama is silent for a moment that seems to stretch endlessly as the adrenaline wears off for Sita, and her aches start to make themselves known. Her face throbs, her head spins, and there’s something in the vicinity of her ribs that twinges while she stands still – not broken, she doesn’t think, but maybe bruised? Rama’s hands, almost as if it were against his mind’s will, come to stop her hands and tangle his fingers in his own as they do nothing but stare into the darkness over the other’s shoulder. “I’m glad that that’s what you were told,” he says eventually, and Sita suddenly realizes that there is an entire lifetime’s worth of complication she hadn’t known existed.
“I wasn’t told anything,” she says, sure now that Dasaratha knows at least part of Kaikeyi’s truth, because why else would Kaikeyi have made sure that Sita walked into her relationship as transparent as possible. “Everything we shared was real.” She pauses, uncertain. “At least from my end.”
Rama’s hands are like vices, clutching Sita’s fingers so hard it feels like he’s cut her circulation. “From mine as well. So when you just said–”
“Yes,” Sita says, unable to say now what fear of imminent death had so successfully inspired. “Before, I was afraid of you finding out about me, but yes of course.”
Rama exhales. “I’d hoped that’s what was stopping you, but I was never entirely sure that you really were one of Mother Kaikeyi’s recruits,” he smiles with a hint of self-deprecation. “You’re a good actor, you know.”
“No,” Sita says, bringing her hands up to cup his face, finally deciding to be brave. “I’m really not.” She leans in.
Their first kiss is gentle, tastes just slightly like blood, and ends quickly when Sita’s lip is irritated and makes itself known. It’s perfect.
“I love you,” Rama breathes into the sliver of space when they part, one hand drifting to hold her at the waist, another rubbing small circles into the nape of her neck. Sita’s head spins, and not only from the concussion.
“Hey,” she hears from somewhere behind. “I’m glad you two seem to have made up…and also …. that we’re all alive. But can we go now?”
Sita laughs, and then immediately regrets doing so. “Yes,” she says as Rama holds her still, “let’s go.”
If aegon is the sun and helaena is the moon are jaehaerys, jaehaera and maelor their world? The moon revolves around the earth, and both the moon and the earth revolves around the sun, finding warmth. And the sun gives it to them, it gives them light, warmth and life. During the day the sun grants its light upon the earth and during the night, the moon looks over its world, glistening even in the darkest night, with the light it borrows from the sun, and the sun never asks for anything in return. They exist in the same panel yet they never meet, their world is their middle ground, the string that connects them. And if the sun and the moon ever met, we know it would be an apocalypse.
Moon is goddess, wife of sun
"Icarus" -
Prints
Speedpaint and process breakdown for this piece is on Patreon, plus many other art tutorials, exclusive Patreon artwork, and more! 🌺 April is almost over, so that means there are only a few more days (!!!) left to grab this month's pin. Don't miss out on these limited quantity pins.
Guess who finished Heros of Olympus The Lost Hero.
Me.
(Also look at the tags you will get more from me there)
I see the vision chat.
look at them
look at them rn
lmao it really looks like an animation tbh
Oh he was goin thru it while I was drawing
hear me out-
elemental x bnha crossover art-
(imagining shoto is sm fun ahafahadfhd)
The Man who is Loved by his Ship
A student once asked anthropologist Margaret Mead, “What is the earliest sign of civilization?” The student expected her to say a clay pot, a grinding stone, or maybe a weapon. Margaret Mead thought for a moment, then she said, “A healed femur.” A femur is the longest bone in the body, linking hip to knee. In societies without the benefits of modern medicine, it takes about six weeks of rest for a fractured femur to heal. A healed femur shows that someone cared for the injured person, did their hunting and gathering, stayed with them, and offered physical protection and human companionship until the injury could mend. Mead explained that where the law of the jungle—the survival of the fittest—rules, no healed femurs are found. The first sign of civilization is compassion, seen in a healed femur.
— Ira Byock, The Best Care Possible: A Physician’s Quest to Transform Care Through the End of Life (x)
Who needs an emotional support cactus?
for whom good omens is being written
Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:
The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.
And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:
'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."
'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'
He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'
(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'
And, finally, this paragraph:
"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"
I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.
Share this post, if you can, please, so that more people can read these excerpts :")
Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)
It’s practically 2014 and you guys still don’t know how to google if an article is real or not before giving it 100,000 notes
At the Hoover dam
I tried to find a scene where I could draw the new Percy Jackson actors but I think I’m done with them now lmao (they’re cool and all, but I’ll stick to my design… also Annabeth isn’t in this ig)
Also couldn’t be bothered to look up a reference sorrynotsorryyyy
Soooo i just got tiny living for my sims 4 game. Spent hours making a cute lil family, just a mom and toddler daughter living in a tiny home. With a biiig garden yard. Mom had a Murphy bed down stairs, toddler had the upper loft area.. litterially the FIRST NIGHT of the FIRST TIME im using this oack and the murphybed, the mom gets killed by the bed! Litterially the first time i used it!...just sims things!
i will think about thisfor days...
my music taste is not very elegant
it's emo
wallace fans: what are songs you associate with him? or are there any secret playlists out there i can listen to? pls my crops are dying--
:00000
they UNITE!!
I finally finished Steven! And now he's reunited with his husband <3