Find your tribe in a Sea of Creativity
ALL Of This - Blog Posts
art takes hours to produce and seconds to consume so dont act suprised when artists get upset when their posts only get likes and no reblogs
similarly a piece of writing that takes a few minutes to read could have weeks of work behind it… dont take creativity for granted when ur getting it for free
part 2 of this
run down - Dib used the only power source he had (his phone) to save Zim’s life within those 10 minutes- scavenging any resources he could within Zim’s dead and dark base.
The Silenced Victims Meta
Similar to both Severus Snape and Ben Solo, Billy got the same narrative treatment of an abuse victim who didn’t “cope properly” being punished by no one giving a shit except that one “special person” bullshit and I hate it.
Because what a backhanded ass concept.
Harry for Severus: Harry is literally the only person alive who knows or cares about everything Severus did in the background for years to stop Voldemort. The only one who gave a shit about his own father’s bullying of Severus and showed to be disgusted with it.
Rey for Ben Solo: Again, the only person left alive who knows about Ben’s abuse by Snoke and him sacrificing his life for her. Hell, it’s not even known if Ray told anyone about it. She’s the only one who mourned his death (thanks novels) and saw him as a human and not a monster.
Max for Billy: Once again, only person that gives a shit that he’s dead (yeah know besides his abuser) only person that seems to care about his sacrifice. Oh, and let’s not forget the kick in the face line of “Your braver than you’re brother.” You know your brother who tried to fight off an interdimensional mind controlling monster for weeks alone. The one who sacrificed his life to stop it from, who knows taking over the world. But who cares about that, the writers clearly don’t.
So, have you guys noticed a fucked up pattern here?
Abuse victim who did not cope properly must sacrifice their life for some great or good, and even than what they did will never fully be recognized.
Even in death the narrative is still actively punishing them, by either lack of acknowledgement or their sacrifice being reduced. Similar to the very abuse they faced.
Notice something else these three all have in common? No support system. No one to turn to, no one to acknowledge their abuse, no one to help them. And yet this itself isn’t even acknowledged or even brought to attention in the story.
Now in the end am I saying all these writers planned this narrative? No
But am I pointing out how strangely common this formula is? Yes
Because it gives a message. Those who react badly to their abuse via anger or bad coping mechanisms deserve the bare minimum in storytelling.
They don’t get redemption arcs. You don’t get to see them heal, see them progress. Because they’re sacrifice was all they were in the end and even that won’t be acknowledged. Even in death they’re silenced once again.
i would love to hear more of your thoughts on michael shelley!!! 🌀🚪✨
you're in luck because i've sat on thoughts about him for years and i finally feel like i can articulate them. because michael shelley is such a well written case of tragic horror in the horror tragedy podcast. and, despite my criticisms of season 5, it really did do an excellent job in concluding his character arc with the gertrude backstory episode. in a podcast where a common in-universe theme is that knowledge, and the pursuit of knowledge, is dangerous, michael is a subversion in that his ignorance of the horrors of the world he lived in not only didn't save him, but was intentionally engineered to make him vulnerable to exploitation and harm (which, on a broader scope, emphasises the futility of the world of the magnus archives - regardless of whether you participate in or turn a blind eye to the systems at play, involved or uninvolved, you are not safe).
furthermore, i really appreciate the subversion of traditional tropes of the sacrifice as a typically female figure taken advantage of by a male father, brother, or lover, whose tragic and horrible death is used to motivate him (whether to greatness or self-destruction), with michael being a son sacrificed by his mother (or grandmother) figure, who never actually loved him and whose 'frail' and 'nurturing' qualities were weaponised incompetence used to gaslight and manipulate him - and who continues to operate successfully (at least in terms of what can be said to be 'success' in a world like the magnus archives) without being haunted by any apparent doubt about the decision she made, or any hesitation to use others in similar ways, following this betrayal. which makes the fact that he's sewn into the fabric of a being that represents lies in their most insidious form, used as a weapon to devour people and destroy their lives, all the more abhorrent in hindsight - he is forced to not only relive his trauma in an endless loop (or spiral, if you will), but to become the mechanism which enables it. michael is taken to the edge of something evil (at least from a human perspective), and pushed over the threshold with no hope of recourse. there's almost a reverse orphic quality to it - he descends into terrifying other world, one which exists side-by-side with but fundamentally seperate from his own, against his will, and looking back will only cause him pain as he's assaulted by memories of a life he will never be able to reach.
i think a lot of people forget to look past the surface with michael, despite there being an entire episode dedicated to doing so. which is understandable, he's a very outwardly expressive character - but this is intentional obfuscation to hide an incredibly damaged victim whose hatred of this part of himself is integral to his entire reason for being, and which the rejection of causes him to be unmade, incapable of existing as this contradictory nightmare any longer. it's a mercy killing, and yet it is violent and painful, because michael cannot and should not exist, and excising that graft used to muzzle the distortion is as agonising as latching it into place was in the first place. when michael-the-distortion says about michael shelley "he was born. he was pointless. and he should have died." there is an implicit longing there, a rage at the way he was used, his decisions made for him and used to imprison something else instead of ever being allowed to exercise any measure of free will. because michael shelley probably would have died for the archivist, given the opportunity, but he never got the choice.
HES SO PERFECT OH MY GOD!
he is my favorite qing jing disciple oKAY
design by @berriecherry, u draw him exactly like how i imagine him!!!!!
✦TWITTER VERSION
Sebastian’s thoughts on the ending of Avengers Endgame, Jus In Bello 2019. Video credit to spacesoul on Twitter.
