Tesla reveals solar roof tiles
Electric carmaker Tesla has unveiled a new design of solar roof panels with integrated photovoltaic cells that are not visible from the outside. The tiles, made from glass, are intended to be a more attractive way to add solar panels to homes, by disguising the cells through a coloured film.
Presenting the new tiles for the first time, Elon Musk, Chief Executive of Tesla, said, ‘We need to make solar panels as appealing as electric cars have become. The goal is to have solar roofs that look better than a normal roof.’
Musk demonstrated in the launch the strength of his new roofing product, testing heavy weights on three common roofing shingles as well as his own. The Tesla roof was the only one that could withstand the weight and pressure. ‘It’s made of quartz. It has a quasi-infinite lifetime,’ explained Musk.
The new roof will be offered in four designs including Tuscan glass, slate glass, textured glass and smooth glass tile. Elon Musk presented the Solar Roof during a Tesla event at Universal Studios, USA.
In other news:
· New surfaces repel water in oil as well as oil in water
· Rewritable material could help reduce paper waste
· Ministers reject calls for 5p charge on UK’s disposable coffee cups
· Electric current used to track water in concrete
To find out more on materials science, packaging and engineering news, visit our website IOM3 or follow us on Twitter @MaterialsWorld for regular news updates. You can also now get access to our content any time, offline and online, anywhere via our app. For more information, visit app.materialsworld.org
What can we learn from ants and plants?
That’s what IBMer Mauro Martino set out to answer in his award-winning data visualization, Network Earth. It explores nature’s interconnected relationships, and how they affect each other and our planet. By making the complex but important topics easier to visualize, we hope to help make more of them accessible to all.
If we want to understand what gives a metal its color we first need to understand a little bit about the definition of a metal. Metals are materials that experience metallic bonding - wherein the atoms are so close that there is a veritable “sea of electrons” in the substance. (This is also what makes metals conductors, but that’s another story). Basically each atom donates an electron or two that is free to flow throughout the material, unattached to any particular nucleus.
This proximity leads to an overlap in the allowed energy levels of electrons (shown in the lower left hand image above); basically the higher empty electronic levels are so close to the uppermost filled levels (also called the Fermi level) that they form an essentially continuous band of allowed energies.
Now, backtracking a little bit, color in a substance is caused when a material doesn’t absorb a particular wavelength of light. Because of the empty energy levels mentioned above, metals generally can absorb all wavelengths of light in the visible spectrum. This implies that a metal should look black, except that the excited electron can immediately fall back to the state that it came from, emitting exactly the same energy, causing a flat piece of metal to appear reflective. Thus, the reason why most metals are silver. (Also, the flatter a metal, the more reflective, thanks to diffuse vs. specular reflection).
For a few select metals, like copper and gold, the absorption and emission of photons are noticeably dependent on wavelength across the visible part of the spectrum. The graph in the lower right image above shows the reflectance of aluminum, silver, and gold, including wavelengths in the infrared and ultraviolet. Aluminum is pretty reflective overall, and silver is highly reflective in the visible region (about 400 to 700 nm), but gold clearly absorbs wavelengths about 500 nm or below. Thus, it most strongly reflects yellow, giving it its characteristic appearance.
Sources: (first image), 2 (second image), 3 (third image), 4
One of my math professors always told me:
Understand the concept and not the definition
A lot of times I have fallen into this pitfall where I seem to completely understand how to methodically do something without actually comprehending what it means.
And only after several years after I first encountered the notion of cross products did I actually understand what they really meant. When I did, it was purely ecstatic!
I mean this is one of the burning questions regarding the cross product and yet for some reason, textbooks don’t get to the bottom of this. One way to think about this is :
It is modeling a real life scenario!!
The scenario being :
When you try to twist a screw (clockwise screws being the convention) inside a block in the clockwise direction like so, the nail moves down and vice versa.
i.e When you move from the screw from u to v, then the direction of the cross product denotes the direction the screw will move..
That’s why the direction of the cross product is orthogonal. It’s really that simple!
Now that you get a physical feel for the direction of the cross product, there is another way of looking at the direction too:
Displacement is a vector. Velocity is a vector. Acceleration is a vector. As you might expect, angular displacement, angular velocity, and angular acceleration are all vectors, too.
But which way do they point ?
Let’s take a rolling tire. The velocity vector of every point in the tire is pointed in every other direction.
BUT every point on a rolling tire has to have the same angular velocity – Magnitude and Direction.
How can we possibly assign a direction to the angular velocity ?
Well, the only way to ensure that the direction of the angular velocity is the same for every point is to make the direction of the angular velocity perpendicular to the plane of the tire.
Problem solved!
“The biggest challenge facing a real-life cloak has been the incorporation of a large variety of wavelengths, as the cloak’s material must vary from point-to-point to bend (and then unbend) the light by the proper amount. Based on the materials discovered so far, we haven’t yet managed to penetrate the visible light portion of the spectrum with a cloak. This new advance in metalenses, however, seems to indicate that if you can do it for a single, narrow wavelength, you can apply this nanofin technology to extend the wavelength covered tremendously. This first application to achromatic lenses covered nearly the full visible-light spectrum (from 470 to 670 nm), and fusing this with advances in metamaterials would make visible-light cloaking devices a reality.”
What would it take to have a true cloaking device? You’d need some way to bend the light coming from all across the electromagnetic spectrum around your cloaked object, and have it propagate off in the same direction once it moved past you. To an outside observer, it would simply seem like the cloaked object wasn’t there, and they’d only view the world in front of and behind them. Even with the recent advances that have been made in metamaterials, we have not yet been able to realize this dream in three dimensions, covering the entire electromagnetic spectrum, and from all directions. But a new advance in metalens technology might get you the full electromagnetic spectrum after all, as they appear to have solved the problem of chromatic aberration with a light, small, and inexpensive solution. If we can combine these two technologies, metalenses and metamaterials, we just might realize the dream of a true invisibility cloak.
Whether you’re a Star Trek or Harry Potter fan, the ability to turn yourself invisible would be Earth-shattering. Come see how transformation optics might transform the world!
The diversity of shapes and forms which meets the eye is overwhelming. They shape our environment: physical, mental, intellectual. Theirs is a dynamic milieu; time induced transformation, flowing with the change of light, with the relative movement to the eye, with physical and biological transformation and the evolutionary development of the perceiving mind. “Our study of natural form “the essence of morphology”, is part of that wider science of form which deals with the forms assumed by nature under all aspects and conditions, and in a still wider sense, with forms which are theoretically imaginable ..(On Growth and Form D'Arcy Thompson), “Theoretically” to imply that we are dealing with causal- rational forms. “It is the business of logic to invent purely artificial structures of elements and relations. Sometimes one of these structures is close enough to a real situation to be allowed to represent it. And then, because the logic is so tightly drawn, we gain insight into the reality which was previously withheld from us” (C. Alexander). A particular interest should be focused on those structures which are shaped like solids or containers, with continuous two-manifold enveloping surfaces, enclosing a volume of space and thus subdividing the entire space into two complementary sub-spaces, sometimes referred to as interior and exterior, although telling which is which, is a relativistic notion. On each of these envelopes, topologically speaking, an infinite number of different maps composed of polygonal regions (faces), which are bounded by sets of edge segments and vertices, could be drawn, to represent what we call polyhedra, or polyhedral envelopes. We come to know them by various names and notations, evolving through many historical cultures up to our present times; each representing an individual figure-polyhedron, or a family, a group, a class or a domain; convex-finite, Platonic and Archimedean polyhedra; pyramids, prisms; anti-prisms; star polyhedra; deltahedra; zonohedra; saddle polyhedra, dihedral, polydigonal, toroidal, sponge like, finite and infinite polyhedra; regular, uniform, quasi-regular, and so forth; all inscribable in our 3-dimensional space. It is these structures and their extended derivatives which shape our physical-natural or artificial man-conceived environment and provide for our mental pictures of its architecture. The number of forms which had acquired a name or a specific notation through the ages is amounting to infinity, although the number of those which comprise our day to day formal vocabulary and design imagery is extremely (and regretfully) limited by comparison, even amongst designers and architects, whose profession, by definition, compels them to manipulate and articulate forms and space. Here it is right to observe that name-giving is part of the creative and generative process. The number of polyhedral forms which did not receive, as yet a proper name or a notation is also infinite. Infinite is also the number of potentially existing and possible imaginary periodic forms, not envisaged yet. Conspicuous are those relating to sponge-like labyrinthian, polyhedral, space dividing surfaces, which until quite recently were not even considered as a research topic. The interest in these forms has been prompted by our growing awareness of their abundance in nature and their importance, not only in describing micro and macro-physical and biological phenomena, but also in coping with morphological complexity and nature of our built environment and its emerging new architecture and the order and formal character of our living spaces, on either the building or the urban scale. Nature is saturated with sponge structures on every possible scale of physical-biological reality. The term was first adopted in biology: “Sponge: any member of the phylum Porifera, sessile aquatic animals, with single cavity in the body, with numerous pores. The fibrous skeleton of such an animal, remarkable for its power of sucking up water”. (Wordsworth dictionary). the entire study here
© Michael Burt- Prof emeritus, Technion, I.I.T. Haifa Israel
Flat tires could eventually be a thing of the past. Michelin has unveiled the concept for a 3-D printed, airless tire.
follow @the-future-now
Also known as Lipowtiz’s alloy as well as the commercial names of Cerrobend, Bendalloy, Pewtalloy, and MCP 158 among others, Wood’s metal is a bismuth alloy consisting of 50% bismuth, 26.67% lead, 13.33% tin, and 10% cadmium by weight. Named for the man who invented it, a Barnabas Wood, Wood’s metal was discovered/created by him in 1860.
Wood’s metal is both a eutectic and a fusible alloy, with a low melting temperature of approximately 70 °C (158 °F). While none of its individual components have a melting temperature of less than 200 °C, a eutectic alloy can be considered as a pure (homogeneous) substance and always has a sharp melting point. If the elements in a eutectic compound or alloy are not as tightly bound as they would be in the pure elements, this leads to a lower melting point. (Eutectic substances can have higher melting points, if its components bind tightly to themselves.)
Useful as a low-temperature solder or casting metal, Wood’s metal is also used as valves in fire sprinkler systems. Thanks to its low melting temperature, Wood’s metal melts in the case of a fire and thanks to the bismuth it is made from, the alloy also shrinks when it melts (bismuth, like water ice, is one of the few substances to do so) which is the key to setting off the sprinkler system. Wood’s metal is also often used as a filler when bending thin walled metal tubes: the filler prevents the tube from collapsing, then can be easily removed by heating and melting the Wood’s metal. Other applications include treating antiques, as a heat transfer medium in hot baths, and in making custom shaped apertures and blocks for medical radiation treatment.
With the addition of both lead and cadmium, however, Wood’s metal is considered to be a toxic alloy. Contact with bare skin is thought to be harmful, especially once the alloy has melted, and vapors from cadmium containing alloys are also quite dangerous and can result in cadmium poisoning. A non-toxic alternative to Wood’s metal is Field’s metal, composed of bismuth, tin, and indium.
Sources: ( 1 - image 4 ) ( 2 - image 2 ) ( 3 ) ( 4 )
Image sources: ( 1 ) ( 3 )
Our ongoing exploration of the solar system has yielded more than a few magical images. Why not keep some of them close by to inspire your own explorations? This week, we offer 10 planetary photos suitable for wallpapers on your desktop or phone. Find many more in our galleries. These images were the result of audacious expeditions into deep space; as author Edward Abbey said, "May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view.”
This self-portrait of NASA’s Curiosity Mars rover shows the robotic geologist in the “Murray Buttes” area on lower Mount Sharp. Key features on the skyline of this panorama are the dark mesa called “M12” to the left of the rover’s mast and pale, upper Mount Sharp to the right of the mast. The top of M12 stands about 23 feet (7 meters) above the base of the sloping piles of rocks just behind Curiosity. The scene combines approximately 60 images taken by the Mars Hand Lens Imager, or MAHLI, camera at the end of the rover’s robotic arm. Most of the component images were taken on September 17, 2016.
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NASA’s New Horizons spacecraft captured this high-resolution, enhanced color view of Pluto on July 14, 2015. The image combines blue, red and infrared images taken by the Ralph/Multispectral Visual Imaging Camera (MVIC). Pluto’s surface sports a remarkable range of subtle colors, enhanced in this view to a rainbow of pale blues, yellows, oranges, and deep reds. Many landforms have their own distinct colors, telling a complex geological and climatological story that scientists have only just begun to decode.
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On July 19, 2013, in an event celebrated the world over, our Cassini spacecraft slipped into Saturn’s shadow and turned to image the planet, seven of its moons, its inner rings — and, in the background, our home planet, Earth. This mosaic is special as it marks the third time our home planet was imaged from the outer solar system; the second time it was imaged by Cassini from Saturn’s orbit, the first time ever that inhabitants of Earth were made aware in advance that their photo would be taken from such a great distance.
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Before leaving the Pluto system forever, New Horizons turned back to see Pluto backlit by the sun. The small world’s haze layer shows its blue color in this picture. The high-altitude haze is thought to be similar in nature to that seen at Saturn’s moon Titan. The source of both hazes likely involves sunlight-initiated chemical reactions of nitrogen and methane, leading to relatively small, soot-like particles called tholins. This image was generated by combining information from blue, red and near-infrared images to closely replicate the color a human eye would perceive.
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A huge storm churning through the atmosphere in Saturn’s northern hemisphere overtakes itself as it encircles the planet in this true-color view from Cassini. This picture, captured on February 25, 2011, was taken about 12 weeks after the storm began, and the clouds by this time had formed a tail that wrapped around the planet. The storm is a prodigious source of radio noise, which comes from lightning deep within the planet’s atmosphere.
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Another massive storm, this time on Jupiter, as seen in this dramatic close-up by Voyager 1 in 1979. The Great Red Spot is much larger than the entire Earth.
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Jupiter is still just as stormy today, as seen in this recent view from NASA’s Juno spacecraft, when it soared directly over Jupiter’s south pole on February 2, 2017, from an altitude of about 62,800 miles (101,000 kilometers) above the cloud tops. From this unique vantage point we see the terminator (where day meets night) cutting across the Jovian south polar region’s restless, marbled atmosphere with the south pole itself approximately in the center of that border. This image was processed by citizen scientist John Landino. This enhanced color version highlights the bright high clouds and numerous meandering oval storms.
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X-rays stream off the sun in this image showing observations from by our Nuclear Spectroscopic Telescope Array, or NuSTAR, overlaid on a picture taken by our Solar Dynamics Observatory (SDO). The NuSTAR data, seen in green and blue, reveal solar high-energy emission. The high-energy X-rays come from gas heated to above 3 million degrees. The red channel represents ultraviolet light captured by SDO, and shows the presence of lower-temperature material in the solar atmosphere at 1 million degrees.
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This image from NASA’s Mars Reconnaissance Orbiter shows Victoria crater, near the equator of Mars. The crater is approximately half a mile (800 meters) in diameter. It has a distinctive scalloped shape to its rim, caused by erosion and downhill movement of crater wall material. Since January 2004, the Mars Exploration Rover Opportunity has been operating in the region where Victoria crater is found. Five days before this image was taken in October 2006, Opportunity arrived at the rim of the crater after a drive of more than over 5 miles (9 kilometers). The rover can be seen in this image, as a dot at roughly the “ten o'clock” position along the rim of the crater. (You can zoom in on the full-resolution version here.)
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Last, but far from least, is this remarkable new view of our home planet. Last week, we released new global maps of Earth at night, providing the clearest yet composite view of the patterns of human settlement across our planet. This composite image, one of three new full-hemisphere views, provides a view of the Americas at night from the NASA-NOAA Suomi-NPP satellite. The clouds and sun glint — added here for aesthetic effect — are derived from MODIS instrument land surface and cloud cover products.
Full Earth at night map
Americas at night
Make sure to follow us on Tumblr for your regular dose of space: http://nasa.tumblr.com
Researchers have built the first robot made of soft, deployable materials that is capable of moving itself without the use of motors or any additional mechanical components. The robot “walks” when an electric current is applied to shape-memory alloy wires embedded in its frame: the current heats the wires, causing the robot’s flexible segments to contract and bend. Sequentially controlling the current to various segments in different ways results in different walking gaits.
The researchers expect that the robot’s ability to be easily deployed, along with its low mass, low cost, load-bearing ability, compact size, and ability to be reconfigured into different forms may make it useful for applications such as space missions, seabed exploration, and household objects.
The scientists, Wei Wang et al., at Seoul National University and Sungkyunkwan University, have published a paper on the new robot and other types of deployable structures that can be built using the same method in a recent issue of Materials Horizons.
“The main advantage of this modular robot is robustness in various environments due to lack of mechanical systems such as motors and gears,” coauthor Sung-Hoon Ahn at Seoul National University told Phys.org. “Thus, problems facing motor-based robots, such as sealing and lubrication of mechanical systems in water or space environments, are not a problem for the smart actuator.”
Read more.
Cloud watching is one of the most pleasurable activities on the planet. You don’t need any fancy equipments or spend money to experience it. Just find a spot to rest and witness the show that nature has to offer.
It is the most breathtaking experiences one can ever resonate with.
Fellow cloud watchers from the past have identified 3 primarily forms of clouds that seems to be consistent everywhere and have named it based on its structure, for the sake of convenience.
Cirrus in Latin means Tendril or hair. The clouds that are like long slithers in the sky, are called by this name.
Cumulus in Latin means Heap or pile. They just look heaps of white floaty objects in the sky.
Status in Latin means Layer or sheet. They occur when startas of clouds stack on top of each other.
Clouds are constantly merging and doing all sorts of crazy stuff and they rarely maintain the same shape as you might have already observed
To account for this, dude named Howard brilliantly came up with a elegant nomenclature.
If a Cirrus type cloud after some time transforms into a Stratus type, it is known as Cirrostratus.
If a Cirrus type cloud after some time transforms into a Cumulus type, it is known as Cirrocumulus
If a Stratus type cloud after some time transforms into a Cumulus type, it is known as Stratocumulus
And so on, you get the idea right. By merely observing the transformation pattern of the clouds, you can tell its name.
This helps in setting up something of a standard to express in words what you behold, although it will never exactly be the same that someone else has in mind.
Language is our means of expression. Sometimes we stick with the conventions that had been established by pioneers. Now, that doesn’t need to be the easiest way.
For instance QWERTY keyboard is not the best keyboard to type in, but we still follow it as a convention.
Fortunately, cloud watching conventions are so much intuitive than many others out there!
Have a good day.
PC: Ted-ed PiccoloNamek, Nissim Angdembay
( Part -2 coming out soon )