Well, I was re-re-re-reading some chapters of manga (I can't help it, sorry) and I'd noticed one thing about Gen' cards.
But first, when and who made one of the most powerful trick of this cute mentalist?
Let's start straight (or not, in this case?).
↘️⬇️↙️
In chapter 70, paper (and the possibility to make sheets to draw and write on them) is acquired by the Science team. So I don't think Gen' cards already existed before this chapter because they made by paper with a touch of plastic (I supposed because the paper it was more easy to draw something on but only paper isn't enough).
In chapter 82, Gen remembered Senkuu' words about the entertainment (so like his own magic show) and how they will come back. I wanted to include it because from chapters 70-81, Senkuu and all of them in general had zero (0) chills to make something of frivolous like cards. So when Gen' cards could be made? Maybe after this chapter?
In chapter 84, finally we could see one of the cards: the Joker + Gen explained one of his psychological tricks.
Had you noticed? The Joker had a sort of title.
Uncertainty Principle.
It wasn't a psychological or magical concept but a scientific one. The Uncertainty Principle was also known as Heisenberg's uncertainty principle. Google-chan was trying to explain to me what it was but it wasn't important for this post, so let's forget about what it was but not that it was a scientific concept.
Also the double faced joker here had the same scar of Gen.
Cute.
🌻
In chapter 88, we could more of his cards. On the cards were written Tarot Gen Card (and they hadn't the pattern motive that they had in few chapters before).
At first I thought that there was something strange but Wikipedia-chan explained that even cards like these that Gen used could be called like this. For Tarot Cards I did mean another type...
Btw, in this chapter we also saw another card. 3 of hearts that had a title as well.
Theory of Evolution.
This one is an another scientific concept like that for the joker's card. It's a reference to theory of evolution made by Charles Darwin, of course.
So here we go with my theories:
1) Gen made these cards by himself
I mean, he needed them and finally he had all materials to use. Tarot Gen Cards are useful for good (little show that he could make as it was shown in a small photo in this panel from chapter 99)
or "evil" magic tricks (when it was to make his and Senkuu's interests went well). This could be valid because on cards there was Gen's name (normally on something made by Senkuu there was always his name).
2) Gen asked to Senkuu to make these cards
Gen was very lazy. He needed cards and he asked them to Senkuu for the same reasons that I'd said above. Also Senkuu maybe could draw (we didn't know nothing about Gen's other skills) or they asked to the little child from the Village to draw a few illustrations on cards lol
3) Senkuu made them for Gen as a gift (after all, Gen has made for him the telescope)
Yes, same reasons above but there was more. Senkuu didn't express his feelings and he preferred to do something concrete for who he loved and cared about. So he made cards with Gen's name but call them with scientific concepts also to teached them to Gen.
The scene that I've pictured in my mind is like this:
"A mentalist like you have to have cards with him... So here we go. Use them for Science Kingdom's Sake."
"Have you given to me a present, Senkuu-chan~? For what? I'm not complaining."
"It's not a present, it's for your mentalist job. Use them for tricking who wants to trick us."
"Wait... Why has every card a different scientific principle on it?"
"Because you can study them now."
"Have I to study here too? Tewwible!"
And I've done, let me know what do you think, if you mind or if you want me to focus on something else about SenGen or Dr. Stone story 🃏
If the current Eren answered (?
Luyong Baybay, A Philippine goddess who was in love with the moon. Her name means “She who was born from the waves”.
in cities and towns, you won’t really have to worry about this but it’s important to be careful and respectful of the land you plan to cross, especially if it’s your first time visiting and especially if it’s in a forest. land spirits like duwende live in trees, rocks, dirt mounds, caves, and pretty much everywhere else. duwende can be playful but will get angry if you destroy/disrespect their home, so always ask permission before you pass through and don’t spit, urinate, or even run around ((be really careful not to crush mounds))
I had the habit of whistling the call of birds when the wind is saturated. It’s not like I believe in it, but oftentimes, I suddenly feel the wind coming after one set of call. I learned it from the elders, and I’m still seeing some youth do it.
One time, I was with a non-local friend (he’s Filipino, just very westernized) and we were walking under the harsh sun with no wind. I whistled, and a gush of wind came. He asked why did I do that, to which I answered while the wind brushed my hair, “I’m calling the wind.” with such a serious voice I might be a diety. Later on I realized he doesn’t know about our force of habit, and since I didn’t want to be seen as crazy, I said, “FORGET ABOUT THAT! IT WAS A FORCE OF HABIT AROUND HERE.”
So yeah, we whistle for the wind. The only being in the universe you can whistle for.
the best thing about Trese is how it very carefully treads the fine line between urban fantasy, tropical gothic, and magical realism and how that specific brand of horror perfectly captures Manila's vibe because? honestly?
Manila really is Just Like That.
i go to Plaza Miranda and within seconds i will find a practicing mangkukulam selling cheap toys, tarot card readings, underwear, and curses all from the same stall in front of Quiapo Church. i have bought a curse off one of them once. i still have it in my bedside drawer because i chickened out last minute and never used it but now i'm too scared to get rid of it.
i walk through the informal settlers/squatter areas near my home and hear whispers of people dying in their sleep-- and it's almost always because of either two things: the police shot them in the night or because they brought something back with them from the province.
people disappear a lot. sometimes, they never find them again. sometimes, you only find parts of them. you're sure it's probably the work of a human but. you're never actually sure.
there are balete trees where you least expect them. there's one by one of the back roads leading to my office building and nobody wants to take it down because there's something living in it. same goes for the great sampalok tree in front of our office building. but they park their cars right next to them, paying a simple bow and "tabi, tabi po" as a parking fee. i try not to look at both trees when i pass by in the evenings on my commute home.
just last week my aunt called to casually tell me that they had their house blessed AGAIN because their maid had accidentally angered something the last time she visited her province of Nueva Ecija and everybody in the whole family has been waking up with scratches and bruises on their arms ever since. they had the house blessed by an abularyo this time because the first blessing from a catholic priest didn't work.
actually, my whole family on my grandmother's side is sensitive to this shit-- which explains the nonchalance, tbh. this isn't their first paranormal rodeo.
i know there is a branch of literary theory that studies why the development of magical realism, tropical gothic, and urban fantasy in fiction is largely credited to the global south (i.e. latin america, mainland asia, and south east asia), but fucking living in this bizarre city really drives it the fuck home.
there's at least two fucking balete trees near Manila's town hall. a building that is, by the way, shaped like a fucking coffin. i cannot make this up. it's so on-the-nose, it's like actual literary imagery right out of a magical realist/tropical gothic short horror story. and it's REAL.
and it's just normal here.
Guess who’s back, back again! Under the cut you’ll find a list of Filipino names with their gender, origin and meanings. If you have any you’d like to add, just go ahead and reblog the post with your own additions, and I’ll be sure to update them on the original post when I see them! Please like/reblog if this is helpful.
Keep reading
At the beginning of existence, before time even began to flow, there was the Sky and the Sea. The Sky was this burning, white-hot compression of Everything, condensed into a single point. The Sea was this flowing, ink-black expansion of Nothing, expanded over a vast multitude.
There was, and many storytellers today forget, a third character in this story. It was a being that flew between the Sky and the Sea, with nowhere to roost. For simplicity’s sake, we shall call her the Kite.
The Kite was getting tired, having flown for both no time at all and for eternity. She needed a place to rest. And so, she goaded the Sky and the Sea into a war with each other, saying to each that the other had insulted them. Angered, the Sky exploded and threw out solids and liquids and gases, while the Sea expanded even more, attempting to swallow the Sky in its darkness.
The Kite made sure to weave between the fighting entities, and when the dust settled, found that there were countless islands dotting the Sea. We call these islands today as “planets”. So satisfied, she alighted on one, and fell into a deep slumber. Such is how our universe came to be.
Trese, as a story that features various mythological creatures from the Philippines, may give the impression that all these beings belong to only one group. That's not how it is. For one, Ibu and Talagbusao are not from the same pantheon.
Here's an excerpt relevant to the series.
[Edit 6/14/2021] Just checked. Yep, this is definitely one of Budjette Tan's references. From the Trese: Mass Murders (Visprint ed) afterword:
While doing research for Trese's next villain, I read about the Talagbusao, the god of war, in "The Soul Book" and he sounded like a formidable foe. The more I thought about it, the more it made sense to me that the Kambal needed to be more powerful than any aswang or enkanto.
Transcription:
Below the Lord of the Upper Sky is a host of anitos or diwatas, many of whom can do as they please the more distant they are from him. According to Barton, who studied the Ifugao spirit world (1946), these spirits are believed to be immortal, to change form at will, to become invisible, and to transport themselves quickly through space. There are other attributes associated with these powerful spirits. While they can diagnose and cure illness, they can afflict men with misfortune, ill-luck, disease. They can recover a soul if it has been carried off, but they can also coax away a person's soul. Though they prevent the dead from molesting the living, they too cause death. Indeed they can devour parts of the living human body. Men's minds they influence to suggest courses of conduct, such as payment of debt without losing face; passions they dampen so that men will not fight during a celebration; and stomachs they tie to dull the appetite for food and drink. Those who propitiate them know that these invisible presences can increase rice even after it has been stored in the granary, ward off trespassers, make the hunt safe, and bring victory in battle.
Powerful spirits roughly divide into three categories: ancestor spirits, nature spirits, guardian spirits.
Some ancestors, particularly those who were outstanding in farming, hunting, warfare and the arts, acquired more and more powers in the memory of their descendants as time went on. They became fabulous beings. The more illustrious hero-spirits arc remembered in the great epics. Others arc remembered as culture heroes who taught their people new skills.
Some ancestral heroes (Cole 1916; de los Reyes 1909):
Lumabat - first Bagobo mortal to attain the Skyworld (Cole 1916).
Handiong - the hero of the Bikol epic who freed the land from the ravages of wild animals, brought Bikolanos rice, and planted the fruits.
Lumawig - taught the Bontok headhunting, agriculture, the art of building council houses and men's dwellings, and a code of ethics.
Bantugan - the charming, indestructible, much-wedded hero who could repulse any invasion. His cult probably began when the Maranaws were still animist.
Not all ancestral spirits become deified. Many remain nameless spirits residing in dark majestic trees and in the deep woods.
Nature Spirits reside in the natural environment, such as trees, rocks, crags, rivers and volcanoes. Humanlike, but much more powerful, these unseen beings are credited with feelings and sensibilities. Accordingly they may be offended and thus cause harm, or they may be propitiated and their friendship gained. Some spirits are represented as being sensitive to a fault as many Filipinos are when confronted with an unfamiliar or unpleasant situation. People do create spirits according to their likeness. On the other hand Frank Lynch, the anthropologist, says that the Filipino's care in handling interpersonal relations may in fact be the result rather than the cause of this belief in an environment filled with sensitive spirits (1970). In moving about, he takes care not to displease the many invisibles who could punish him.
Nature spirits can be either malevolent or beneficent. As in Philippine society as a whole, it all depends on how you deal with them. If you ignore them and hurt their dignity, they can make you sick; however, if you acknowledge them and ask permission to pass by and give them offerings on occasion, then they will reward you.
Some nature spirits:
The Lord of the Mound - spirit of an old man who lives in a termite mound. Throughout prehistoric Southeast Asia, the earth mound was a locus of power probably because of its phallic shape. "Tabi, tabi po baka kayo mabunggo" (Excuse me, please, lest I bump you) is the polite way to pass one of these inhabited hills. Though invisible, the nuno can be grazed and thus retaliate with a fever or skin rashes.
The Tree Dwellers - Spirits reportedly resided in trees. Thus the Mandayas, who are the largest ethnic group in southwestern Mindanao, believe that tagbanuwa and tagamaling are spirits who dwell in caves and balete trees. The belief persists to this day even among Christian Filipinos. The Ilokano pugot and the Tagalog kapre are gigantic, cigar-smoking black spirits who sit in deserted houses and up a balete or banyan tree with feet dangling to the ground. They can, however, assume any size they want including that of an infant. Engkantos also dwell in trees. But the term itself and the description of them as tall, fair-skinned and light-haired beings with high-bridged noses is post-hispanic. Engkantos, male or female, sometimes fall in love with mortals and lavish gifts on them (Ramos 1971).
The Babes in the Woods- probably the souls of foetuses or dead children. They arc called by the Ilokanos kibaan. The creature is a foot high, dwells in the fields, can be scalded with boiling water, and even die. The kibaan gift friends with gold, a cloak that confers invisibility and a large cup of coconut which is inexhaustible. To those who throw hot water at them, the kibaan scatter powder which produces a disagreeable affliction (de los Reyes 1909). Closely related is the Tagalog patianak which wails in the forest, like a baby, but inflicts harm. Common in pre-Christian times was the practice of exposing infirm deformed babies in the fields and forests (Alcina 1960). Their heart-wrenching wailing must have given rise to these beliefs.
Among traditional Filipinos, the embodiment of evil is a being that is neither fully human nor fully animal. It stands upright like human beings and has a face; but it preys on human flesh and makes the living sick so that when they die there is carrion for food. Unlike the devil of the Judaeo-Christian-Moslem tradition, this being does not harm the soul by tempting it to sin. The death it causes is physical rather than spiritual. Other spirits can be negotiated with: offerings and kind words win their toleration if not help. It is not possible to do so with these implacable beings. Thus people fear them the most.
The busaw feared by the Bagobos of Davao, people the air, the mountains and the forest. They are limitless in number. Most malignant is the busaw called tigbanua. One eye gapes in the middle of the forehead; a hooked chin two spans long upturns to catch the drops of blood that drip from the mouth; and coarse black hair bristles on the body (Benedict 1916). It frequents graves, empty houses and solitary mountain trails. Indeed it may make an appearance at any place outside the safety of one's home.
They are believed to preside over specific human activities such as birth, marriage, and death; over hunting, fishing, farming and fighting. Beneficent and powerful, guardian spirits generally rule from the sky; some, however, stay in their areas of responsibility on earth or in the underworld.
SOME GUARDIAN GODS
ON THE FARM
lkapati- Tagalog goddess of fertility. guardian anito of agriculture
Magbangal - Bukidnon planter god who became the constellation that appears to signal the start of the planting season
Damolag - an anito of the early Zambals who protects the fruiting rice from winds and typhoons
Lakan-bakod - Tagalog guardian god of the fruits of the earth who dwells m certam kinds of plants used as fences. Some anitos carry the title "Lakan" or Prince They could have been deified kinglets
Pamahandi - protector of carabaos and horses of the Bukidnon.
WHEN FISHING
Amansinaya - anito of fishermen of the ancient Tagalogs to whom they offer their first catch. Hence the term pa-sinaya ("for Sinaya") still used today. Following the theory of god-making, Amansinaya could be the soul of a maiden who was drowned and became an anito of the water.
Libtakan- god of sunrise. sunset and good weather of the Manobo.
Makabosog - a merciful diwata of the Bisayans who provides food for the hungry. (He was once a chief in the Araut River on the coast of Panay)
IN THE FORESTS
Amani kable - ancient Tagalog anito of hunters.
Makaboteng - Tinggian spirit guardian of deer and wild hogs.
WHEN REARING A FAMILY
Mingan - goddess of the early Pampangos mate of the god Suku (Consorts of the gods fall under the " guardian" category)
Katambay - guardian anito for individuals, a kind of inborn guardian angel of the Bicols.
Malimbung - a kind of Aphrodite of the Bagobos This goddess made man crave for sexual satisfaction
Tagbibi- diwata protector of children of the mountain tribes of Mindanao
WHILE AT WAR
Mandarangan and Darago - Bagobo god and goddess of war Mandarangan is believed to reside in the crater of Apo Volcano on a throne of fire and blood
Talagbusao - the uncontrollable Bukidnon god of war who takes the form of a warrior with big red eyes wearing a red garment. This deity can enter a mortal warnor's body and make him fight fiercely to avenge a wrong. But Talagbusao can also drive him to insanity by incessant demand for the blood of pigs, fowls and humans.
AT DEATH
Masiken - guardian of the underworld of the lgorots, whose followers have tails
lbu - queen of the Manobo underworld whose abode is down below at the pillars of the world.
This information came from the following sources: Jocano 1969; de los Reyes 1909; Garvan 1931; Garvan 1941; Cole 1922; Benedict 1916; Dadole 1989; Mallari-Wilson 1968
--
Demetrio, F. R., Cordero-Fernando, G. and Zialcita, F. N. (1991). The soul book. GCF Books.
So it has been discussed that Dark Academia is quite Eurocentric and a bit (if not so much) elitistic. If you like it, it's alright, though.
If you, my Filipino mutuals, felt that Dark Academia is pretentious, maybe (just maybe) it's because we cannot really relate to it while its western practices cannot awake our connection to its roots. For us, it is just "aesthetics" and will never be a "way of life".
Personally, I like the dark hues of dark academia, but I'm a lover of Filipino culture eh.
I would like to gather your thoughts about the Dark or Light Academia aesthetics and lifestyle in Filipino cultural settings. I'm sure I can find many Filipinos here who have ventured more into reconnecting with the indigenous academic culture than I have.
Let's start! (lol haba ng intro ko, eto lang pala 'yon)
Share any media, books, movies, objects, study materials pertaining to the following categories: my examples, without pictures because I'm uncreative.
Book Reco: any myth book, tbh
Poets to read: Andres Bonifacio (for those who don't know, this boi made a poem about Sidapa)
Writing Instruments: Bamboo and ink
Classical Musical instruments: Talaandug (alam nyo yung bamboo flute ni Agilus sa Mulawin, yun 'yon)
Must study: Baybayin
Study Table snacks: Puto pao
Coffee and Tea Reco: Barako, tanglad tea, lavender tea, turnate tea, and Sampaguita tea, all of which are grown in south east asia and can be found in shopee/lazada.
Philosophy and ethics: I'm blank on this one. Sadly, I only know Nietzschean and Confucian.
Objects that should adorn your study table: sari manok, because I'm basic and edgy.
Objects that should adorn your wall: T'boli weaving, Fernando Amorsolo works, random wooden stick you found in the wild
Objects that should adorn your book shelf: clay pot, random wooden stick you found in the wild
Garments: red saya (I have 3! Who cares about heat death!)
All I can give are basics and general, I'm that surface level. Please share your knowledge to celebrate Filipino Academia aesthetics/life style.
((edit: ah, the problem of study aesthetics is the consumerism that comes with it. So a reminder, don't feel forced to buy anything. We're just vibing. And if you can buy things, go local as much as you can.))