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Giving personality to a character is an essential part of character development in storytelling, whether you're writing a novel, screenplay, or creating a character for a role-playing game. Here are some steps and considerations to help you give personality to your character:
Understand Their Backstory:
Start by creating a detailed backstory for your character. Where were they born? What were their childhood experiences like? What significant events have shaped their life? Understanding their past can help you determine their motivations, fears, and desires.
2. Define Their Goals and Motivations:
Characters often become more interesting when they have clear goals and motivations. What does your character want? It could be something tangible like a job or a romantic relationship, or it could be an abstract desire like happiness or freedom.
3. Determine Their Strengths and Weaknesses:
No one is perfect, and characters should reflect this. Identify your character's strengths and weaknesses. This can include physical abilities, intellectual skills, and personality traits. Flaws can make characters relatable and three-dimensional.
4. Consider Their Personality Traits:
Think about your character's personality traits. Are they introverted or extroverted? Shy or outgoing? Kind or selfish? Create a list of traits that describe their character. You can use personality frameworks like the Myers-Briggs Type Indicator or the Big Five Personality Traits as a starting point.
5. Give Them Quirks and Habits:
Quirks and habits can make a character memorable. Do they have a specific way of speaking, a unique fashion style, or an unusual hobby? These details can help bring your character to life.
6. Explore Their Relationships:
Characters don't exist in isolation. Consider how your character interacts with others. What are their relationships like with family, friends, and enemies? These relationships can reveal a lot about their personality.
7. Show, Don't Tell:
Instead of explicitly telling the audience about your character's personality, show it through their actions, dialogue, and decisions. Let the reader or viewer infer their traits based on their behavior.
8. Create Internal Conflict:
Characters with internal conflicts are often more engaging. What inner struggles does your character face? These can be related to their goals, values, or past experiences.
9. Use Character Arcs:
Consider how your character will change or grow throughout the story. Character development is often about how a character evolves in response to the events and challenges they face.
10. Seek Inspiration:
Draw inspiration from real people, other fictional characters, or even historical figures. Study how people with similar traits and backgrounds behave to inform your character's actions and reactions.
11. Write Dialogue and Inner Monologues:
Writing dialogue and inner monologues from your character's perspective can help you get inside their head and understand their thought processes and emotions.
12. Consider the Setting:
The setting of your story can influence your character's personality. For example, a character who grows up in a war-torn environment may have a different personality than one raised in a peaceful, affluent society.
13. Revise and Refine:
Don't be afraid to revise and refine your character as you write and develop your story. Characters can evolve and change as the narrative unfolds.
Remember that well-developed characters are dynamic and multi-faceted. They should feel like real people with strengths, weaknesses, and complexities. As you write and develop your character, put yourself in their shoes and think about how they would react to various situations. This will help you create a compelling and believable personality for your character.
Pictures used for these Gifs are from this interesting little clips that some of you may already know. Here's the link...
mutuals can always dm me but be warned i talk like your coworker who is trying too hard to get to know you and my response times are akin to the response times you might get if we were communicating by letter
Please, spread this for those who might need it right now
U.S. suicide hotline: call or text 988 (available 24 hours)
U.S. trans lifeline: (877) 565-8860 (when you call, you’ll speak to a trans/nonbinary peer operator. full anonymity and confidentiality)
Substance Abuse and Mental Health Services Administration (SAMHSA) National Helpline: 1-800-662-HELP (4357) – provides 24/7 confidential support and referrals for individuals and families facing mental health and substance use disorders, including panic attacks and anxiety.
LGBT National Help Center: (888) 843-4564
Trevor Project: Call (866) 488-7386, text START to 678-678, or chat online.
Take care of yourself and each other. Please stay safe ♡
“But if you forget to reblog Madame Zeroni, you and your family will be cursed for always and eternity.”
To all Americans out there:
IVE BEEN WAITING ALL YEAR TO POST THIS YOU DONT EVEN KNOW
Reblog if your blog is boopable-safe so you can get all the (probably new) achievements. I don’t care about notes I just want boops
This is the greatest thing ever
trick or treat!!
(headcanons? for the coven maybe?)
(continuity- the fabled crack!fic)
Alice- the only morning person among a coven of night people. Really enjoys jogging, was very into death metal for a while as a rebellion against her mother, gets into making artisan beers and funky stained glass pieces after the Road. refused to let anyone help her magically move her mother's piano, which created a fairly amusing scene for the Proctors/John one Saturday afternoon as they attempted to get the thing in the house.
Lilia- the only motherfucker who can cook in this entire damn household (wanda is her most eagar apprentice). has considered hexing the kitchen to keep everyone else out. once did hex everyone involved when she walked in on unnamed individuals playing texas hold 'em with tarot cards from the 17th century. absolutely refuses to help agatha to short the stock market (again).
Jen- if she's going to be stuck with you people, you're at least not going to embarrass her; the coven wide skincare situation has never been more on point. brings billy with her to a couple of beauty/youtube cons, and he becomes a popular feature on her channel. does product testing on rio; the more rio enjoys it, the more toxic something is. senor scratchy oversees the process. sets up her lab upstairs in the former office "because not all of us lurk in basements like stereotypes, agatha."
Billy- living his absolute best life. frequently has the Kaplans over; he can't live with them anymore b/c of the insane amount of risk his physical person and the near constant presence of the scarlet witch and agatha thee harkness causes. he started a scoreboard in the living room, where he tallies up beings that come to the house looking to revenge/challenge- agatha's winning, but wanda's not far behind. everyone else is lumped into one category and losing badly. the kaplans are... adjusting. there is a lowkey conspiracy to teach rebecca witchcraft. he keeps eddie away for as long as possible, and then tries to introduce him to each of his new relatives one at a time. this does not go well.
Rio- is really only hanging out to see if she can drive wanda or agatha over the edge and into another killing spree. everything else is just her fucking around for her own amusement. does weird shit on purpose- eats raw meat and insects just to gross everyone else out. is not allowed unsupervised with the kaplans. built a complex terrarium set up for the tarantula, and frequently shape shifts to join him in there. the tarantula's name is typhon. the garden situation in the backyard has never been more lush and/or deadly. lilia and jen are never short on ingredients, but usually triple check to make sure what they're grabbing.
Wanda- has never been more understood in her entire life and is absolutely mystified. the first time she and jen get in an argument, and wanda accidentally breaks something- she freezes, expecting a wave of fear. jen just laughs and points, breaking a plate too with a swirl of rose gold sparkles. they spent the next ten minutes cheerfully breaking agatha's third best china until she busts them, and joins in too. no one particularly cares if wanda's too damaged, about how many people she's killed, if she can't control her powers, if she can't quite remember how to move like a human being. one way or another there's someone here who gets it- and that's the strangest part of all.
Agatha (all along)- unfortunately in charge here. couldn't give less of a shit about it. having to adjust to being around witches she's not actively trying to kill, while being her own weird ass self, not one of her personas. unclear what this strange feeling is in her chest (it's happiness- she's just never met it, so the sensation is alien). is the first to read whoever fucked up today into the ground. is also the first to kill anyone who looks at her coven sideways. experiencing the mortifying ordeal of being known and being very, very undignified about it. the rabbit continues to live like a tiny king. exploring other hobbies that aren't murder/plotting murder/scheming on how to plot a murder.
I was today years old when i found out that i was allowed time off to vote. Something no boss has ever told me.
Every time you reblog this jk.rowling steps on a lego
if the coven had a group chat this is probably what it would be like | 6/?
Lae'zel Slae-zel
Reblog this post if you’re comfortable with transgender people using the bathroom that best matches their gender identity.
Todo lo que fue de los dos son ecos de amor
Being a part of the Marvel and 9-1-1 fandoms on Tumblr right now is so funny because on one side everyone is going crazy about the gay witches and waiting for Wednesday and on the other everyone is going crazy about the gay firefighters and waiting for Wednesday
Maybe the divine mother Lilia mentioned?
Who decides the rules of magic and witchcraft in the MCU? According to Agatha, Billy taking over the dying William’s body broke some “rules” that would make him a target for other witches. But unlike the Masters of the Mystic Arts who are answerable to the Sorcerer Supreme, witches really don’t seem accountable to anyone if they aren’t in a coven. So what rules are Agatha talking about exactly?
The way this makes so much sense
okay agatha all along episode 6 spoilers and also possibly absurdly outlandish theory incoming
i have a theory about lilia putting the sigil on billy. i assume she put it on him because she saw something that would endanger him if everyone immediately knew who he was and i initially foolishly assumed she was referring to agatha because you know. agatha is mildly unhinged after all
but I'm starting to think it's rio....because there's the theory going around that rio is death personified and honestly it makes so much sense. she can't kill agatha because death can't Kill others, it can only come when it's called. her power would kill agatha because it's a death domain power and either it's innate to her and only she can handle it, or you can only earn death related abilities a certain way. (also she's THE green witch. ashes to ashes and dust to dust etc every body returns to the earth)
in episode 5 she mentions that she hates ghosts which makes sense because she'd see them as perverting the natural cycle and clinging onto a semblance of life after death. so what on earth do we think rio would do if she knew that Billy's soul was possessing someone who's supposed to be dead? somehow i don't think it'll be pretty.
the sigil breaks at a weirdly specific point, too. it's after agatha kills alice, which means that rio is going to be preoccupied for a little while at least, giving billy and Agatha some time to discuss things. and if rio is death then agatha is likely the only person who knows that, and if we're getting technical the sigil only breaks once AGATHA concretely puts together that teen is billy.
lilia's divination works VERY weirdly, she's all out of time and often doesn't seem to remember her premonitions, but I would bet that the sigil was created with the knowledge that it would be broken once agatha specifically was the one to put the pieces together. because agatha knows rio and therefore she knows death. and we've seen already that agatha is VERY emotionally intuitive, it's what makes her so good at being a dickhead to others because she reads tells and emotional wounds so easily and knows exactly when she's hit a nerve. so i wouldn't put it past her to know Rio thoroughly enough to be the one to keep billy safe from her.
i just think the timing of the reveal is all very coincidental. not like, bad writing or anything, but the fact that agatha figures out it's billy AND has a whole emotional reunion with him with every other member of the coven missing feels a lot like Fate (which would probably come under lilia's domain). because now agatha and billy have an understanding of each other that will make it easier for them to walk the road together, but ALSO, nobody else knows. and agatha, who knows that rio is death and knows how rio feels about breaking the life-death cycle, can keep it a secret for him. she can protect him, even if he doesn't trust her.
anyway theory over but i swear to god billy and agatha better have the most lovely found family story arc. billy claims he doesn't need agatha but agatha has already adopted him in wanda's stead because she remembers being angry at the world like he is. oh and also she knows he does need her because death could be after him now lol
What would you let me do to you if I appear and I lean over you and I kiss you till you get wet 🤭
I'm a 17 year old homosexual
I feel this
I can't handle being single any more I need a partner 😭
I will buy you boba if you like it, I'll watch horror movies with you (I will be scared shitless tho), I'll do anything for a partner right now
(Don't take any of this seriously btw)
HEARTSTOPPER 1.05 | 2.08 | 3.04
My mother just said she's convinced that Democrats and Liberals don't love their country
Yeah remind me again who stormed the capital because they were unhappy about the election results