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DN RAREPAIR WEEK - DAY 1

Shinigami | Premonitions | Fate

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Here’s a link to the information.

It is a reddit link, but it has the other links you’ll need in one place.

(Tagging with as many medias as I can remember so it gets to more fandoms)

hey hey

i need light yagami cult leader and mello investigating that cult

slowly getting more and more invested

seduced, if you will

starting to believe

and make it gay

one of the issues of being obsessed with death note is that it’s not comforting

like when i was having a panic attack in the hospital they were like what’s your favorite show can you watch that and no! i don’t think seeing a teenager commit mass murder is gonna help! i believe it would make the anxiety worse and id cry harder!

reblog with a spoiler for your wip with zero context. no context allowed.

Death Note — Interpreting the Foot Scene

So, since I’ve never actually seen an in-depth meta on the foot scene, I thought this needs to happen. :) [read on ao3]

The Foot Scene

[Watch here] L and Light come inside from the rain, and Light sits on the stairs, his shoes sitting next to him on the ground. L stands to the side, with a towel on his head.

L: (walking over) Well, that was certainly an unpleasant outing. Light: (drying off his hair) It’s your own fault. I mean, what did you expect? L: (offscreen) You’re right. I’m sorry. (L takes the towel off of his head and walks closer. Light is still drying his hair and face, but then startles. You then see that L has crouched by Light’s feet and is holding one of Light’s feet in his hand.) Light: What are you doing? L: (looking up at him) I thought I might help you out. You were busy wiping yourself off anyway. Light: Look, it—it’s fine, you don’t have to do that. L: I can give you a massage as well. (Light looks startled) L: (offscreen, continued) It’s the least I can do to atone for my sins. I’m actually pretty good at this. (Light glances away, looking resigned) Light: Fine, do what you want. L: (offscreen, in tones of someone getting down to business) All right. (Now you see L, looking pensive. He brings his hand, holding the towel, up to Light’s foot. Light makes a pained noise and the scene cuts to a wide shot.) Light: Hey! L: You’ll get used to it. (Light, in a close-up, looks utterly thrown, but makes a small noise of assent. The shot changes to L, where all you can see, with his head down, is the mess of his hair. A drop of water drips from the end of his hair, the sound clearly distinct in the otherwise silent scene [there’s been no music or anything]. The shot then changes to Light’s foot, and you hear as well as see the droplets from L’s hair landing on Light’s foot. The shot changes to Light, watching L who is now offscreen. He reaches over to grab his own towel and brings it over to L’s face. The shot is now on L in profile.) Light: (drying L’s hair) Here. You’re still soaked. (As Light’s hand retreats, L looks up, and then back down.) L: (quietly) I’m sorry. (soft piano music now begins. L starts drying off Light’s foot again. When the shot goes back to Light, he looks pensive too. There’s silence for some time, barring the music, as the shot changes back to L in profile, looking somewhat distressed. Then back to a wide shot in profile that rises toward the ceiling and the windows letting in natural light. After that, the view changes to the ceiling and its cross-shaped walkways with blue lighting above it, and then back to a wide shot of L and Light, this time facing the stairs.) L: (thoughtful, quiet) It’ll be lonely, won’t it. Light: Hm? (L looks up at Light pointedly and determined. With the shot head on, he says) L: You and I will be parting ways soon. (Light seems thoughtfully startled by this point, and looks perhaps like he’s considering something or is struck by the situation and stuck in the moment. The phone then rings, pulling them out of it, L stands up and answers the phone.) L: Yes? (Now the shot shows L in the foreground, with Light giving him a dark look in the background). L: I understand. I’m on my way. Light: (still glaring at L, baffled) Huh? (Now the shot is a wide shot again, and both their bodies are cut off since the shot is from behind them on the stairs). L: Come on. Let’s go, Light. (Closer in on L, with his back to the viewer) It seems like it’s all worked out. (He walks away.) (The shot changes back to Light’s baffled and angry face as he too stands up). Light: huh?

Basically, L is thoughtful, sad, and a bit smug, while Light is just: ?????

Keep reading

I know most people don't care about anything unless it has to do with the U.S. but can we please start talking about the Canadian election.

Please don't vote for Poilievre. He's basically the Canadian Trump and plans to put in place laws that harm trans youth, and lots of other shit.

Please vote istg this is the only way anything will get better. Poilievre has been kissing millionaires and billionaires asses. He'll make life even harder, and he loves Trump.

Reblogs are appreciated, especially if you aren't Canadian.

op I love your thoughts op

consider this: this Original Sin parallel with Albert and Adam. let me dwell on this for a sec okay

because tell me this is not temptation and this evidence is not a forbidden fruit. because this has also played part in Adam's downfall.

Albert and William wish to test Adam. I'm putting Albert first because he seems unusually eager to do that.

again, it's not actually shown if Albert thinks of it in that way. we aren't told about his thoughts much throughout the manga. he doesn't remember about Adam in the Tower as well, which can mean that either he doesn't care or the manga itself doesn't care about Whiteley in terms of anything other than him being a plot device AHEM

what we do know is that he is very much an empathetic person, despite what he tries to appear as. and that he also like to overthink and take blame for things that are not actually his fault (like we've seen with William). so if he found out about Adam's meeting with Milverton and things discussed there, if he knew that the evidence was basically a trigger point for everything...

I may sound stupid don't mind me

THE ORIGINAL SIN AND TEMPTATION - MILVERTON VS. ALBERT

Moriarty the Patriot is full of religious themes and references and one of them is the tale of the Original Sin. It is told in the third chapter of the Bible, in Moses' first book and it's about how the first humans, Adam and Eve committed the first, the Original Sin due to the temptation of the Serpent who made them eat from the tree of the Knowledge of Good and Evil what was forbidden for them by God.

Milverton and Albert both bring up this tale - now I will analyze how they look at it and view their actions regarding the Original Sin and how they tempted their victims (at least, in Milverton's case) - Whiteley and William - to sin.

In Albert's case, the Original Sin appears in chapter 63 during the Empty Hearts arc when Albert, after the Final Problem, was imprisoned in the Tower. He views William's fate as his Original Sin, that he was the one who made William the Lord of Crime. Albert loathed the world's current state when he was young and wanted to change it what led to a tragedy. He realized that he doesn't have the wisdom, neither the power to change the world - and that's when he met William and hears how he talks about his ideal world. He adopts William (and Louis) because he thinks that through his noble status, William can do the change Albert wishes for. He admits that he saw Christ in William.

Albert already decided to kill his family by that time but he was unable to do it on his own so he asks William if he would kill for his ideals. In the end, the murder of Albert's family is done by William and Albert's hands and Albert seems to blame himself for it even long, long years later. Not for the death of his family, but to make William a murderer. He talks about himself that he tempted William to sin because he himself was afraid to sin, that it was him who robbed William of his innocence and made him a murderer and later, the Lord of Crime. He even compares himself to the devil for this action.

When it comes to Milverton - whose Original Sin speech appears in chapter 37, during the White Knight arc - he talks about the Original Sin when he tempted Whiteley to sin. However, unlike in Albert's case who talks about his reasons why he tempted William to sin, Milverton's speech is not about Whiteley specifically, just generally about the reason behind temptation - for devils, those who are pure evil, nothing brings greater pleasure than tempting the good-hearted to sin and he himself is pure evil. And while Albert feels guilt and self-hatred for tempting William, Milverton feels pride and joy. For Albert, making William to sin was a mere tool for the ideal world, for Milverton, tempting the good-hearted is the goal and all he does is for that end. That's where the necessary evil vs. pure evil contrast between the Lord of Crime (which is also Albert) and Milverton comes to picture again.

But there are also similarities between the two temptations. While Milverton doesn't compare Whiteley to Christ, he is very much sees himself as a hero and that's what draws him to him, just like Albert became interested in William just because he saw Christ in him. Both William and Whiteley was fighting for an ideal world but while the temptation of William led to this ideal world, the temptation of Whiteley pushed away from it (even when Milverton himself was not against equality, he was after Whiteley because he was good.) Both temptations led to a family being murdered and the target of the temptation committing murder. Both Milverton and Albert talks how they dragged Whiteley and William down from their innocence to a murderer.

(Btw, Milverton here actually says OUR side, not MY side. The importance of that will go for a later analysis)

When it comes to Albert, he feels bigger guilt than his actual crime was (but Albert is after all, like that.) The child William talks about killing the evil nobles, so he already had these intentions in his heart, he already knew that the world can only be changed through evil methods, it was actually not Albert who planted these thoughts into him. William was also ready to kill Albert's family before Albert asked him to do so, so Albert didn't manipulate William into a crime (as he thinks) while Milverton truly blackmailed Whiteley (and Sturridge. And that police officer) into committing murder. Albert also took part in the crime, he was the one who killed his mother, while Milverton uses people to set up murder scenes and doesn't dirty his own hands. Albert thinks his Original Sin through years after the happenings, Milverton is during the actual happenings. Albert probably didn't think that it was like the Original Sin for him back then, Milverton is actively aim for a temptation. And talking about his crime as an Original Sin as HIS Original Sin, the first sin he committed is sensible to do in Albert's case, but for Milverton, what he did was not his first, HIS Original Sin.

So despite that they both talked discussing the same religious theme (and the same art is used) their approach regarding it - while having certain similarities on the surface - are fundamentally different. It was very interesting to analyze this through, I'm sad that we didn't see Milverton and Albert having a conversation about the Original Sin.

That post about death note being "everyone's first anime" (untrue statement) made me curious and now I want to gather data for science

Can you reblog this and tell me where are you from and what was your starter anime?

reblog if you listen to any of these artists

Cavetown

Laufey

Egg

Girl in Red

Chappell Roan

Conan Gray

Marina

Mitski

Barrett Wilbert Weed

Beach Bunny

SIX

Penelope Scott

Mother Mother

Clairo

Amélie Farren

Liana Flores

Sofia Isella

Emei

Rabbitology

Jorge Rivera-Herrans