I did a little translation of Yu~ki's interview. Feel free to correct me in my mistakes.
Interviewer: This outfit is your personal clothing, right? Is it for a party?
Yu~ki: It’s casual clothing for going out. My pants are showing a bit (laughs), it’s a little too much (laughs).
Interviewer: Are you planning to attend a Christmas party like this?
Yu~ki: Yes, I am.
Interviewer: So, what comes to mind when you think of Christmas?
Yu~ki: Nothing much really. I’m happy because I get to eat cake, that’s about it. ...Though, it’s like, "you can eat cake anytime!" (laughs).
Interviewer: The lights are beautiful, right?
Yu~ki: Yes, they’re definitely beautiful.
Interviewer: Or maybe it’s about getting a lot of presents?
Yu~ki: I guess presents do arrive.
Interviewer: Do you have any positive impressions of Christmas?
Yu~ki: Well, not really. I don’t have any plans for this year either. It’ll probably be over before I even notice (laughs). The cold wind blows, the leaves fall, it’s a lonely season that makes you miss people. And since I look like Dracula in this outfit, maybe I should just go around sucking blood (laughs). But, yeah, it does kind of make you feel excited in a way.
Interviewer: It feels like we’re making you say that... (laughs). What’s a memorable Christmas for you?
Yu~ki: There was someone whose birthday was close to Christmas, so we had a party with a bunch of close friends. We exchanged gifts but it was all guys.
Interviewer: What about sweet memories with a girl?
Yu~ki: Memories with a girl... I can’t say there aren’t any.
Interviewer: Come on!
Yu~ki: I mean, I do have some, but they’re not sweet at all (laughs). Actually, now that I think about it, there really aren’t any interesting stories (laughs).
Interviewer: Until when did you believe in Santa Claus?
Yu~ki: Probably until I entered elementary school. My parents would always leave presents by my pillow, and maybe I pretended to believe for their sake. I’ve always been the type to look at things realistically from a young age (laughs).
Interviewer: That’s not very cute! So, what’s your ideal way to spend Christmas?
Yu~ki: Cake. ...Well, I don’t really care, to be honest (laughs). As long as it’s fun, that’s good enough, right? But is it normal for people to have plans for Christmas?
Interviewer: Even though your fans usually call out, "Yu~ki ♥," on Christmas...
Yu~ki: I hope everyone listens to a CD and eats cake alone. ...That’s what I’ll be doing! While thinking of my fans!!
Malice Mizer Magazines
(Part 2/6)
All the photo credits to voulerie on tumblr
When and how did you first start playing the guitar? How did you feel at that time?
I was captivated by the heavy distortion sound of 44MAGNUM and Mötley Crüe.
Why did you decide to become a guitarist?
When I strummed the guitar through a beat-up 10W amp with an Arion distortion pedal, the cool sound made me think, "This is it!"
Have you liked music since you were young? How were your grades in music class during your school days?
I liked music, but I hated music classes.
Have you ever played any other instruments besides the guitar? If yes, which ones?
Yes, I’ve played vocals, bass, and drums—just kind of ended up doing it.
If you were to play another part besides guitar, what would it be and why?
Vocals. I'd like to express myself through singing.
Do you think there are any advantages or disadvantages of playing guitar compared to other parts?
None.
Which guitarists have influenced you?
Yngwie Malmsteen, Carcassi, and Sor.
Are there any guitarists you respect or aspire to be like?
I’m a guitarist, but I’m not aiming to be someone else.
Who do you consider your rival guitarist?
Sanzo.
What sets you apart from other guitarists?
I don't limit myself to expressing myself through just the guitar.
What do you always do before going on stage?
Think and imagine.
What do you focus on when it comes to your stage performance?
How to bring the best out of the songs.
What inspires you in your musical activities?
Everything, it’s too hard to sum up in a word.
What's the most important thing for a guitarist?
Feeling. Also, treating the guitar as if it were my lover.
What do you currently need as a guitarist?
More finger technique.
Do you want to keep playing guitar for your entire life?
No, I don’t really feel tied to the guitar.
What does playing guitar mean to you?
It has no specific meaning.
LIVE Schedule: 1/6 ON AIR WEST
Bucket list
Real name: Mana
Date of birth: March 19
Height/Weight: 173 cm, 49 kg
Hobbies/Special skills: Cooking, night walks
Albums I’m listening to lately: None in particular
Recent events/news that caught my attention: —
Things I want as a present: Treatment bags, spring water, toys
Message to the fans: Be afraid.
Mana
MALICE MIZER
MALICE MIZER
"Rest of the aristocrats! Fans capture exclusive photos!! A new charm brimming in their post-concert appearance.
Please take a look at their rare unseen moments of rest.
The photo was given to me by a friend who used to follow Malice around back then. It’s from when i was just getting to know Malice so i couldn’t tell who was who without makeup. I even wrote their names on the back of the photo (lol). Looking back i realize how incredibly rude that was."
MANA-SAMA.NET
Twelve hours during a part-time job feels so long, especially at night; it’s almost terrifyingly long.
Mana chan kept shouting, “This theme is difficult!” and Kami kun kept asking, “Mana chan, don’t you have anything?” (laughs). It seems these two aren’t very bound by numbers...
Anyway, Mana chan’s part time job era... It’s full of valuable stories!! Hehe ♥
MALICE MIZER
--So, the theme is "The Fear of Numbers."
Mana: Hmm... That's difficult.
Kami: Haven't you ever noticed when the numbers on a clock are all the same? Like when you look at the time and it's 11:11?
--Does that give you an eerie feeling?
Kami: No, I'm actually happy (laughs). Also, when I'm talking on the phone at night and I look at the clock, it's always 2:14 AM (laughs). It's the witching hour (laughs). And it happens almost every day.
--Do you have any thoughts, Mana?
Mana: Hmm... (laughs) This theme is tough... Hmm...
Kami: Also, I have an obsession with lining up the number 7. I used to go to pachinko parlors a lot, so getting 7s was a thrill (laughs). Ah, that's not scary at all (laughs).
Mana, do you have anything?
Mana: Hmm... When I was a boy, I was a bicycle enthusiast. I even had a speedometer, and it only went up to about 60 kilometers, I think. I was obsessed with maxing it out.
Kami: That's the fear of speed.
Mana: Yeah, I was pushing the limits of speed. The bike I had wasn't a Roadman, but it was a sports-type with gears and semi-drop handlebars... You don't see them much nowadays.
Kami: They were popular back then. The ones with the light on the side.
Mana: The more gear shifts, the better. Five-speed was common, but with six-speed, it was like, "One more gear!" (laughs).
Kami: Speaking of numbers, I save 500 yen coins (laughs). Last year, a friend gave me a piggy bank that can hold up to 300,000 yen, and I'm close to reaching the goal. How long did it take you to save?
Kami: One year! When I talked about it, a fan once sent me a 500 yen coin in a letter (laughs).
Mana: Really? Well, I’m saving 10,000 yen bills (laughs).
Kami: So I make sure not to spend any 500 yen coins. Even when I shop, I make sure to get change in 500 yen coins, or I exchange five 100 yen coins for a 500 yen coin at the convenience store (laughs). Mana, do you have anything else?
Mana: Hmm...
--Like the fear of having to wake up in the morning?
Mana: Oh, even if I have work early the next morning, I stay up until around 5 AM, so I do get that "Oh no, it's already this late" feeling, but that’s why I always sleep in the car during travel.
Kami: Because we’re so busy, sleeping in the car becomes something to look forward to.
Mana: Yeah, it's really enjoyable (laughs).
Kami: It's almost like that's what keeps me going (laughs).
Mana: Yeah, but during our indie days, I was the one who drove.
Mana: I was the designated driver (laughs). Back then, mornings were terrifying. I had to wake everyone up by phone.
--Did you wake up all the members?
Mana: Yes, I’d call them to wake them up and then go around picking them up in the car. That was really something. It was like hell; I did it while crying (laughs). There were members who wouldn’t wake up no matter how many times I called (I wonder who?). And there were people whose phones wouldn’t even connect (laughs).
Kami: By the way, I’m never late. Unless I’m stuck in traffic or something, I always arrive on time when we have a meeting. Mana, do you have anything else? (laughs)
Mana: Ah! The fear of numbers! I used to work part-time at a rental video store, but when the sales weren’t great, I’d rent out videos myself.
-- Really? Were you in a position of responsibility?
Mana: There were morning and night shifts, and I was the manager for the morning shift, so if the morning sales were bad, it was my responsibility. When no customers came, I would wander around the front of the store, getting anxious (laughs).
-- Well, you can’t exactly solicit customers at a rental video store (laughs).
Mana: Exactly. You can’t just say, "We’ve got good videos here!" So all I could do was wander around (laughs).
Kami: I just thought of something! The fear of numbers! In the band I was in before Malice Mizer, the current drummer and I were born in the same year and on the same day. It was terrifying (laughs).
Mana: I just thought of something else too (laughs). I used to work a part-time job inspecting cups at a factory. That factory had cups endlessly going around 24/7 (laughs). I worked 12-hour shifts there, but since the cups were constantly moving on the conveyor belt, there was no end to it. It was terrifying. Plus, it had a roof but no doors, so in the winter, the cold north wind would blow in while I just watched the cups… (laughs).
--That sounds like a tough job.
Mana: It was tough. It was torture (laughs). Nowadays, even if your hair is dyed, it’s socially accepted, but back then, if you had a part-time job, it was limited to handing out tissues or working in a factory (laughs).
Kami: Yeah, or working for a delivery service.
Mana: "Yeah, like at those places where the packages come down on conveyor belts (laughs). I was once in charge of handling packages going to Tokyo, and while other people only had a few packages coming their way and were taking it easy, I was getting a constant stream of packages (laughs)."
Kami: "Even now, when I see the baggage counter at the airport, it reminds me of those days (laughs). Those 12-hour shifts felt so long, especially the night shifts—they were terrifyingly long."
Mana: "Yeah, yeah, and for 12 hours, the cups kept coming endlessly. By the end, I was even seeing hallucinations (laughs)."
The end // From Vicious Magazine
Mana and Kami, capturing precious memories with their adorable photos from years ago such as posing in front of the Statue of Hachiko or in Shibuya in the Hachiko Family Mural.
Enjoy 💜💙
Most games tend to have a clear objective for the players to follow as the story unfolds. However, "MYST," with its completely different gameplay style, was a controversial masterpiece. Personally, I was drawn to its supreme graphics and was greatly impressed by the stunning CG, so naturally, i was a fan.
While the difficulty level of the game is extremely high, the sheer beauty of it is enough to captivate people. Despite stumbling through the game, I found solace in the mesmerizing world it presented, often getting lost in its enchanting visuals. "MYST" brought a fresh perspective to adventure games through its innovative approach, making it a monumental piece of work.
We're fortunate to live in an era where we can enjoy games with incredibly beautiful polygon graphics. Recently, I was engrossed in playing "Oblivion" on PS3, which gave me a similar sensation to "MYST." It's a game set in a medieval European-inspired open world, allowing players to freely explore its vast landscapes.
The world depicted in polygons is so visually stunning that it's almost indistinguishable from reality. The swaying grass and rippling water surfaces create an illusion of actually being in that world. Of course, "Oblivion" has its own objectives as a game, but my primary desire was simply to explore the vast world it offered. I even sacrificed sleep during the New Year's holiday a few years ago just to keep playing.
The evolution of gaming graphics in recent years is truly astounding, and it's astonishing to see how far we've come from the past. While I may have become accustomed to revolutionary games like those on high-spec machines in recent years, I believe that it's this connection to the past, such as with "MYST," that has shaped my gaming experience. It might seem outdated now, but delving back into that unique world of "MYST" brings back a sense of nostalgia.
"MYST" holds a special place in my heart, and I feel like I could approach it with a fresh perspective now. Plus, there are sequels I have yet to play, so that's definitely on my to-do list!
MALICE MIZER
After leaving the audience in suspense, Kami took the microphone and in a surprise twist the members reappeared, intensifying the final moments. In response to the huge cheers the encore saw the five members take the stage in military uniforms, waving a naval ensign. It’s rare to see a band that can pull off such a wide variety of costumes... I couldn’t help but think how much fun they must be having as I was completely overwhelmed by their high energy stage presence and performance.
The following day, on the 11th, they performed on a stage titled The Door of the Blank Moment. The show began explosively, with special effects firing off immediately at the start, and the band, dressed in glossy enamel costumes, launched into an aggressive and high-energy performance, reminiscent of the later half of a set. I was once again stunned, realizing that this was yet another way to kick off a show. I had heard that the two days would be completely different... but I didn’t expect them to be this different.
The second song, ILLUMINATI, began with a shout of "Come at me!" and during the song, Gackt shoved Mana onto a sofa? The sight of Mana and Közi's suspiciously close interactions elicited screams, leaving everyone fixated on their movements.
While Yu~ki didn’t display any flashy movements, his intricate rhythms and occasional melodies shone through. In the fourth song, Le Ciel, he descended from the stage set to perform front and center. Every little movement from them was captivating, and during the middle of the set, each member had their own moment to shine, pulling the audience into their individual worlds.
Just like the previous day, Gackt’s highly charged MC led the show into its second half. Sweet, yet somehow melancholic melodies... these enchanting songs brought color to the latter part of the concert.
The encore that day was especially memorable. The members appeared one by one, dressed as the characters from the video Bel Air, each stepping out in their respective roles. It was a surreal sensation, as if the fictional story in the video and the real-life story unfolding on stage were blending together. The five of them gathered on stage in those costumes and, as a parting gift to the audience, performed the final number, of course, Bel Air.
Their stage was a world filled with countless elements: beautiful things, grotesque things, pure things, mysterious things, frightening things, nostalgic things, new things... an endless variety of wonders. It was a world that transcended conventional concepts and couldn’t be confined within the usual boundaries of a live performance. For those two days, we were able to fully immerse ourselves in their unique world.
-As usual when i interview MALICE MIZER my mind starts to dry up a bit (laughs).
Gackt: If you don’t get caught up in rigid notions or long held beliefs i think a lot can be understood. People attach years to the concept of time for clarity but that’s just a human made record for our convenience, not a true representation of time itself.
- Is it that before crossing or not crossing the sky, it was never something that was defined in the first place?
Gackt: I wonder? Also, within this album, various characters and shapes come to light but i believe it’s important to note that everything is linked in some form.
-However, this album really delves deeply into everything from the concepts to the sounds.
Gackt: The sound is so rich that we didn’t have enough channels. Even in parts of the songs we didn’t touch on in this interview there're various mechanisms woven into the fabric.
Gackt: Rather than mechanisms everything is inevitably included.
-It’s quite a niche no, a freaky endeavor, isn’t it?
Kozi: That’s MALICE MIZER’s characteristic after all.
Gackt: It can’t be helped. The people creating this are all quite freaky. After working on this album i realized something: discussions about MALICE MIZER often tend to concentrate on visual performances.
Mana: That might be true. But it’s more than that. It’s not limited to visual aspects; we aim to enhance our world in every way possible through all the elements we can use to create. This album made that very clear.
Gackt: Absolutely. Well, since our appearance is what it is i can understand why people would focus on visuals whether they say it’s impressive or over the top. However for MALICE MIZER we want to express our thoughts through sound and stage in all aspects, so if they can understand that it’s great. Of course i believe that in this album the individual growth and evolution as a collective are clearly represented. Given that it’s natural for the quality to rise.
-By the way, will there be any continued performances of "Bois de merveilles" in the future?
Mana: Who knows? (laughs)
Kozi: It’s too precious to just give away (laughs). I think there might be a performance around the next show though.
Gackt: I can’t say anything just yet.
Kozi: Plus performing the songs from this album live requires extensive preparation. They’re so intricate!
Gackt: Regardless MALICE MIZER inherently has the characteristic of deliberately taking a perplexing path.
- I think this has been discussed many times before but can you share your thoughts heading toward the final performance?
Gackt: Just remember that beginnings and endings are always back to back.
Mana: That’s right, everyone, please give it your all and feel it.
Yu~ki: Look forward to it.
Kozi: Absolutely!
Mana: What’s that in reference to?
Kozi: Well...
Gackt: What should I do? If it’s to myself (laughs).
Yukari Ōba
Yukari Ōba is the exclusive fashion designer for MALICE MIZER. All of their costumes are her work.
People with titles like "planner," "editor," or "writer" often like to separate their jobs into small roles. As a result, some people end up with two or three titles and end up saying how busy they are. Among them i think the profession of designer is currently being broken down into the most minute distinctions. It’s not just about people who create design sketches, cut fabrics, or shape the garments—there are specialists in hats, accessories, knitwear, and so on. I can understand if someone with a foot fetish only wants to make things related to feet, but recently, something’s been bothering me. It starts with the question of whether it's okay to refer to Ōba-san simply as a "costume designer."
She’s responsible for the image of MALICE MIZER after their revival. Under the name of costumes, accessories, and hairstyling, she handles everything from patchwork to welding (pay attention to KAMI's hands this time) to even the stage props. Can we really call her a "designer" or "costume person" in just one second?
However, as I was agonizing over this, Ōba-san spoke enthusiastically, saying, "This part was really difficult, look at it! Oh, and here too..." She talked joyfully about how she changed the fabrics little by little and factored in lighting effects. She said with a laugh, "People often tell me, 'No one will notice you went that far,' but I love doing it." Through her words, I understood one thing: Ōba-san doesn't care what she's called, as long as she can create costumes. It’s her passion. That's why such lively, remarkable costumes are born from her work.
Mana
Mana had told me, "I imagine the feathers gently falling off!" (laughs). It wasn’t meant to change that much, but after making it, I thought, "I want to make it cuter," partly because too much of the legs were showing. I used a fabric called washer organza for the feathers, and also incorporated it into the underskirt, creating a tutu-like effect with about four layers to add volume. The pom-poms were something Mana brought in, saying, "I want to attach these somewhere," and when he attached them herself, she said, "It's cute!" (laughs). Actually, he also made the wig and chains with his own hands.
The butterflies on the wings aren’t real, of course (laughs), but I dyed each one individually. Even in places where it seems casual, there’s a lot of effort behind it (laughs). The fabric for the costume was something Mana requested, saying he wanted a luxurious material that looks like beads. I brought various options and he was especially fond of this one fabric because it’s very light. He even said, "It feels like I’m wearing nothing, this is perfect!" (laughs). It was a hit (laughs). As for the accessories, he said he wanted something with the feel of a wedding fountain with light shining inside it (laughs). I remade it several times to create something that bounces back when touched.
We also tore up light blue feathers and embedded them. We worked hard on even the smallest details that might seem like nothing at first glance (laughs). To make sure the guitar strap doesn’t get tangled, I discreetly made the wings detachable with Velcro (laughs).
Közi
Közi is someone who likes to plan everything from the start. When I first saw the design, I thought of a fiery phoenix, so I decided to make it based on that image. The fabric is the same as Mana's but in a different color. He said, "I've worn something like this before." This time, he wanted something that resembled a jumpsuit. Even though it has no elasticity, I went ahead and made it, but when he wore it, he said, "It's tight..." (laughs). Even though it was restrictive, he’s someone who enters the role through appearance.
The feathers on the chest were dyed with a gradient because I wanted to add that effect, but balancing it was tricky. While adjusting during the fitting, I mixed in red, which is his signature color. This jumpsuit also has Velcro to make it easier for the guitar strap to pass through. The accessories ended up looking very different from the design sketches because when we attached them to the sleeves, it made playing the guitar difficult (laughs). So, when we finished one sleeve, we decided to wrap it around his neck, creating a more luxurious design. The wings on his back are made from aurora film, which changes color depending on the light, appearing red or gold. The material is aluminum, making it very heavy, but the overall cohesiveness of the costume is strong, so he managed to play with it as it was. As for the strawberry hat, we added three-dimensionality using feathers, doubling its size at Közi’s request.
By the way, when he wears the costume, he’s 196 cm tall, from his shoes to the top of his head (laughs). All the members end up being around that height, right? So we make the inseam 100 cm. People always ask, "Who on earth is going to wear these?" (laughs).
Yu~ki
He had an image of a "beast" in mind, and even Yu~ki himself said, "This is quite an adventure." The skirt was actually his first try—a dress made of enamel, something we figured out together during the fitting process. It’s a double-layered design, with the back being longer and slits cut into it, creating this eerie look. The bones are designed to resemble human bones, adding shadow to enhance the effect. The back is made of two layers of umbrella-like fabric, with a sheer fabric sandwiched in between to create a shadow effect. At first glance, it looks like a single layer, but there's a lot of depth (laughs). In terms of time, his costume was the fastest to make because once Yu~ki decides on a design, he sticks to it.
Yu~ki, from the start, based his look on the initial image and always strives to get as close to it as possible. The hardest part was dealing with the enamel fabric's texture. Although we wanted it to look big, enamel has this shiny, slick look, so we used a technique like gathering to create a pinched effect, making it appear more three-dimensional, even under lights. This time, it's sleeveless, but the tattoos he recently got give it a good balance. However, it seems it takes quite a long time to paint his arms, which is a challenge (laughs).
Kami
For Bel Air, it seems that the design he envisioned was difficult to realize. This time, I adjusted the shape of the collar slightly upwards to make it easier to take off. Since taking off the costume was a concern, I incorporated his favorite Rurubar lace in two layers and embroidered it with CD sequins to give off a subtle shimmer, ensuring that the fans could see the light reflecting off it. The sequins were also added to the wings, inspired by his recent thematic focus. They create a fantastical effect, with a gradient from blue to purple as the light shines on them. The wings are the largest element, but they’re lightweight, which allowed Kami to say, "I want to perform while wearing them" (laughs).
For the headpiece, i dyed a cup and embedded black feathers as an accent giving it a mysterious shape that he can just throw on. Lately, he’s been wanting to wear a pink wig that he bought himself, but it’s a bit too intense, so I’m thinking of adding some mesh to tone it down (laughs). The overall concept was inspired by looking at an insect encyclopedia, specifically butterflies. Additionally as Kami insisted from the beginning, there’s a tail attached (laughs).
Gackt
This time, all the members wanted to have wings, so that served as the basis for the design. The members had very detailed requests, particularly Gackt, who was inspired by his favorite movie, The Crow. He wanted the outfit to highlight his beautiful body lines, so while the design is simple, it also needed to allow for movement. Ideally, I would have preferred a stretchy material, but I was determined to use cotton velvet, which has a dark and moody atmosphere, while also creating the effect of gold shining through the darkness.
The cotton velvet, combined with cut velvet, made sitting difficult for Gackt, but when the light hits it, the gold stands out clearly against the black backdrop. The wings, which he was very particular about, were designed in three layers. When closed, they fold up slightly, but when fully opened, they span 4 meters. For live performances, Gackt uses strings to control them, allowing the wings to spread open. The construction is sturdy, with hidden mechanisms for the strings, making the wings quite heavy. The wings were made using about four different patterns, and sequins were added so that when the light hits them, they appear three-dimensional. We used an incredible amount of feathers for the wings as well.
The end
KÖZI (g)
Q. Favorite food
A. Curry, my mother's home cooking
Q. Least favorite food
A. Sea urchin
Q. Favorite drink
A. Tea, Red Eye (a beer and tomato juice cocktail)
Q. Least favorite drink
A. Liquid Cabbage (a stomach relief drink)
Q. Favorite scent
A. It's difficult to put into words
Q. Least favorite scent
A. Various bad smells
Q. Favorite scenery
A. The sea just before dawn
Q. You can cry three times in your life. The first time is when you are born. What about the other two?
A. Ore wa nanno namida mo nagasanai. Da-da-da! ("I won't shed any tears. Da-da-da!")
Q. If you could ride a time machine, when and where would you go, and what would you do? (Past or future is okay)
A. Into chaos. I'd want to see the Big Bang (the beginning of everything).
Q. If you were an assassin, what weapon would you use and why?
A. My hand blade. If you touch it carelessly, you'll get cut!
Q. Unlimited funding is provided. If you were to direct a movie, what kind of movie would it be?
A. Title: Manyan. Tagline: "A city possessed by an evil 'something' where strange phenomena occur one after another. A mysterious fake nose. A terrifying blend of comedy and psycho-suspense horror."
Q. What is the best "moment" for you?
A. Drinking an ice-cold beer after doing good work.
YU~KI (b)
Q. Favorite food
A. Sweet things
Q. Least favorite food
A. Bitter things
Q. Favorite drink
A. Sweet things
Q. Least favorite drink
A. Bitter things
Q. Favorite scent
A. Sweet things
Q. Least favorite scent
A. Bitter things
Q. Favorite scenery
A. A school on a red clay hill
Q. You can cry three times in your life. The first time is when you are born. What about the other two?
A. Tears of emotion and sadness
Q. If you could ride a time machine, when and where would you go, and what would you do? (Past or future is okay)
A. I'd want to see what I look like at the very end of my life.
Q. If you were an assassin, what weapon would you use and why?
A. Fangs to the neck (so I could watch their face as they die experiencing ultimate pleasure).
Q. Unlimited funding is provided. If you were to direct a movie, what kind of movie would it be?
A. A romance film, without worrying about fame.
Q. What is the best "moment" for you?
A. When I'm enveloped in white light.
MANA (g)
Q. Favorite food
A. Of course, Orukubekki's curry
Q. Least favorite food
A. None
Q. Favorite drink
A. Tomato juice
Q. Least favorite drink
A. None in particular
Q. Favorite scent
A. Sweet fruits
Q. Least favorite scent
A. Strong perfume worn by women at night
Q. Favorite scenery
A. White sky and blue sea
Q. You can cry three times in your life. The first time is when you are born. What about the other two?
A. I can't decide something like that.
Q. If you could ride a time machine, when and where would you go, and what would you do? (Past or future is okay)
A. I don't want to think about it since time machines don't exist.
Q. If you were an assassin, what weapon would you use and why?
A. A whip. I'm used to using it.
Q. Unlimited funding is provided. If you were to direct a movie, what kind of movie would it be?
A. The life of a phantom chef.
Q. What is the best "moment" for you?
A. The time when I can sleep when I'm sleepy.
ARENA 37°C (アリーナサーティーセブン) Vol.181 1997年10月
M (Mana): I really want to wear blue jeans, a T-shirt and no makeup but the other members don’t allow it so i have no choice but to dress like this.
T (Tetsu): That’s awful~ (laughs). But I think it suits the songs. Since we’re playing a European sound you have to dress accordingly. I’m casual but i try to give off a noble vibe...
Y (Yuki): I try to express as much individuality as I can, but there’s a limit to makeup and clothes so that’s my biggest concern right now.
K (Közi): For me it’s divine inspiration.
T: Apparently it arrives in the mail while he’s sleeping. “Wear this today!!” (laughs).
K&T: “From God!!” (laughs).
– Future goals?
T: I want to improve my expressive abilities during live shows. Also, I want to get better and write more songs.
M: Let’s speak seriously! Through the sound we create, I want to bring sorrow to as many people as possible.
T: To all of humanity, with this sound...
M:We’ll move people through music.
K: Feel the craziness of the song and dance with drunkenness! (laughs).
– What is your ideal as Malice Mizer?
M: To pursue music that moves everyone!!
K: And wait for the day we become gods!! (laughs).
– Regarding the fans, what’s the demographic like?
T: A lot of them seem really young, don’t they?
M: As for me, I’d like people from kindergarten to grandmothers to listen widely.
K: Men and women of all ages!!
M: Our music has no age limit, whether you’re young or old, it can move you. That’s the kind of music we aim to create, and I want all kinds of people to come to our shows.
– What do you expect from your fans?
M: Listen to our music!! Right now, come back to this thrilling sound (laughs).
T: Yeah, I’d like them to stick with us and not get tired of the current state because things will keep changing.
M: Ladies, listen with your whole body. Gentlemen, come to our live shows first and listen to our music. And then copy us by ear!
K: Don’t look at the fretboard during the live shows. Don’t copy by sight (laughs).
T: Listen with your ears... You see, we were rock kids ourselves (laughs). When guys come to the shows, I’d like to win them over with sound, not looks.
M: One day, I’d like them to form a cover band.
T: The other day when we went to Osaka, there was a survey where someone said they wanted to start a band like Malice Mizer (laughs).
Y: Fans crushing each other!!
– What do you want fans to stop doing?
K: Ah, it seems like there are cliques.
M: Everyone, please get along.
T: Please stop taking photos during the afterparties. If we’re photographed during the afterparty, we’re done for.
Malice Mizer 🕷️Translating interviews so everyone will have the chance to enjoy MM 🦋🫶🏻
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