headcanon for modern Sebaciel: Sebastian is in jail for trying to date a minor and Ciel is living his best life being a happy 13 year old đ„șđ
Alright, thank you everyone who has voted, the results are now in! Overwhelmingly our winner is Ranmao đ!
First of all, I need to insert a few caveats here. Unlike with Victorian fashion, I do not have years and years of studying of Qing dynasty-fashion behind me. So whatever results I show here are the product of a fortnight of reading up and meticulous studying of contemporary photographs. a.k.a. I am merely scraping the surface here. But! I do promise that everything shown here is done to the best of my ability to be responsible as a content provider.
Now without further ado, let us dive into Ranmaoâs current design, the blatantly obvious inaccuracies, and how I propose to redesâŠign⊠her outfit while keeping the original intact as muchâŠ. as possible???? Heck, this is not even worthy of being called a âredesignâ, this is straight up designing from scratch!
Let us start with her bangs. Her bangs are in fact surprisingly accurate, as late Qing dynasty women would wear their bangs in a variety of Bettie bangs trimmed well above the eyebrows. Having sides of the bangs growing longer framing the face was usual too, though they would be cut slightly thicker than Ranmaoâs. Though, we donât know how much hair Ranmao has, so I see no reason to alter it.
Twin braids are very much associated with the âChina doll lookâ, but they seem to have been branded into our image of the âChinese Girlâ because it was the go-to look for unmarried women in Republic China (which is many years later than Ranmaoâs time, and also has more surviving images.)
In Ranmaoâs time, unmarried girls would either wear the bottom part of their hair down, or have everything tied into a single braid behind them. Girls who preferred a more feminine look would often decorate the sides or the top with flowers or other ornaments depending on their wealth.
Yanaâs notes say that the flower in Ranmaoâs hair is a Chinese peony, which is also called the Empress of Flowers in Chinese as well as Japanese culture. I could find sources on how the peony was the symbol of the Empress of China, and how one better avoid wearing any type of peonies around the Empress herself for fear of being suspected of disrespect. But I could not find any evidence of such flowers being banned for other people, so presumably it was more an âunwritten code of politenessâ rather than fashion law.
Hence, I kept the pink peony design for Ranmao, and decorated them in the way Qing women would have.
By far the most interesting thing I learned from this redesign attempt was that the âmandarin collarâ - the thing that pops up first in most peopleâs minds when thinking about Chinese fashion - was in fact not at all common.
In this academic work on Chinese fashion history, Finnane writes that the âhigh collarâ was ânot a common feature of costume before the twentieth century.â Instead, most costumes would have had a round neckline.
Finnane, Antonia. Changing Clothes in China : Fashion, History, Nation. New York: Columbia University Press, 2008. p. 93
The âhigh collarâ gained popularity in early 1900s in China after the Europeans brought with them the beauty standard for high collars, as well as slim-fitted silhouettes. The Chinese increasingly adopted this type of collar and the slim silhouette (the well known âchina dress/qipao/cheongsamâ), and the relatively many early photos that survived helped engrave this stereotype into our minds.
I do not think it requires any mention, but 19th century Chinese fashion did not include boleros⊠For many of the original designs of Ranmao I can sort of see where Yana got that image from, but this bolero-look truly beats me.
The sleeves worn in the late Qing period were relatively wide, though they were starting to slim down over time. Late Qing women enjoyed much more flexible clothing rules than earlier Qing women, and the width of the sleeves was in great part determined by personal preference, season, but mostly oneâs wealth.
Needless to say, the larger the sleeves the more fabric and embroidery it would require, and thus more expensive. Also, the wider the more it would get into the wearerâs way.
I donât know how much thought Yana put into Ranmaoâs original design in relation to her function as elite bodyguard, but considering how the original has zero practicality and only serves to maximise Ranmaoâs attractiveness, I have no qualms about giving Ranmao fairly large sleeves too. Besides, let us assume that Lau is responsible for providing Ranmao with clothes. Illegal money tends to fill the pockets quite deeply, I donât think he canât spare a few pounds for big sleeves.
Wider sleeves would expose much of âa ladyâs precious skinâ, as such a more fitted layer would have been worn underneath. (The sleeves under the wider sleeves obviously did not have to be orange-ish. This was merely coincidence that both my redesign and the visual source have this colour.)
The figure hugging silhouette x Chinese clothes was - as mentioned above - not at all a thing in Ranmaoâs time. In fact, the accentuation of the âfemale curvesâ was considered very inappropriate if not downright ugly in the Qing dynasty.
Finnane, Antonia. Changing Clothes in China : Fashion, History, Nation. New York: Columbia University Press, 2008. p. 94
Yanaâs notes mention that the thing Ranmao wears is just an European corset and that that is the only thing âEnglishâ about her attire.
Well⊠I donât know where the idea that Victorians wore corsets on the outside comes from, but I myself admittedly was fooled by this a few years ago too⊠I promise you all now however, Victorians decidedly did not wear their âbrasâ on the outside. I think even now this look is considered rather âquestionableâ by most people.
Instead, Qing dynasty clothes were mostly cut wide and straight, loosely dangling around their bodies offering maximum comfort and space. You feared Ranmao killing you in her corset? Now tremble before her now blessed with maximised agility.
Well⊠I considered âtranslatingâ Ranmaoâs attire to 2020 standard like I did for O!Ciel, but that would not be Tumblr-filter approved. Skirts so short they could be mistaken for a belt are nothing too surprising today, but wearing one with a split that deep is probably a bit too revealing even by todayâs standards.
By the late Qing dynasty, men and women, rich and poor alike predominantly wore trousers. Long robes (skirts) were definitely in fashion too, but they were reserved for those who could afford to not have much agility. If you were a farmer, robes would not have been your first option. Perhaps the way long skirts were viewed by the Qing Chinese was not unlike the way we see them now; âmore classyâ âmore feminineâ and âless convenientâ, but not the only way to express femininity.
In these pictures below we can see relatively rich women, married and unmarried alike, all wearing trousers.
Ranmao is predominantly a fighter, and as trousers are plenty feminine in Chinese fashion culture, I donât see why she would not choose to wear trousers instead of a restricting long skirt. Hence I gave her a pair of trousers.
Like I said before, âthe shoes are correctâŠâ But the anklets definitely are not!
Golden or silver anklets are something that are worn by very, VERY young children in China. Even to this day it is customary among many Chinese people to gift newborn children at least one piece of pendant, bracelet or anklet, for it is believed to bring the child luck. More practically, this piece of jewellery will become the childâs first piece of property then, which can be sold later SHOULD they ever run into a financially difficult situation.
These anklets or bracelets would not be removed from the child unless they have outgrown them, which happens fairly quick. Ranmao who is probably full grown should have outgrown them at least ten years ago. Hence, seeing these things on Ranmao would probably make it look like she is still wearing diapers or bibs.
Chinese people would likewise not have worn shoes barefoot. Instead, they would have worn cotton socks which were mostly white.
HERE COME THE WEAPONS! Luckily Yana wrote the following note or I would never have guessed what they are for my knowledge about Chinese weapons is next to nothing.
âThese areăSUPERăheavy. They are weapons called ćé (double hammers) and they in fact exist. I heard these were used by power-type warriors.â
So, I googled ćé and it turns out that the type Ranmao is holding do indeed exist! But⊠only in fiction and theatre.
The hammers that were used in actual combat were either very thin and long, or short and plump. Such hammers were one of the most primitive metal weapons in China, and quickly fell out of favour among Chinese warriors when more practical weapons such as the metal spear, sword and bows were invented. The hammers mostly retained their value because of their weight in heroic tales and myths about legendary warriors and deities.
I donât have the full details, but apparently according to some legends or myths, one of such big-ass hammers could deal a force of 200kg, and thus 400kg combined. Regardless of this being realistic or not, it sure does sound very cool! It is therefore no wonder this primitive weapon retains its popularity even today.
Nowadays when these hammers are used, they are either the blown up theatrical versions, or the smaller versions for the sake of preserving martial arts.
I had a bit of a dilemma as to which version to give Ranmao, but in the end I settled with the short and heavy ones because I wanted to keep the idea of this small and innocent looking girl wielding solid metal balls. Two cheer-leading sticks would simply not have the same weight, figuratively and literally.
Alright everyone! Did you enjoy my response to your votes? I hope you did ^^ Non-European fashion history really is not my strong suit, so my deepest apologies if I messed anything up.
Pray tell if I did, I am always happy to learn ^^
Spoilers??
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Spoilers: Book of Circus
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I forgot I had this Kurapika eyes collection so here you go
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