Married On The Battlefield And You Won't Change My Mind!!

First order of business: THIS scene in hd

the video on YT got blocked in some regions bc of the song, and i was a fool for posting the YT link to the video here on tumblr, so i am posting it again

Appreciation post for the ongoing book title jokes in rise

(Chiroptera means "bat" in Latin and Mors is "death" in Greek)

If I forgot or didn't notice any, please point them out to me! I love this kind of humor!

XD their faces

Poor boi was on autopilot and didnt realize there was company lol

You better believe his brothers teased him about it for MONTHS

Also leo cant believe that dontron got a s.o before him

Donnie!

she guessed my favorite color first try..

but between me and u……. i didnt even have a favorite color until she yelled out yellow!! she was hella excited n smiling like a little kid. so i told her she was right and i havent seen yellow the same since, its in everything. i could probably live in it now. 

Okay, I want to predict the outcome for Spy x Family chapter 72 rn before it comes out, and I'm writing it here so that, if it happens, I can come back to this and pat myself on the back for being right.

So if anyone's interested, this is what I think will (or at least, should) happen:

The bus comes to a stop with all the police officers surrounding it. Cursing for being caught, the guy tells the kids to all stay put if they want to live, then grabs Anya and Damian and brings them out of the bus.

He tells the officers that he has bombs strapped to their necks (both the son of the wealthy and high profile Desmond family and the girl who just happened to piss him off) and that he won't hesitate to set them off.

The officers lay down their weapons, seeing as they have no other choice. Anya, being the little gremlin she is, yells out that the bombs are fake. Aka, pick up the guns again and save them.

Damian and the guy are equally appalled that Anya would be stupid enough to say that and also how does she even know that??

As the police question whether or not that's true, the man grabs Anya and puts a gun to her head, saying something like "I don't know how you learned the bomb was fake, but this gun is very real." Or something to that extent.

Damian (bless his soul) probably tries to help her, but is ultimately smacked away like the loaf of bread he is.

The police, now again concerned with the turn of events, put their guns down for the second time.

The man smirks and begins to list off what he wants the cops to do if they want the kids to live when something smacks him in the head. (Idk what it would be. A rock, a shoe? Just something.)

He looks up to see a hooded figure standing on top of the bus. "Step away from the girl." He says as he points a very large gun at the man.

"Who the hell are you?" The man responds.

"Someone who doesn't like repeating orders a second time." The gun is cocked. "Now step away from her."

Anya (bless her soul as well) thinks that she should do something to help. After all, that's what Bondman would do. So, like the gremlin she is, she comes up with the most gremlin-like plan she can and bites him. Hard. Just fully chomps down on the man's fingers.

Cursing, he let's go of her in surprise. Damain quickly grabs her hand and yanks her away as the hooded figure jumps on top of him and knocks the gun out of his hand.

The police are understandably confused, but rush to stop the bus driver who attempts to make a run for it when his ally is taken down.

Now that they're apprehended, Anya tries to figure out who the hooded figure is. Was it Papa?

She reads his mind and hears this:

"I may hate Loi-Loi will all my guts and he may never be a deserving husband to someone as great as Yor, but I know she would be devastated if anything happened to her chihuahua girl."

Anya smiles, realizing that the man who came to her rescue was her uncle Yuri. She knows that he is technically her papa's enemy (and possibly her mama's too, even if he doesn't know) but he's still a good guy.

Cue Yuri noticing the look and saying something like,

"What the hell are you smiling for??"

But Anya just says something like

"Thank you mystery man! You saved Syon-boy and I from being dead."

He stiffens a little, surprised at the praise and his relief about her safety.

"You're welcome." He says.

Then we cut to the next scene.

Loid is standing in his doorway, fear and absolute shock in his expression.

"She... What?"

The officers then explain to him (for the second time) what events transpired that day.

He looks down as Yor (in tears) crushes Anya (literally crushes) in a hug, saying how she was so sorry she had to go through that and was so relieved that she was okay.

Loid is furious. Furious at the men who threatened his daughter, but more importantly, furious at the agency for not telling him what was going on. He knew they knew about it.

Unable to even look at Anya, he pushes past the cops and sprints his way all the way down to the agency. He isn't careful to be unseen. He isn't paying attention to any of his lessons and basic techniques of being a spy. His daughter almost died today. That's the only thing that matters to him right now.

He kicks down the door, to which the woman starts her whole "Good day, or rather, good evening" spiel that Loid promptly interrupts.

"You knew." He accuses, "You knew and you didn't tell me."

The woman tells him her reasoning. (He was too far away, there was no point in needlessly worrying him when he couldn't do anything, etc.)

He erupts, yelling at them that he didn't care if he was in the middle of another mission, they should've told him! She's his daughter! He should know if she's ever in danger!

"She's not really your daughter," comes the reply.

A moment of silence.

Silence as he realizes the statement is true and wrong at the same time. Not his biological daughter, sure, but she was still his. She was important.

"What about Operation Strix?" He tries to rationalize (for the sake of his protectiveness toward Anya and to prove that the agency should care about her too)

The agency tells him they have other means of getting close to the Desmonds, whether through Yor's new friendship or through another "backup" plan they had in motion. They imply that Anya is expendable. They say that the mission is more important. They say if it came to saving Anya or keeping the mission intact, they wouldn't hesitate to let her die. For the greater good, of course.

After a moment of Lord's silence, she even goes so far as to say Anya's death could've possibly been proven useful, as the mourning could've gotten Yor closer to Melinda-

A crash.

The woman looks up to see Loid leaving the room, the table by which he'd been standing now snapped in half.

Loid walks back home, contemplating her words. Was Anya really expendable in regards to the mission? Trying to keep his thoughts rational, he plays out how her death would affect it. He sees there are some pros (strictly regarding the goals of the mission) but he shuts those thoughts down immediately.

Why had he been so scared today? If she was truly expendable, why had his heart dropped out of his chest when he'd heard she'd come so close to death?

It didn't make sense, not really.

But when he entered the apartment and saw Yor and Anya still on the floor, still hugging, he realized it did.

Because Anya may be considered expendable for the mission. A pawn in a much larger game of chess.

He falls to the floor and wraps both Yor and Anya in a tight hug, saying nothing.

But she was not expendable to him.

Bonus scene at the end:

Yuri's superior officer knocks at his door. Yuri lets him in.

"Thought you'd like to know, that girl, Anna was it? She's alright. The police handled it."

Yuri, already well aware that Anya is fine and that the police most certainly did not handle it, just nods.

"Thank you for telling me sir."

He just nods.

"However, it seems we have a new problem. You see, witnesses reported seeing a mysterious masked figure helping the police catch the guy. I want you to ID him so we can bring him in for questioning and see if he's an enemy."

The officer is so distracted by his determination to find out about this masked menace, he doesn't notice Yuri is standing very nervously behind him. Sweating bullets.

source & source

Everything You Need to Know About Writing Burns 

Burn injuries are a common wound type explored throughout various aspects of literature. Unlike stab wounds burns come in various different forms. Every burn cannot be the same. The substance, intensity, and contact level all play pivotal roles in determining the nature of the burn your character must endure.

I previously did a blog about everything you need to know about stab wounds, which you can find here, and decided to continue this series with burns. So, here's my guide on everything you need to know when writing burns. 

Understanding Burn Types

Burn injuries are as diverse as the situations that create them. To depict burns realistically, it's essential to understand the different types, each with its own unique characteristics and narrative significance. 

First-Degree Burns

First-degree burns are superficial injuries, often caused by brief contact with a hot surface, a mild sunburn, or scalding steam. These burns primarily affect the outermost layer of skin, the epidermis. While painful, they typically don't result in blisters. First-degree burns can serve as plot devices, adding realistic touches to scenes involving minor accidents or unexpected contact with hot objects.

Second-Degree Burns

Second-degree burns are more complex and can be painful and blistering. These burns affect both the epidermis and the layer beneath, the dermis. They can result from scalds, flames, or chemical exposure. In literature, second-degree burns are ideal for portraying characters' struggles with painful healing and the potential for scarring.

Third-Degree Burns

Third-degree burns are the most severe and life-altering. They extend deep into the skin, damaging or destroying not only the epidermis and dermis but also the subcutaneous tissues. These burns can result from prolonged exposure to flames, chemicals, or electricity. 

Third-degree burns can be used to introduce profound challenges and transformations in characters' lives. The road to recovery is long and arduous, often with permanent physical and emotional scars, which can be used for character development.

Intricately depicting these burn types in your writing adds layers of realism and authenticity to your characters' experiences.

Chemical Burns

Chemical burns result from contact with corrosive substances, including strong acids or alkalis. They are typically more complex to portray in literature due to the need for specific knowledge about the chemicals involved. The narrative implications can vary widely, from accidents in laboratories to criminal acts of violence involving acid attacks or other harmful substances.

Electrical Burns

Electrical burns occur when the body comes into contact with electric currents, leading to tissue damage. These burns are unique in that they may not manifest external signs immediately. They can be used in stories involving electrical accidents, lightning strikes, or even superhuman abilities.

Radiation Burns

Radiation burns, often linked to exposure to ionizing radiation, are less common but offer a distinctive narrative dimension. These burns can result from nuclear events, medical treatments, or even futuristic scenarios involving radiation-based technology.

The Burn Substance And The Impact It Plays 

When it comes to depicting burns in your writing, understanding the substance involved can significantly impact the narrative. Different substances, from scalding liquids to caustic chemicals, introduce unique challenges and effects on the characters experiencing them. 

Scalding Liquids (Hot Water, Coffee, etc.): Scalds are common in everyday life, often resulting from accidental spills or moments of carelessness. These burns are typically first-degree, affecting the outer layer of skin. In your narratives, scalding liquids can add a touch of realism to scenes involving kitchen mishaps, hot beverage spills, or even cruel pranks.

Flames (Fire, Gasoline, etc.): Flames lead to more severe burns, ranging from second to third-degree injuries. Whether it's a house fire or an encounter with a fiery adversary, burns from flames introduce high-stakes situations and profound character development.

Chemical Substances (Acids, Alkalis, etc.): Chemical burns, caused by contact with corrosive acids or alkalis, offer a myriad of storytelling opportunities. These burns are often disfiguring and can result from accidents in labs, criminal acts, or acts of revenge.

Electrical Current: Electrical burns may not manifest external signs immediately, making them unique in burn descriptions. These can result from electrical accidents, lightning strikes, or even futuristic scenarios involving advanced technology.

Radiation Exposure: Radiation burns, linked to exposure to ionizing radiation, are less common but provide a distinctive narrative dimension. They can result from nuclear events, medical treatments, or futuristic scenarios involving radiation-based technology.

Understanding the substance involved allows you to accurately portray the type and severity of a burn, making your narrative more authentic and engaging.

Sensory Descriptions and Variations

When it comes to writing about burns, it's crucial to engage your readers' senses. Burns evoke a range of sensory experiences and effectively describing these sensations can immerse your audience in the narrative. Here are some factors you should take into consideration: 

Pain: Burns are notoriously painful. Depending on the degree of the burn, the pain can range from mild discomfort to excruciating agony. Describing the character's pain, its intensity, and how it evolves over time can create a deep emotional connection with your readers.

Heat: Burns often generate intense heat at the injury site. Describe the searing heat or scorching sensation as it radiates from the burn. This adds realism to your portrayal of the immediate aftermath of the injury.

Smell: Burns can produce a distinct odour. The smell of burnt flesh or singed hair can be nauseating or evoke feelings of dread. Including sensory details related to smell can enhance the reader's immersion in the scene.

Texture: The texture of a burn can vary. First-degree burns might feel raw or tender, while second and third-degree burns can result in blistering, peeling, or even charring. Explore how the character perceives the texture of the burn and its impact on their daily life.

Sound: The sound associated with burns can be subtle or pronounced. The sizzle or hiss when a burn comes into contact with hot metal, or the muffled cries of a character in pain, can amplify the emotional impact of a burn scene.

Numbness: In some cases, particularly with severe burns, the area surrounding the burn might feel numb due to nerve damage. This contrast in sensation can be a powerful narrative element in a character's journey to recovery.

By using sensory descriptions and variations, you can transport your readers into the world of your characters and make the experience of burns more vivid and memorable.

Anatomy of a Burn Wound

To depict burns convincingly in your writing, it's essential to understand the anatomical aspects of a burn wound. Burns affect different layers of skin and underlying tissues, and the depth of the burn significantly influences the healing process and long-term consequences. Here's a closer look at the anatomy of burn wounds:

Epidermis: The epidermis is the outermost layer of skin and is primarily responsible for protecting the body from the environment. First-degree burns affect the epidermis and are characterized by redness, pain, and mild swelling.

Dermis: The dermis lies beneath the epidermis and is thicker. Second-degree burns extend into the dermis and result in the formation of blisters, intense pain, and possible scarring. These burns can be particularly challenging for characters due to the pain and extended healing process.

Subcutaneous Tissues: Third-degree burns, also known as full-thickness burns, penetrate the dermis and affect the subcutaneous tissues. These burns often result in charring, loss of sensation, and long-term scarring. Characters with third-degree burns may face life-altering challenges and lengthy recoveries.

Muscle and Bone: In severe cases, burns can extend beyond the subcutaneous tissues, affecting muscles and even bones. These deep burns are catastrophic, leading to a range of complications and necessitating complex medical treatment.

Understanding the anatomical layers affected by a burn allows you to provide accurate descriptions of the injury, its consequences, and the challenges faced by characters on their journey to recovery.

How Do You Treat A Burn Wound? 

In your writing, portraying the accurate medical assessment and treatment of burn injuries can add depth and authenticity to your narrative. Characters' survival and recovery often depend on prompt and effective medical care. Here's what you need to know about medical assessment and treatment for burn injuries:

First Aid: Immediate first aid is crucial when a character sustains a burn. This includes cooling the burn with cold running water, covering it with a clean, non-stick cloth, and seeking medical attention. Accurate descriptions of the first-aid process can create a realistic sense of urgency in your story.

Medical Assessment: Medical professionals categorize burns based on their depth and extent. The "Rule of Nines" is a common method to estimate the percentage of the body affected by a burn. Accurately describing how healthcare providers assess and categorize the burn can enhance the realism of your narrative.

Wound Care: The treatment of burn wounds involves cleaning, debriding, and dressing the affected area. This can be painful, especially for deeper burns. Your characters' reactions to this aspect of treatment can add emotional depth to your story.

Surgery and Skin Grafts: Severe burns often require surgery and skin grafts to promote healing and minimize scarring. Detailed descriptions of these procedures and their impact on your characters can provide insight into the challenges they face.

Rehabilitation: Characters recovering from severe burns may require extensive rehabilitation, including physical therapy and psychological support. These aspects can significantly influence their character arcs and the overall narrative.

By accurately depicting the medical assessment and treatment of burn injuries, you can make your characters' journeys to recovery more authentic and compelling.

Common Mistakes and Misconceptions

While writing about burn injuries, it's essential to avoid common mistakes and misconceptions. Authors may inadvertently perpetuate inaccuracies in burn treatment. Here are a few common misconceptions to be aware of:

Applying Ice: Contrary to common belief, applying ice directly to a burn can damage the skin further. It's essential to emphasize the use of cold running water for cooling.

Popping Blisters: Characters might be tempted to pop blisters, but this can increase the risk of infection. Describing the correct care for blisters can improve the accuracy of your narrative.

Neglecting Long-Term Effects: Burns can have lasting physical and psychological effects. Ensure your characters' struggles and recoveries reflect the long-term consequences of burn injuries.

By addressing common mistakes and misconceptions, you can create a more accurate and engaging portrayal of burn treatment in your writing.

What About The Psychological Impact?

Burn injuries don't just affect the physical well-being of characters; they also have a profound psychological impact. Understanding the emotional and mental challenges your characters face can add depth to your storytelling. 

Post-Traumatic Stress: Characters who have survived burn injuries may experience post-traumatic stress disorder (PTSD). Vivid flashbacks, nightmares, and anxiety can be depicted to illustrate their emotional struggles.

Body Image and Self-Esteem: Severe burns can alter a character's appearance, leading to body image issues and reduced self-esteem. Describing how characters come to terms with these changes can be a central aspect of their character arcs.

Fear and Anxiety: Characters may develop a heightened fear of fire, stoves, or any situation that could cause burns. Depicting these anxieties and how they impact daily life can create a compelling narrative.

Depression and Isolation: The emotional toll of burn injuries can lead to depression and isolation. Characters may withdraw from social interactions or grapple with feelings of hopelessness.

Coping Mechanisms: Characters often develop unique coping mechanisms to deal with the psychological aftermath of burns. Some may seek therapy, while others may find solace in creative pursuits or support groups.

By exploring the psychological impact of burns, you can delve into the complex emotional journey of your characters and illustrate their resilience and growth.

Looking At The Forensic Considerations

In crime fiction and mysteries, burn injuries can play a crucial role in forensic investigations. Authors should be aware of the forensic aspects of burns to accurately depict legal and investigative processes. Here are some essential forensic considerations when writing about burns:

Fire Investigation: In cases of suspicious fires or arson, investigators must determine the cause and origin of the fire. Understanding fire investigation techniques and terminology can help create a realistic portrayal of crime scenes involving burns.

Identifying the Victim: Severe burns can complicate the identification of victims. Dental records, DNA analysis, and other forensic methods may be required. Your characters can collaborate with forensic experts to solve such cases.

Evidence Preservation: When writing about burn-related crimes, emphasize the importance of preserving evidence at the scene. The mishandling of evidence can significantly impact the investigation's outcome.

Legal Implications: Explore the legal aspects of cases involving burns. Characters may need to navigate the legal system, testify in court, or seek justice for burn-related crimes.

Historical Cases: Referencing real historical cases involving burns or fires can add authenticity to your narrative. Research well-documented cases for inspiration or incorporate them into your story's background.

Understanding the forensic considerations related to burn injuries can make your crime fiction or mystery more compelling but it also helps ensure you don’t accidentally offend any readers by inaccurately representing real issues. 

I hope this blog on Everything You Need to Know About Writing Burns will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey!