The protagonist keeps trying to mess up the story by offing himself. The narrator keeps having to save him.
Doodles based on the Prince!Varian AU that’s been floating around.
Varian’s powers obviously come from the moon/stars, but since his dad’s symbol is this I went with mainly Stars. He has the same healing abilities as Rapunzel does, though.
Night Vale Quotes 7/? Carlos the Scientist
{previous}
i am just CRANKING out the masterposts. linked to original posts whenever possible. enjoy!!
100 beautiful words
name generators
plotting made simple
places to put character descriptions
guide to fantasy
how to passive voice
research resources
regular masterpost i’m including bc of all the writing/grammar links
for writers creating their own worlds/characters
who and whom how to
ways to avoid saying the word ‘very’
several ways to find the word you’re looking for
look up illegal stuff in a legal way
deflate inflated phrases
rhymes made easy
start the story
good character traits ref sheet
character traits generator
write real people
limits of the human body
best yet most infuriating writing advice
seven steps to the perfect story
100 ugly and beautiful words
quick guide to myers briggs personalities
eye shapes for writers
four temperaments
tip top writing tip
visualize your character’s house
random writing tips
castle terminology
kurt vonnegut’s rules for writing fiction
words that describe a voice
surnames/last names masterpost
random city/name generators
character building stuff
size comparison
build a realistic character
here’s why every word is important
hemingway writing checker
ideas for character flaws
if you think writing a book is easy, read this
cis person writing trans character? read this
stages of deterioration in the human body
resources for writing character bios
stuff u should know about all ur characters
I live in a state of either “fuck yeah” or “fuck no” and there is no in between
I’M SORRY SO MANY TEXT POSTS BUT THIS IS IMPORTANT
there’s a post going around of some girl linking to a “picture of her prom dress” when the link leads to a picture of a gif’d mutilated face and screaming. i imagine that this could be very harmful to both people with epilepsy or those with anxiety problems and the like. it happened to alarm me a lot.
please boost so no one gets hurt! we don’t want any seizures or panic attacks!
In the conclusion for now, some things I’d really recommend doing if you’re seriously considering making a webcomic (or really a comic in general). Some of these don’t really apply to strips or gag-a-day type of comics, but I’m not talking about those here.
1. Write down ideas\sketch stuff, LEGIBLY. “I’m gonna remember it later” NEVER works. And if you scribble it somewhere on a piece of paper, you’d better scan it or retype in one doc later, because tiny notes always get lost among other doodles in my skethbooks.
(i know it’s hard to keep everything clean and organized, but this mess is just not productive)
If your project is a collaboration, save your conversations. If you’re working alone, make a blog for your ramblings. You have no clue what tears of relief I cry when I open that blog and rememeber I don’t have to painstakingly look through my heaps of sketchbooks and folders for a tiny idea I’m not even sure I wrote down a few months ago.
2. Inspiration folders, or even better, inspo blog with tags also help with collecting and remembering ideas. Color schemes, landscapes, style inspirations, atmospheric stuff, maybe some photo references, all those neat things.
3. Basic tier: character design sheets. Top tier: common poses, expressions. God tier: outfits they wear throughout the comic. Holy cow tier: turnaround sheets for all those outfits.
(I’d die trying to find good pages for references without these)
4. If you haven’t finished detailing the plot, don’t even think about moving on to drawing the comic. You’re gonna regret it when you come up with a really cool plot element that can’t be incorporated anymore because you’ve already drawn all the parts you could’ve tweaked.
5. Don’t just define the plot, make a script. Writing down the lines and the brief description of the actions serves me fine:
(notice that I approximately divided the pages & the text that’d go to each panel on a page)
6. Hard mode: make thumbnails for all the pages, if possible. At least whenever a new chapter starts.
7. If your story involves some convoluted chronology shenanigans, you’d better write down the events of your timeline in the chronological order.
8. Backgrounds. You can’t avoid them, bro. Like half of the comics are backgrounds, especially if your story involves a lot of adventuring and looking around. I know it hurts, but you’ll have to become friends with them. Read some tutorials, practice on photos, go out and sketch some streets, use 3d programs (like Google Sketch) to understand the perspective, use sites like houseplans to visualize your buildings better, I don’t know. Just be prepared for their imminent evil.
9. If you’re drawing digitally, pick a brush size for the lines and stick with it. You don’t want your lines and detail levels to look all wonky and inconsistent in different panels. And I don’t mean the cool stylistic varying lines, I mean this:
Also, things on the background should have thinner and/or lighter lines to avoid distraction. Usually less details too, unless you’re making a busy background with a simple foreground to help it pop out. Or wanna draw the attention to an object on the bg.
10. Readable fonts. Even if you chose to ignore people with poor sight or dyslexia, the majority of your readers aren’t gonna be excited about struggling to decypher this:
Also, as much as I love my black speech bubbles, colorful text on black still kinda hurts the eyes. I wouldn’t recommend doing that for all the characters. Black speech bubbles are usually used for creepy, inhuman voices. And yes, having a colorful outline in this case helps.
11. Probably newsflash, but did you know that panels have their place, order and functions? They do! My favourite thing ever is how I used panels when I was like 12:
(comics ain’t rocket science, but this one is)
The composition of the panels and word balloons always serve for a better reading experience. They guide your eyes over the page, so that you never feel lost or confused. The images in the comic equal frames in a movie, so it’s pretty damn important in what order you look at things and how quickly you can understand what’s going on!
(Eric Shanower & Scottie Young’s Wizard of Oz)
12. One update a week is fine for testing waters. Don’t overestimate yourself, especially if you have a pretty busy life outside it. A stable comic that updates slowly, but regularly is better than an unpredictable erratic one. You can always pick up the pace later, if you feel confident enough.
13. Try to always have a buffer - a couple of pages in reserve. If you’re making the pages much faster than you’re updating, this shouldn’t be a problem. But if those paces are equally the same, it’s goddamn HARD. But on the other hand, if something happens and you skip an update, those come in handy.
If you’re looking at this list and thinking “wow that’s a LOT of work”, you’re totally right. And it’s okay to be intimidated at first! But that’s why it’s important to start with something small. Once you get the formula down, these things will be natural to you.
As a Chinese person I can confirm this is 100% what happened.
guy 1: hey what should we put in this boiling water
guy 2, an absolute fucking genius: uh……………..
YA literature? You mean books about Super Special White Girl and Her Mysterious Brooding Boyfriend?
*shows up 15 months late with starbucks* anyway here’s my vine compilation (volume warning!)
How I add light :D
A personal main blog for my own amusement and possibly future art
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