Wait Whats Wrong With Chatgpt :(

I love you Kevin Pollack, but Moishe Maisel sucks. Why the hell would you evict your daughter and grandchildren from their home because of something that your idiot son did?!

I watched the first three episodes of Marvelous Mrs. Maisel season 5.

I…Eh…

First of all, where is the Gaslight? We haven’t seen it in so long.

Second, I’m sad to see that there’s still a lack of long stand-up performances…in this show about a comedienne. This was a problem in season 4, and I hope they fix it as S5 goes on.

I’m so glad season 4 Midge is mostly gone. I hated how insufferable she was in Season 4 and that Susie was never able to get through to her. That’s the core of their relationship, and I don’t like that it took so long for her to get over herself.

The flash forward openings were…weird. On one hand, Miriam being kind of an absentee mother makes some sort of sense, but seeing her as another version of Rose is kind of disappointing.

As is the reveal that she’s apparently been married four more times. Like, why can’t she find happiness? I never liked the arc about ending up alone, but I was willing to accept it as Midge putting romantic relationships on hold for a bit after putting it ahead of everything for so long.

But apparently she no longer speaks to Susie either? I HATE the explanation they give too. Their whole “we’re not friends, we’re coworkers” finished midway through the second season, and was a huge and endearing bit of Susie’s growth. I’m sure they’ll expand on it, but it’s just sad. And they showed the inverse of it mostly effectively in Season 3.

I hate that this show seems to really be doubling down on its message of “you have to be alone and distant from literally anyone to achieve your dreams.”

Season 1 and Season 2 (barring the finale) were about finding personal growth by pursuing your own ambitions.

Season 3, which I didn’t enjoy as much, is where the “ending up alone to succeed” stuff really started after being seeded in the Season 2 finale. Yeah, it’s hinted at in the S2 premiere, but it’s more about the final end of Midge and Joel specifically. The plot line with Ben is also more about Midge opening up with a potential romantic partner, and how perhaps she isn’t ready or compatible with someone in that moment enough to settle down.

She’s only about a year out from her divorce, so it makes sense that she realizes that she isn’t ready to settle down again.

I don’t really get why she decided that one failed relationship automatically equals alone forever. I guess it’s because she’s also super influenced by Lenny’s performance, but…that’s another problem. Her idolization of him is just such a weird step in the wrong direction for her character.

She’s putting him on a pedestal the same way she did with Joel, and it’s him that is the one to get her out of her self-destructive phase.

Susie once told her “You do not need a … man at your side to do this”. Except she does.

I hate some of the messaging in this show, but hopefully the final episodes will make up for the stuff I didn’t like just like the Lenny and Midge blue room scene did last season.

On Aziraphale and Crowley in the Final Scene

Season Two Spoilers Below

Alright, I’m gonna go on the defensive for Aziraphale.

Crowley is 100% justified to feel the way he does. He put himself in a vulnerable position, and was rejected. He wanted to be Aziraphale’s first choice for once, and yet again was denied it. More than that, Aziraphale wanted him to change (even though I think Aziraphale thinks he’s saving Crowley) so that they could be together.

But I don’t think Crowley realizes just how deep a hold Heaven has on Aziraphale. He knows and straight up says that both sides are toxic, but he doesn’t seem to get how hard it can be to leave a toxic relationship. I also don’t think he understands how Aziraphale’s faith in the righteousness of God is a part of his character.

Plus, Aziraphale finally feels validated in the eyes of Heaven, something he’s always wanted.

I cried so hard when Aziraphale got into that elevator because I was thinking of all the times I stayed with a toxic friend group, or with my abusive ex.

It hurts so badly to watch a character I love make a mistake that I’ve made.

Star Wars Headcanon:

When Leia makes her light saber, she styles the hilt to look like the Rhindon sword.

I was thinking about the “I’ll never speak to you again” line. Yes it’s emotional manipulation (but Aziraphale thinks that’s what he - an angel - is supposed to be because…well…er…literally almost all of the angels he regularly interacts with are). Yes he would also hate not talking to Crowley.

But the thing is…it’s just kind of a fact. It is literally what will happen if either side wins, no matter which side wins, they won’t see each other. One or both of them might be permanently destroyed in the battle (with the latter possibly probably a worse scenario for both of them). At the very least they will never see each other. 6 millennia of at least having the knowledge that their paths will eventually cross will end.

Aziraphale is finally realizing that it doesn’t matter what side wins, that both are willing to destroy his home of 6,000 years, and he has no idea how to plan for this. What he does know, is that Crowley had figured this out long before he did, and would be better able to come up with some sort of plan.

Season 5 Episode 6 spoilers below:

Gotta love how Joel went behind Midge’s back to solve the problem with the mobsters. He could’ve shown her the book or went back to her to raise his concerns again now that he had tangible proof. But no. It’s Joel, so he has to lie and go behind her back about stuff that pertains to her own life. This man has learned absolutely nothing.

Also hate that he’s trading pictures of her in prison. He specifically asks for the panty pose picture which is so gross. He got mad at someone for having it in S3 but whatever.

I almost rage-quit when Midge said she was still in love with Joel. I still hate her romance plots this season. Gordon is gross. The stalker guy is gross. Joel still sucks. The guy literally blamed Midge for Mei leaving and ending the pregnancy. Yeah Midge was probably still a little jealous since Joel was such a huge part of her life, but there’s a lot of concern for her children driving it as well. “I don’t want them calling you mom.” Is a line that especially has a lot of insecurity behind it.

I guess the rest of the episode was okay. Unsurprisingly, Alex Borstein was great, but I am totally on Midge’s side in regards to her fight with Susie. Susie should’ve told Midge the truth.

I almost cried at the ending.

I miss Lenny. But that’s why we have fanfic.

Also, I know it was a joke, but Midge says she and Susie had sex in Pensacola and refers to their fight as a “break-up”…so…I want to see that story.

Regeneration and Character Arcs:

It’s a popular fan theory that Ten is a regeneration made for Rose. I have mixed feelings about the idea that he’s ’incomplete’ without her.

There’s also something kind of sweet about Nine wanting to become the pretty boy he thinks she likes or (if allowing himself to be self-loathing) deserves. It’s only sweet because he literally has to change.

The Stone Rose novel confirms that Ten’s accent in-universe specifically came from Rose. It’s a less extreme version of him being made entirely for her. Plus, it’s a cool sci-fi exploration of how humans pick up accents after long, continuous exposure. A very alien way to retain a quirk of human nature.

There’s something nearly Shakespearean and so acutely human about Ten’s arc. He loves, loses, grieves, heals, and makes new connections. He moves from ‘I exist for Rose’ to ‘I miss Rose and wish I could exist with her but I’m also allowing myself to care about these other people.’ Then he loses them. It drives him to unthinkable darkness, and by the time he claws his way into the light, it is time for him to die.

Is that arc any more impactful if he’s literally created for someone?

I don’t know.

Incorrect Good Omens Quotes Part 2:

I know a lot of these have been done but this is partly just for me.

Crowley: My crush isn’t picking up on my hints.

Anathema: What hints have you given them?

Crowley: Well, I think about them a lot.

Crowley: And sometimes I even think about talking to them.

*

Aziraphale: Okay, but what if we went to dinner not as friends this time?

Crowley: AS ENEMIES?!

Aziraphale:

*

Crowley: *angrily presses Aziraphale against a wall* WHERE'S THE MONEY?!

Aziraphale: ...

Aziraphale: Are we about to kiss-

*

Crowley, throwing their head into Aziraphale's lap: Tell me I'm pretty!

Aziraphale, lovingly stroking their hair: You're pretty f***ing annoying, that's what you are.

*

Crowley: Aziraphale is playing hard to get.

Crowley: Little do they know, I'm a master at playing hard to get rid of.

*

Crowley: This date is boring!

Aziraphale: This isn't a date. I said I was going to the store.

Crowley: Then why did you invite me?

Aziraphale: I didn’t, I specifically said "don't come with me," then you said, "f*** you Aziraphale I'll do whatever I want!

*

Crowley: Aziraphale and I are no longer dating.

Aziraphale: Crowley, that’s a horrible way of telling people we’re married.

*

Aziraphale: I owe you one.

Crowley: That’s ok. You can just date me and we’ll call it even.

*

Aziraphale: Come to dinner tonight. I can’t cook, but I’ll bring plenty of free wine.

Crowley: Marry me.

*

Crowley: I’ve been dropping them the most insanely obvious hints for millennia now. No response.

Aziraphale: Wow. They sound stupid.

Crowley: But they’re not. They’re really smart actually. Just dense.

Aziraphale: Maybe you need to be more obvious? Like, I don’t know… “Hey! I love you!”

Crowley: I guess you’re right. Hey Aziraphale, I love you.

Aziraphale: See! Just say that!

Crowley: Holy f***ing s***.

Aziraphale: If that flies over their head then, sorry Crowley, but they're too dumb for you.

Crowley: Aziraphale.

*

Gabriel : Enough! How dare you mock me in such a manner!?

Crowley : Well. How would you like me to mock you? I take requests.

*

Aziraphale : There's nothing worse than people using big words they don't understand.

Crowley : I photosynthesize with this.

*

Aziraphale : Do you want to explain the text you sent me last night?

Crowley : It was autocorrect.

Aziraphale : Autocorrect wrote "You're so hot. Please step on me."?

Crowley : Yes.

*

Aziraphale and Crowley, to the angels/demons: I'm allergic to death.

*

Crowley : I was born for politics. I have great hair and I love lying.

*

Crowley : Don’t worry, I have a permit.

Aziraphale : ...This just says “I can do what I want”.

*

Aziraphale : You know, Crowley , when you generalize, you tell general... lies.

Crowley : ...

Crowley : Are you trying to teach me moral lessons through puns.

*

Crowley and Aziraphale : What’s up? I’m back.

Shadwell or Heaven/Hell : I literally saw you die. You died. You were dead

Crowley and Aziraphale : Death is a social construct.

“i asked chatgpt-” ohhh ok so nothing you are about to say matters at all

Like Giants

Humans, Gods, and the Timelord caught between them:

AKA the beautifully optimistic view of humanity by a Time Lord

Nine says he would make a very bad God. Ten says a Time Lord with too much power would become vengeful.

They’re both right.

Time Lords are alluded to as very uncaring, very aloof people. By the Time War, they are apparently just as bad as the Daleks. The Doctor runs from them for a reason.

Because when they are Gods they are terrifying. But the Doctor’s terror always stems from too much emotion rather than too little. The end of Dalek is Nine’s darkest moment. He holds a gun on Rose while she is showing mercy because of the traumatic loss of Gallifrey.

Loss makes Ten in particular…frightening. After losing Rose he nearly commits genocide again in the Runaway Bride.

The moment of Godlike arrogance in “Christmas Invasion” where he changes the known future of Harriet Jones’ tenure has devastating consequences, allowing the Master to come to power. It’s a great reminder of what happens when the Doctor is given too much power.

The Time Lord Victorious is terrifying because it is the Doctor losing everything over and over after rebuilding himself twice.

For the first time, the Doctor feels like he is owed something.

But what is also terrifying is just how human the selfishness is.

—————

Of course there are moments when they are presented as Godlike that are purely heroic.

Ten’s in particular stand out against his almost unnerving humanity.

I love his “I’m the Doctor” speech in Voyage of the Damned. It’s clearly him doing the equivalent of psyching himself up before a game, because nothing he says is going to mean anything to the people he’s protecting. It’s a short, simple moment holding so much weight.

Nine has a wonderful way of pointing out the best of humanity to help Rose discover space to find empowerment, just as Ten does for Donna. Nine does it for the couple in Father’s Day. There’s a wistful, non-malicious envy in his reaction to the magically mundane story of how the couple in the church met.

Ten takes this wistfulness and runs with it. There’s something so beautiful and so deeply tragic that he is the Doctor who chooses shoes meant specifically for running.

There’s this sense with Ten that he not only loves humanity, but desires to be human. From embracing certain forms of domesticity, to the devastating way he processes grief.

Obviously, he knows when he is weird, he also just doesn’t care about social niceties. However, he might be a genius, but he doesn’t understand every intricate detail of human experience.

Although it’s usually called out for comedy, it’s best utilized for drama.

Nine has that beautiful “It was scared!” moment.

Sometimes it’s given less focus, and simply slipped into dialogue.

Nine calls humans stupid apes in high stress situations, and apparently he insults species when he’s upset. Even Ten, who is known to love humanity, also pretty regularly disparages them. In his first appearance he calls us monsters. He makes one-off comments disparaging humans in Rise of the Cyberman, Army of Ghosts, 42, Human Nature. and the Poison Sky.

Planet of the Ood is one of the rarer times that he goes out of his way to highlight human cruelty to Donna.

————

Series 3 has lot of interesting moments.

In “Smith and Jones” he has a long scene which he (intentionally) pretends to be human. He creates this domestic fantasy where he’s got a wife and a home where he brings people round for dinner. Even more interesting is that this is his suggestion to “help” the villain appear more human.

In Human Nature we see the Doctor literally become a human. He falls in love and allows himself to be a product of the times. His moments of heroism are supposed to be the Doctor leaking through, but are passed over off as “ordinary humans being capable of extraordinary things”. He also allows himself to be swept up by the environment as opposed to standing against it as the Doctor would. John Smith’s incredibly horrible treatment of Martha being the prime example.*

His stoic and remorseless punishment of the Family contrasts with his mostly sweet human persona. He tries to convince Joan that he’s capable of the same love and compassion but she disagrees. I agree with her, I think John Smith and The Doctor both want to be in love, John just didn’t have all the emotional inhibitions that the Doctor does.

She also points out the Doctor’s failure to account for possible casualties just so he doesn’t have to have more death on his conscious. Once again, I agree, this was a massive oversight on his part.

————

Midnight. This episode is genius for so many reasons. It is the Doctor’s most dire misunderstanding of humanity, as well as the Doctor’s most personal look at being on the receiving end of humanity’s worse impulses. He begins socializing like a normal, if enthusiastic person. But once the mystery begins…it is the best, most subtle example of the Doctor’s pathological need to understand things and his tendency to assume authority over others. Only this time he goes too far. His leadership turns to hubris. So many times, he goads people into risking their life to sate his curiosity. He knows humans are curious and takes advantage.

He keeps talking to the entity but declares no one else should. Part of it is that human bit, curious and wanting to help a possessed Skye who he bonded with earlier by talking about missing Rose. The rules keep changing though, and even he is scared. They call him out for his hubris, while growing increasingly paranoid, especially when discovering he’s not human. He gets frustrated at the descent into the worst of humanity and without thinking, he snaps “because I’m clever!”

He knows what he’s done so impulsively: thrown away the last bit of goodwill he had. He can’t talk his way out anymore.

And this is the most alone and most afraid the Doctor has ever been. It’s the most horrific near-death encounter for him: his inability to be enough like the humans he loves brings the absolute worst out of them.

—————

The Doctor says that it something human to believe two contradictory things at once.

The Doctor, ironically enough, believes two contradictory things about humans.

He believes, at least when disappointed in them or in his lowest points, that humans are monsters. (It’s the reason Fourteen gives that randomly cynical speech in The Giggle. It isn’t all humanity he believes this of. He’s talking to himself because he’s mid breakdown. He’s not 10, he’s softer and more splintered).

But he doesn’t believe that. Not really.

“I was made homeless…and there was the Earth.” - Voyage of the Damned

There’s a reason that the Doctor who has all of time and space always returns to Earth.

In the End of Time, Ten and Wilf have a scene where they sit and talk about their relationship and war and Time Lords.

And the Doctor tells Wilf he’d be proud to be his son.

It’s the Doctor’s most intensely vulnerable moment. He is so terrified that he agrees to carry a gun. (He also does this to make Wilf feel better. This is the last era that I feel understands how The Doctor feels about guns. It makes sense to the character and the arc he’s on at this point and this point only. He doesn’t even use it and ultimately won’t do anything against the enemies he’s facing).

This scene strips down the Doctor like no other scene. And it’s in this scene that the Doctor tells us the only thing you need to know in the end about how he sees humans. How for all he says otherwise, humans are the beings he sees as aspirational, the ones he, a Time Lord, looks up to.

Wilf says, “We must look like insects to you.”

Ten smiles tearful but genuine. He shakes his head slightly. And he says:

“I think you’re like giants.”