Habitual lurker and occasional art maker. I’m a fan of many things that are currently being eclipsed by an In Star And Time obsession
111 posts
i hate driving. here are the laws! if you break them there will be consequences! except youre also expected to break the law just a little bit. people will get mad at you if you dont. you dont have right of way but the person who does is waving you forward for some reason. here's the speed limit! it's not the speed limit, the actual speed limit is that plus ~5-10. the light is green but you're in the turning lane. can you go? should you have gone just then? the person behind you is honking at you. there's a weird noise coming from your engine; if you try to do the right thing and get it checked out, will you get scammed? you are driving a 1-2 ton metal machine rocketing at speeds unknown to humankind for most of history. around a million people die in car accidents every year; that's about one person every thirty seconds. if you take that seriously and try to drive safely then people get mad at you.
It's really funny that Noelle's mom is so over-protective in every other area of her life, but gives her 100% unmonitored internet access. She thought Noelle couldn't handle being in the rain too long, meanwhile her daughter's fighting for her life on the internet as she stumbles into every single creepypasta, all of which are real and trying to kill her.
deltarune releases on june 6th, 28 days from today, may 8th! that means we're 56.25% of the way from the date announcement to the release!
So like. What’s the eye situation with comicfrin
On the one hand we’ve got panels with both visible and seemingly uninjured:
And on the other there are panels where they wear the eyepatch (notably on the left eye) (also there are some others but these are the clearest shots):
And then there’s the panel where their eye seemed to be injured from a fight (but that’s their right eye!!!):
I know it’s probably just minor inconsistencies in a comic from early development of the character or subtly showing the loops through smaller changes but I’m curious if there’s a community census.
So like. What’s the eye situation with comicfrin
On the one hand we’ve got panels with both visible and seemingly uninjured:
And on the other there are panels where they wear the eyepatch (notably on the left eye) (also there are some others but these are the clearest shots):
And then there’s the panel where their eye seemed to be injured from a fight (but that’s their right eye!!!):
I know it’s probably just minor inconsistencies in a comic from early development of the character or subtly showing the loops through smaller changes but I’m curious if there’s a community census.
deltarune releases on june 5th, 32 days from today, may 4th! that means we're 50% of the way (HALFWAY!!!) from the date announcement to the release!
Loop biology headcanons, go!!!!
close ups under the cut
Just realized I’ve never drawn Odile before (or most of the rest of the family tbh). Off model from memory and grayscaled Odile be upon thee
In color below cut
my beautiful sifloop commission from customwoodburning just arrived. it’s so beautiful. i’m obsessed with it. my life is complete
deltarune releases on june 5th, 44 days from today, april 22nd! that means we're 31.25% of the way from the date announcement to the release!
every single one of the sadness deaths in isat makes me want to gnaw my own fingers down to the knuckle
margaritaville, the song, and margaritaville, the restaurant and resort empire, fascinate me because the former seems to warn against the lifestyle that the latter perpetuates
if tumblr loves anything, it's bitches who are doomed by the narrative. in this uquiz, find out what role are you in the tragic play?
I wish you all a happy Neil banging out the tunes day
Do you guys ever think about the Universe giving Loop the form of a star, and how that may be the most intimate act of love the Universe is capable of?
Loop turns into a star and that may be the Universe’s way of saying “I love you, you are a part of me and I am a part of you— you are as valuable as all those lights you look up and pray to. I’m sorry I do not know how to help you, I’m sorry I don’t know who to make you now, I’m sorry my answer to your prayer only caused more suffering, I’m sorry I do not understand you, in all your mortal pain and anguish, but I am you and you are me. I love you.”
Do. Does. Does anyone ever think about that?
I think that Start Again: A Prologue could be reasonably adapted to stage. Specifically like a play or whatever. It’s short enough and you can make the time loop stuff look really interesting by using things like the actors and set to make it look like time is rewinding and when a loop is going on like normal and they’re just going through the House you basically watch the set and characters move on the beats you saw while time was rewinding
It’d be structured very similarly to the game, in a way. It starts with Siffrin and the party being defeated by the King, time rewinding to the start of the next loop pretty soon after. The loop that follows is probably an hour or so long of the party going through the house before getting defeated and sent back again. The next loop leads into the true ending of the game and is a little shorter than the previous one on account of Siffrin zoning out and missing some scenes. When time loops back after they defeat the King, Siffrin wakes up in the meadow like how the true ending goes.
I imagine that when time is moving normally, the set/scenery will be moved around by crew to make the illusion of characters moving from location to location in the House. It wouldn’t be anything too complicated. When time loops, everyone but Siffrin does these movements through the House in reverse—Siffrin kind of just stands there whenever time loops back. Because of this, the set design would be relatively simple to reduce any points of failure.
A spotlight shines on Siffrin whenever the actor is doing any kind of internal monologue, like introducing the other members of the party or going on a ramble in their own head. All the other characters hold still whenever this happens. If its a short line of dialogue, like when Siffrin hears the King rambling about whatever and says “You’ve heard this all before” its kind of echo-y (unsure if the actor for Siffrin will have a voice double for this or whatever). When time loops back, the entire stage darkens and becomes backlit or smth like that (idk how to describe it you just gotta see the vision here). When the final lines of the performance are given, the entire stage darkens and you can’t see any of the characters, similar to how the screen goes white at the end of the game when the final dialogue boxes play.
I think that, in the format of a stage play, all of Siffrin’s references to the stage itself add an extra layer of meta narrative, similar to some really cool performances of other plays I’ve heard of in the past. Idk this is just a fun idea I’ve had swimming around in my head that would be interesting to be seen on a stage. Also the entire thing is still black and white that’s very important
Chat, is it considered “abusive roommate behavior” to release a raccoon into the living space after you have asked your roommate for months to please clean up their messes (they do not pay any of the mortgage)
Realized I have not posted in awhile goooo my attempt at human loop doodles
Making a shitty one-page RPG called Oh Shit It’s the Killer. The premise is simple: you’re a high schooler spending the weekend in the woods with your besties. The Killer is there also. He is trying to the Kill you
woe.begone is so fucking funny. it’s like, what if you wanted to watch a man systemically ruin every relationship he has. it gets especially funny when u remember he podcasts everything. imagine knowing this guy and then finding his podcast where he talks about his “mike walters charm” and how he has been using you from the start.
if i was trapped in the time loop i would do the correct sequence of actions to break out of the time loop on my first try, thus resulting in me unaware of there being a time loop in the first place
A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” said the frog. “You’d sting me if I let you on my back!”
“Be logical,” said the scorpion. “If I stung you I’d certainly drown myself.”
“That’s true,” the frog acknowledged. “Climb aboard, then!” But no sooner than they were halfway across the river, the scorpion stung the frog, and they both began to thrash and drown. “Why on earth did you do that?” the frog said morosely. “Now we’re both going to die.”
“I can’t help it,” said the scorpion. “It’s my nature.”
___
…But no sooner than they were halfway across the river, the frog felt a subtle motion on its back, and in a panic dived deep beneath the rushing waters, leaving the scorpion to drown.
“It was going to sting me anyway,” muttered the frog, emerging on the other side of the river. “It was inevitable. You all knew it. Everyone knows what those scorpions are like. It was self-defense.”
___
…But no sooner had they cast off from the bank, the frog felt the tip of a stinger pressed lightly against the back of its neck. “What do you think you’re doing?” said the frog.
“Just a precaution,” said the scorpion. “I cannot sting you without drowning. And now, you cannot drown me without being stung. Fair’s fair, isn’t it?”
They swam in silence to the other end of the river, where the scorpion climbed off, leaving the frog fuming.
“After the kindness I showed you!” said the frog. “And you threatened to kill me in return?”
“Kindness?” said the scorpion. “To only invite me on your back after you knew I was defenseless, unable to use my tail without killing myself? My dear frog, I only treated you as I was treated. Your kindness was as poisoned as a scorpion’s sting.”
___
…“Just a precaution,” said the scorpion. “I cannot sting you without drowning. And now, you cannot drown me without being stung. Fair’s fair, isn’t it?”
“You have a point,” the frog acknowledged. “But once we get to dry land, couldn’t you sting me then without repercussion?”
“All I want is to cross the river safely,” said the scorpion. “Once I’m on the other side I would gladly let you be.”
“But I would have to trust you on that,” said the frog. “While you’re pressing a stinger to my neck. By ferrying you to land I’d be be giving up the one deterrent I hold over you.”
“But by the same logic, I can’t possibly withdraw my stinger while we’re still over water,” the scorpion protested.
The frog paused in the middle of the river, treading water. “So, I suppose we’re at an impasse.”
The river rushed around them. The scorpion’s stinger twitched against the frog’s unbroken skin. “I suppose so,” the scorpion said.
___
A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Absolutely not!” said the frog, and dived beneath the waters, and so none of them learned anything.
___
A scorpion, being unable to swim, asked a turtle (as in the original Persian version of the fable) to carry it across the river. The turtle readily agreed, and allowed the scorpion aboard its shell. Halfway across, the scorpion gave in to its nature and stung, but failed to penetrate the turtle’s thick shell. The turtle, swimming placidly, failed to notice.
They reached the other side of the river, and parted ways as friends.
___
…Halfway across, the scorpion gave in to its nature and stung, but failed to penetrate the turtle’s thick shell.
The turtle, hearing the tap of the scorpion’s sting, was offended at the scorpion’s ungratefulness. Thankfully, having been granted the powers to both defend itself and to punish evil, the turtle sank beneath the waters and drowned the scorpion out of principle.
___
A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” sneered the frog. “You’d sting me if I let you on my back.”
The scorpion pleaded earnestly. “Do you think so little of me? Please, I must cross the river. What would I gain from stinging you? I would only end up drowning myself!”
“That’s true,” the frog acknowledged. “Even a scorpion knows to look out for its own skin. Climb aboard, then!”
But as they forged through the rushing waters, the scorpion grew worried. This frog thinks me a ruthless killer, it thought. Would it not be justified in throwing me off now and ridding the world of me? Why else would it agree to this? Every jostle made the scorpion more and more anxious, until the frog surged forward with a particularly large splash, and in panic the scorpion lashed out with its stinger.
“I knew it,” snarled the frog, as they both thrashed and drowned. “A scorpion cannot change its nature.”
___
A scorpion, not knowing how to swim, asked a frog to carry it across the river. The frog agreed, but no sooner than they were halfway across the scorpion stung the frog, and they both began to thrash and drown.
“I’ve only myself to blame,” sighed the frog, as they both sank beneath the waters. “You, you’re a scorpion, I couldn’t have expected anything better. But I knew better, and yet I went against my judgement! And now I’ve doomed us both!”
“You couldn’t help it,” said the scorpion mildly. “It’s your nature.”
___
…“Why on earth did you do that?” the frog said morosely. “Now we’re both going to die.”
“Alas, I was of two natures,” said the scorpion. “One said to gratefully ride your back across the river, and the other said to sting you where you stood. And so both fought, and neither won.” It smiled wistfully. “Ah, it would be nice to be just one thing, wouldn’t it? Unadulterated in nature. Without the capacity for conflict or regret.”
___
“By the way,” said the frog, as they swam, “I’ve been meaning to ask: What’s on the other side of the river?”
“It’s the journey,” said the scorpion. “Not the destination.”
___
…“What’s on the other side of anything?” said the scorpion. “A new beginning.”
___
…”Another scorpion to mate with,” said the scorpion. “And more prey to kill, and more living bodies to poison, and a forthcoming lineage of cruelties that you will be culpable in.”
___
…”Nothing we will live to see, I fear,” said the scorpion. “Already the currents are growing stronger, and the river seems like it shall swallow us both. We surge forward, and the shoreline recedes. But does that mean our striving was in vain?”
___
“I love you,” said the scorpion.
The frog glanced upward. “Do you?”
“Absolutely. Can you imagine the fear of drowning? Of course not. You’re a frog. Might as well be scared of breathing air. And yet here I am, clinging to your back, as the waters rage around us. Isn’t that love? Isn’t that trust? Isn’t that necessity? I could not kill you without killing myself. Are we not inseparable in this?”
The frog swam on, the both of them silent.
___
“I’m so tired,” murmured the frog eventually. “How much further to the other side? I don’t know how long we’ve been swimming. I’ve been treading water. And it’s getting so very dark.”
“Shh,” the scorpion said. “Don’t be afraid.”
The frog’s legs kicked out weakly. “How long has it been? We’re lost. We’re lost! We’re doomed to be cast about the waters forever. There is no land. There’s nothing on the other side, don’t you see!”
“Shh, shh,” said the scorpion. “My venom is a hallucinogenic. Beneath its surface, the river is endlessly deep, its currents carrying many things.”
“You - You’ve killed us both,” said the frog, and began to laugh deliriously. “Is this - is this what it’s like to drown?”
“We’ve killed each other,” said the scorpion soothingly. “My venom in my glands now pulsing through your veins, the waters of your birthing pool suffusing my lungs. We are engulfing each other now, drowning in each other. I am breathless. Do you feel it? Do you feel my sting pierced through your heart?”
“What a foolish thing to do,” murmured the frog. “No logic. No logic to it at all.”
“We couldn’t help it,” whispered the scorpion. “It’s our natures. Why else does anything in the world happen? Because we were made for this from birth, darling, every moment inexplicable and inevitable. What a crazy thing it is to fall in love, and yet - It’s all our fault! We are both blameless. We’re together now, darling. It couldn’t have happened any other way.”
___
“It’s funny,” said the frog. “I can’t say that I trust you, really. Or that I even think very much of you and that nasty little stinger of yours to begin with. But I’m doing this for you regardless. It’s strange, isn’t it? It’s strange. Why would I do this? I want to help you, want to go out of my way to help you. I let you climb right onto my back! Now, whyever would I go and do a foolish thing like that?”
___
A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” said the frog. “You’d sting me if I let you on my back!”
“Be logical,” said the scorpion. “If I stung you I’d certainly drown myself.”
“That’s true,” the frog acknowledged. “Come aboard, then!” But no sooner had the scorpion mounted the frog’s back than it began to sting, repeatedly, while still safely on the river’s bank.
The frog groaned, thrashing weakly as the venom coursed through its veins, beginning to liquefy its flesh. “Ah,” it muttered. “For some reason I never considered this possibility.”
“Because you were never scared of me,” the scorpion whispered in its ear. “You were never scared of dying. In a past life you wore a shell and sat in judgement. And then you were reborn: soft-skinned, swift, unburdened, as new and vulnerable as a child, moving anew through a world of children. How could anyone ever be cruel, you thought, seeing the precariousness of it all?” The scorpion bowed its head and drank. “How could anyone kill you without killing themselves?”
If you are making an Isabeau plushie, what's the likelihood of plushies for the rest of the cast?
oh noooo this fell out of my pocket oh nooooooooooooo
I need to find the absolute worst and most devastating ending possible in Detective Beebo. For my creative endeavors.