There will BE no friendship. (And yes I'm still not dead and still have intents on coming back here)
hello hello, it's me again!
i've been a fanfic writer for a long time! i started writing on wattpad when i was about 12 years old and continued writing there for a few years, switching from one fandom to another. but deep down, i really wanted to start writing my own novel, with everything created by me. at first, it was quite challenging, and i had to do lots of research, like everyone else. but eventually, i figured it out, and now i love writing original fiction!
if you're a long-time fanfic writer who's ready to dip their toes into the world of original fiction, you're in the right place. while it can be quite intimidating to move away from the familiar worlds and characters you love, writing original fiction can be an incredibly rewarding experience. here are a few tips to get you started:
start with what you know just because you're writing original fiction doesn't mean you have to start from scratch. draw inspiration from your favorite genres, characters, and settings to create something new and unique.
create your own characters this is your chance to explore new personalities and relationships that won't ever come to life unless you decide to! take the time to really develop your characters and give them distinct voices and motivations. [check this out: build a character (masterpost)]
focus on world-building unlike fanfic, where the world and its rules are already established, in original fiction, you have to build everything from the ground up. take the time to create a rich, detailed world that your readers can get lost in.
embrace the freedom fanfic can be restrictive, as you're bound by the expectations of the fandom. with original fiction, you have the freedom to tell any story you want. take advantage of that freedom and let your imagination run wild. [check this out: free Notion template for writers]
don't be afraid to make mistakes writing original fiction is a learning process, and you're bound to make mistakes along the way. embrace those mistakes as learning opportunities and keep pushing forward. [check this out: useful resources & tips for writers]
i hope this was useful! if you have any questions, feel free to dm me or send an anon message! <3 have a nice day
related posts:
how to start writing original fiction
character development : a collection of resources
Okay hear me out.
You know how react fics are actually thinly veiled excuses to show off what an awesome person Cale is? What if we twist that around a little bit?
So everything's the same at first glance, right? Literally everyone and their mother is here (kidding, just the most important ppl), and this host comes up.
(Or the unseen organizer, depending on whether or not you like a host OC here)
But.......
This host/organizer hates Cale. Like, despises him. Probably a Sealed God's follower or smth the like. They can't just make something out of nothing and put untrue bullshits on the screen, but they sure as hell can cut things around to paint Cale in the worst light possible.
Like, him being a transmigrator, him being happy at his "stolen" identity, him going around and scamming people, him using his knowledge to manipulate ppl around him, him generally acting even remotely "villainous".
No heroics to be found, just a video reel of Cale acting trashy.
Cale, at first, would be scared. He would be terrified, really. But as the video went on and he caught onto the malice directed at him, he calms right down, because that's who Cale is.
He would then spend the rest of the time prying the host/organizer's identity out of them, and plan an appropriate payback for this invasion of privacy.
Hell, at some point, he even nods in agreement, because, yeah, he's a trash, and it's about time everyone wakes up and notices that!
The rest of the participants, though, while may be confused at first, take one look at the badly edited slander on the screen, and collectively goes "Bullshit!"
Cale stealing og!Cale's identity? Kim Rok Soo, the og!Cale, smiles at the screen nastily.
Cale planning on using Choi Han? Choi Han wants to say that he doesn't have to stab his heart to kill a bastard.
Cale scamming Whipper? Harol lays out the enormous help Cale had given them, and that at one point, Cale was fighting for Whipper more than Whipper was fighting for itself (a la Whipper King, the bastard)
Cale scamming the Jungle? Litana raises the issue of Cale waking up from fainting, goes straight to save the Jungle and then fainting again.
Cale scamming Alberu? Alberu dignifiedly says that it's a partnership, and that it's his money, his choice.
Cale being implied saying he's ignoring the atrocities in front of him? Everyone snorts because they all know that immediately after that, Cale has bled to put a stop to all of those acts.
Cale saying he's not getting involved with that? On rolls her eyes: "So he said. Like a liar."
Basically, I just want a bastard who tries so hard to discredit Cale in his ppl's eyes only for Cale to nod along like he agrees with it and for the rest to become even more sympathetic to Young Master Cale who has such a soft heart who keeps getting himself hurt to save them all-
Cale: See, I am a tr-
Everyone: A HERO!!! OUR HERO!!!! OUR LORD AND SAVIOR!!! OUR GUIDING LIGHT FROM ANOTHER WORLD, THE CHOSEN OF THE GODS-
tldr: Cale suffered from Emotional Damages, but not the kind the host/organizer wants :)))))))))))))))
E.A. Deverell - FREE worksheets (characters, world building, narrator, etc.) and paid courses;
Hiveword - Helps to research any topic to write about (has other resources, too);
BetaBooks - Share your draft with your beta reader (can be more than one), and see where they stopped reading, their comments, etc.;
Charlotte Dillon - Research links;
Writing realistic injuries - The title is pretty self-explanatory: while writing about an injury, take a look at this useful website;
One Stop for Writers - You guys... this website has literally everything we need: a) Description thesaurus collection, b) Character builder, c) Story maps, d) Scene maps & timelines, e) World building surveys, f) Worksheets, f) Tutorials, and much more! Although it has a paid plan ($90/year | $50/6 months | $9/month), you can still get a 2-week FREE trial;
One Stop for Writers Roadmap - It has many tips for you, divided into three different topics: a) How to plan a story, b) How to write a story, c) How to revise a story. The best thing about this? It's FREE!
Story Structure Database - The Story Structure Database is an archive of books and movies, recording all their major plot points;
National Centre for Writing - FREE worksheets and writing courses. Has also paid courses;
Penguin Random House - Has some writing contests and great opportunities;
Crime Reads - Get inspired before writing a crime scene;
The Creative Academy for Writers - "Writers helping writers along every step of the path to publication." It's FREE and has ZOOM writing rooms;
Reedsy - "A trusted place to learn how to successfully publish your book" It has many tips, and tools (generators), contests, prompts lists, etc. FREE;
QueryTracker - Find agents for your books (personally, I've never used this before, but I thought I should feature it here);
Pacemaker - Track your goals (example: Write 50K words - then, everytime you write, you track the number of the words, and it will make a graphic for you with your progress). It's FREE but has a paid plan;
Save the Cat! - The blog of the most known storytelling method. You can find posts, sheets, a software (student discount - 70%), and other things;
I hope this is helpful for you!
(Also, check my gumroad store if you want to!)
Cale: *makes a cruel plan on how to completely obliterated the enemy and/or learn new information about their opponents*
Everyone: *agrees with the plan and follows it step by step just as Cale had instructed them*
Cale: Wow vicious people…
Readers:
I don’t know if anyone has ever done this before but, here ya go… The Different Types of Fanfiction!
I probably left a few out, but these are the most common, compared to their base fiction’s canon plot. Enjoy! XD
Oh no! They're gonna die if they keep this up, please stop removing us, Kris! This is for your own good!
Funky whatevee
Ironic moments in life can make us change our perspectives, laugh, or discover something we didn’t know before. When you’re trying to make them happen in a story, it can be more difficult than you first realized.
Here’s a quick guide to writing irony in your next story so you can think of those moments as a strategic writer.
“What? That’s so ironic.”
We’ve all said a similar line when reacting to something before. Do you remember what it was? Can you point out why it was ironic?
Definition 1: Irony is when something happens or someone says something other than what you expect.
Let’s imagine your protagonist walking outside. They’re in a good mood, but quickly realize it’s pouring rain. They were supposed to go on a walk, but they look up at the clouds and say, “What a beautiful day!”
As a reader, you’d expect that character to be frustrated that the rain ruined their plans to go walking. It’s ironic that they actually find the weather beautiful. It might even make your reader laugh in surprise.
Definition 2: Irony is when something happens or someone says something other than what you expect but in a sardonic way.
This might be the definition of irony that you naturally think of. It’s when something unexpected happens and you have a bitter laugh about it. Deep down, you likely suspected the truth all along. The reveal is negative in nature.
Imagine a politician pushing a bill to outlaw the color blue. They make speeches and go on news networks saying how the color blue is a danger to everyone, so it must be outlawed immediately. While pushing this narrative, a journalist discovers leaked photos of the politician’s interior decorating—their home is entirely blue. Additionally, news comes out that the politician had recently received a significant reelection donation from the We Hate the Color Blue corporation.
The reveal means that the politician didn’t believe what they were saying. They were only passing the law because they received money to do so, even though the color blue wasn’t harming anyone or causing a problem.
If you lived in this world, you’d likely read the headlines and roll your eyes. It’s a frustrating irony that isn’t altogether unexpected, but still a reveal.
There are a few ways to use irony as a plot device. You can use them to reveal things to your characters, change your plot’s direction, or cause character growth. Check out a few examples to see how.
Definition: Something good happens by something bad happening.
A character is in desperate need of a new car. They don’t have the money to buy one and their current vehicle is so old, they won’t get more than a couple hundred dollars to trade it in.
One day while driving it, the car shuts down. The engine melts into the pavement while your character tries scooping it up with an old milkshake cup from their backseat.
Someone records the entire thing from a distance and posts it online. The video goes viral, prompting the milkshake restaurant chain to give the character a brand new car for free.
The loss of their old car and potential public embarrassment is terrible, but your character gets the car they need. Some would say the melting engine was a blessing in disguise. Others would call it irony.
Definition: Someone attends to hurt someone, but the wrong person gets hurt instead.
There are a few ways this irony could play out. Your protagonist could set a bucket of water over a doorframe, hoping it pours onto their little brother when he gets home from school. However, the protagonist gets distracted during the day and walks through the door themselves. They get soaked and become the target of accidental harm.
Their grandfather could come home before their brother too. When the grandfather gets soaked by the bucket prank, they’re the victim of accidental harm. The irony in both situations is that the actual target—the brother—never has the chance to fall for the prank.
Definition: Someone attempts to do something the right way, but it doesn’t work out in their favor.
Your protagonist studies through the night for a high school exam. They pour all of their efforts into staying up and retaining as much information as possible because they realize they need better grades to go to their dream college.
After taking the test and getting it back, your protagonist gets a perfect score. However, the teacher announces they graded everyone on a curve due to an issue with their previous lesson plan. Everyone gets an A and the protagonist gets frustrated because they lost sleep over studying that didn’t ultimately matter.
Definition: Someone does something exclusively for their own benefit and anyone or anything else benefits instead.
A character decides to run in a community race to win the prize money for a vacation. Halfway through the race, they realize they’re out of shape and there’s a shortcut up ahead. They take the shortcut and win, but the judges quickly realize they cheated to reach the finish line.
Their prize money automatically goes to the second runner-up, which happens to be the character’s worst enemy. They watch their worst enemy spend the money on lottery tickets that don’t result in any winnings.
Definition: Someone attempts to hurt another person, but it hurts them instead.
When you picture this irony, imagine Road Runner and Wile E. Coyote. The coyote always wants to capture or hurt Road Runner, but ends up running into his own traps instead.
Sometimes this irony can be a physical harm from a prank gone wrong or it might be an assassination that doesn’t work out. It could also be a character spreading a rumor to hurt another person, but the rumor affects their own reputation instead.
Definition: Someone makes a major sacrifice that ultimately is meaningless.
Characters experiencing this irony give up something they care about and get nothing to show for it. It might be lighter in nature, like a sister giving up her spot as captain of the soccer team so her equally-talented sister can have the role. Ultimately, the coach cuts them both from the team for not jumping at the leadership role fast enough.
It can also carry a heavier theme. A character could sacrifice to keep their loved one from getting hurt, but they die and their loved one gets hurt in the process anyway. There are multiple ways for irony to serve your plot. You just have to give it a purpose in connection with your theme or message.
Definition: Someone looks forward to achieving a rare thing they want very badly, but it goes to the worst person they can think of instead.
Your protagonist’s character works hard to put themselves through school, buy a house, and even start a family. One day, they get a letter that a grandparent they never knew recently passed away and wants to give them a million-dollar inheritance. It would free them of their student loan and mortgage debt, but the cruel parental figure that shares your character’s name gets the money instead.
Definition: Someone finally achieves their long-term goal, but they realize it isn’t what they wanted.
Sometimes the idea of something is better than getting it. Your protagonist may finally move to the mountainside cabin of their dreams, but realize they hate living in an area that gets heavy snow after the first winter storm hits. It’s ironic and a bit depressing, but it shifts your character toward new goals that drive the plot in a fresh direction.
Definition: Someone’s hard work or life’s work gets ruined by a tiny detail they didn’t see coming.
When someone’s ultimate goal gets undone by something minor, it’s devastating. It’s also something readers connect with because it happens in real life.
Your protagonist might work really hard to earn their pilot’s license, only to get up in their first test flight and realize they have an innate fear of heights. Their future career as a flight operator for a private space exploration company depended on getting that license, so they have to rethink everything.
Definition: Someone achieves something at long last, but can’t enjoy it for whatever reason.
Your protagonist decides to become CEO of a major tech company so they can pay off their parent’s debt and provide for them forever. When they finally get that job after a lifetime of earning a college degree and climbing the company’s ladder, their parent doesn’t want their money. Now they’re stuck in a job they might not want for themselves because the purpose behind it will never exist.
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You can write an ironic story with any of these tricks and reach your readers’ hearts. Consider which storytelling tools serve your story’s theme or message to match your plot with the best plot device.
This was forwarded to me by a former colleague who attended a course on how to publish/edit a book. You probably already know most of these tips, but there might be something you’ll find helpful, who knows…
QUESTIONS TO ASK DURING FIRST PHASE OF EDITING
GENERAL STRUCTURE OF THE BOOK (what the story is and how it is being told):
What is the book about? What is the driving force behind the narrative?
Who is the audience for this book?
Is it based on real experience?
Does the story work? Are there any parts that feel unconvincing or where the narrative drags?
Are there any parts I don’t understand?
What is the trajectory or the shape of the story?
Does the story start in the right place?
How quickly do I become immersed in the book?
Are there any points where my immersion in the story is broken, or I lose interest?
Do I believe in what I’m reading?
How satisfying is the ending? Does it feel inevitable?
Does it feel like anything is missing?
Is there anything extraneous (characters, detail, unnecessary plot points)?
What is the narrative point of view (first person, second person, third person)? Does it change? Is it consistent? Does it work? What might be lost or gained if the story were told another way?
Is the tense consistent? If it changes, is it necessary?
Does coincidence feature as a plot device? If so, is there another way to engineer the same events?
Keep reading
Yes. And I’d argue they know Kris better than we do.
What little we know about Kris often comes because one of their friends makes an observation about what they’re doing or saying.
Susie, Ralsei, and Noelle can see every face Kris makes and hear every word they say. We can’t. We only know when one of them points it out.
Keep reading