Words To Describe Facial Expressions

SOFT(ish) ANGST PROMPTS

“  i thought you were gone.  for good. ”

“  you left and—  i thought you weren’t coming back.  ”

“  i miss you.  i know i’m not supposed to,  but.  i just had to see you.  ”  

“  please don’t scare me like that again.  i can take a lot of things,  but not losing you.  ”

“  i can’t even take the very thought of you getting hurt.  ”

“  you could’ve gotten yourself killed! you could’ve— fuck!  you scared the shit outta me.  ” 

“  yes.  i am telling you what to do.  i’m telling you not to pull something like that again because—  ‘cause fucking hell.  i care about you.  okay? ”  

“  i found myself driving home and then.  well i was on my way here.  ‘cause i guess…you’re still my home.  ” 

“  please,  tell me why you’re upset.  tell me who did this?  ”

“  you don’t have to come over here and take care of me you know.  i can clean up my own messes.  ”

“  don’t talk.  just get the fuck over here and hold me.  ”

“  loving you is like having my heart just out in the world.  outside of my body walking around.  every time i see you hurting,  it kills me.  ”

“  i made you cry.  and i hate myself for that.  i swore i wouldn’t be one of the people who left you hurting.  ”

“  you really hurt me this time.  but i want to let go of that.  i really do want to forgive you i’m just scared you’ll hurt me again.  ”

“  i know you’re mad at me right now,  but i’m the one who’s here.  let me be here.  let me help.  you can be angry later.  ”

“  i’m here now.  i know i wasn’t before.  but i should’ve been.  and i’m not going anywhere.  i’m not gonna let that happen again.  ”

“  it’s time to come home now.  ”

“  that’s enough.  you’ve got your revenge.  let’s go.  ”

“  i know you’re hurting.  and i can’t fix that.  but i can refuse to let you hurt alone.  ”

“  i’m never letting go of you.  i missed you so fucking much.  ”

“  look at me,  you’re safe.  and you’re not alone.  and i’ll never let you be alone again.  you understand?  ”

“  i broke my promise to you once.  i’ll never do it again.  ”

“  i don’t need you to go white knighting and fix all this.  i just want you here.  with me.  that will make me feel better.  ”

“  just stay still and let me hold you.  ”

“  you don’t have to hide your tears.  let it out.  then we’ll move on,  together.  ”

“  i just.  needed to talk to you ‘cause.  somehow you always know what to say.  ”

“  don’t bury your feelings.  sadness.  hurt.  rage.  feel it.  acknowledge it so you can decide what you want to do with it.  not what it will do to you.  ”

“  i miss your smile.  and not that sad one you try to fool everyone with.  the real one.  the one you used to show me.  ”

“  come here.  i’m taking care of you tonight.  and you’re gonna let me.  ”  

1) our muses reunite after sender thought receiver was dead. 

2) our muses reunite after receiver thought sender was dead. 

3) sender shows up at receiver’s house drunk after they’ve broken up. 

4) receiver shows up at sender’s house drunk after they’ve broken up. 

5) our muses are on bad terms but reunite after one of them nearly dies. 

6) sender finds receiver crying and approaches,  clearing the tears with their hands while demanding to know what happened. 

7) receiver finds sender crying and approaches,  clearing the tears with their hands while demanding to know what happened. 

8) our muses haven’t been speaking,  but sender rushes to take care of receiver after they’ve been injured or fell ill. 

9) our muses haven’t been speaking,  but receiver rushes to take care of sender after they’ve been injured or fell ill. 

10) sender hurt receiver in some way,  which led to receiver doing something reckless and sender shows up to stop them/or deal with the aftermath. 

11) receiver hurt sender in some way,  which led to sender doing something reckless and receiver shows up to stop them/or deal with the aftermath.

12) our muses are in a fight,  but cuddle anyway because they don’t like sleeping alone. 

13) receiver wakes sender from a nightmare. 

14) sender wakes receiver from a nightmare. 

15) sender wakes up in the hospital and finds receiver at their side,  who is in the same clothes as the day they were admitted because they’ve refused to leave their side. 

16) receiver wakes up in the hospital and finds sender at their side,  who is in the same clothes as the day they were admitted because they’ve refused to leave their side. 

17) our muses are currently on the outs,  but receiver goes through something traumatic and sender pushes past their friends to get to them. 

18) our muses are currently on the outs,  but sender goes through something traumatic and receiver pushes past their friends to get to them. 

LETS TALK ABOUT SPARRING

I’ve read a lot of fics, have seen many shows, and have watched many movies that are completely inaccurate when it comes to sparring. NOW, i know it’s fiction, and I greatly enjoy it nonetheless, but I would like to share a few things with you, as a person who trains in Historical European Martial Arts (HEMA). There are a few general things in this, as well as stuff more focused to a certain european weapon. (this is all Historical European stuff, obviously if you’re writing for a different region, this probably won’t apply that much.)

SPARRING

-you don’t practice with real sharp swords. Never. It’s incredibly dangerous, especially since sparring is trying to practice your killing/injuring skills. In older times, you would use wood, maybe wrapped in leather or canvas to practice. Today, you use weighted nylon swords/weapons, and you usually wear a mask while doing so. Steel is and was an option, but the blade will be completely dull, and the tip will be bent over itself.

-It’s practically impossible to knock someone off their feet while sparring, unless you are hooking your foot or weapon behind their leg. It’s hard to push back and cause someone to fall, since they can just retreat back a bit.

-YOU. DON’T. SPEND. HOURS. SPARRING. ESPECIALLY WITHOUT A BREAK. It’s exhausting, the most people usually go is 10 minutes before they have a break. During Training, you only spar for about 2-5 minutes before stopping and having a rest.

-You try your hardest never to cross your feet. It’s dangerous and it unbalances you. Your opponent can take advantage of you easily.

-Usually, you want to strike your opponent with the last ¼ of your blade, basically just the tip and a little below. That’s the sharpest point, and you get the most force behind it.

-Swords aren’t super heavy. Stop the giant, huge, I-can-barely-lift-this trope. Longswords are usually 3lbs. It’s not heavy when you pick it up. However, it gets heavy when you’re holding it up above your head for a while. Swords were not made to be heavy, especially since you would have to hold them up in battle for sometimes hours.

-It’s incredibly hard to engage in witty banter and such. You are constantly moving and trying to strike your opponent. Since it’s fiction, you can do what you want, but just know that trying to have a conversation while sparring is like trying to have one while running. It tires you out even more, and usually just comes out breathless and wheezy.

-Swords are not lightsabers. You cannot try and hurt someone with just any part of your blade. It will just annoy your opponent. Now, for sparring, you will want to focus on hitting your opponent with the edge of your blade, and you won’t really ever be trying to hit someone with the flat of your blade.

-In sparring, you will get hit. And get bruises. I count five from just 2 days ago. (Also reminder that bruises don’t form for 1-3 days.) If you happened to get a hard thrust to the ribs, they will probably fracture. It happens. I haven’t had it personally, but those who’ve trained longer have. The worst injury I’ve gotten is a bruise on my chest that didn’t fade for nearly a month.

-Grip!!! You don’t clutch your sword super tight. No. It limits movement. My instructor taught me to hold firmly with the thumb, pointer, and middle finger, and use the other two as more guiding fingers. You swing your sword with your wrist, not a big giant arm movement. That is tiring and slow. 

I will be focusing on using a one handed sword in this next bit, specifically a Scottish Regimental Broadsword. A basic sword to build off of.

-FOOTWORK. It’s not a super complicated series of perfectly planned out steps. It just isn’t. With Regimental Broadsword (which is what I will focus on, since it’s what I’ve trained with most), you have to have a good base (rear-weighted stance, front foot pointed at your opponent, back foot turned sideways), and then once you have that, you just have to move around and try not to get hit.

-Slipping. (Continuation of footwork). With a rear-weighted stance, the goal is to be able to move the front foot anywhere. You should actually be able to keep your front foot an inch off the ground without having to adjust your back foot. Slipping is when this comes in handy. If your opponent takes a swing at your front leg, you should be able to just slip it back to go next to your other foot, and swing your sword up to get your opponents head. Slipping is really important.

-Advance and Retreat (other continuation of footwork). While moving forward or back, you always want to feel the ground with a heel-toe movement, so you can tell if there are rocks or branches and such. Advancing, you want to move your front leg first. Retreating, your back leg.

-Traversing (last continuation of footwork)(maybe). Transversing is basically advancing in on your opponent in a circular motion. You’re trying to get close and personal. Reminder to not cross your feet. You will loose balance and probably end up getting whacked with a sword. Traversing is a spiral motion sort of. Your opponent can avoid getting trapped If they do it as well.

I will probably come back and add more soon, because there’s more I know, but can’t remember at the moment.

Gestures that would make me fold :

(feel free to use <3 tag me when you write any of ittt, would love to readd ;] )

their hands on your thighs. gently caressing.

when he pulls you closer by your waist (BANGINGA MY HEAD, CRYING, DVSJXBAK)

"come here, say it again"

catching them stare at you in a crowded room

"good girl " SKNXKAJZ

BACK HUGS ! THEIR HANDS AROUND YOUR WAIST !!

when they wipe the corner of your mouth with their thumb

"let me teach you."

kisses that leaves you blushing and curling toes

"Please don't shoot me for this" *proceeds to kiss her* "lift your hips for me, love" AARON FJDJSKZ WARNER.

when they can't hold eye contact

when they can hold eye contact and many other things (͡° ͜ʖ ͡°)

'nothing makes me fold' when they smile.

when they rest their head on your shoulder >>>

veiny hands. COUGHS NERVOUSLY. haha..

when you say "shut up" and they lean closer to you with a smirk and say, "make me"

"come sit in my lap, babe"

"behave." (OK IM SAT. FUCKSIAN SAT.?)

"use your words, love. what-- do you want?"

Hi, I don't know if you've done this before but can you do a enemies to lovers with fake dating prompts? Thanks :)

enemies to lovers — fake dating prompts

“ you fucking hate me. “ “ hate is a very strong word. “

“ would you just do me this one favor? “

“ maybe this will be a chance for us to see that we're not so different after all. “

“ if you want to kiss me, all you have to do is ask. no need to orchestra this whole ordeal just because you're too afraid to admit what you want. “

“ it's one weekend. “ [beat] “ is the sight of my face really that repulsive? “

“ you're too much of a wimp to be honest about what you want. “

“ don't flatter yourself. you're simply nothing more than a means to an end. “

“ what better way to piss off my parents than to date the one person in this world they would actually consider driving over? “

“ with your mouth on mine, there's less bullshit coming out of it. so i guess there's that. “

“ don't fucking speak, or you'll ruin everything. just sit there and look pretty, and maybe hold my hand. “

“ don't be such a grump. you should be honored. “

“ considering how you treated me last night — you're lucky i didn't kill you, so unless you want that to happen, why don't you shut up, and do this one thing for me? “

“ remember that time you stabbed me, left me to die? yeah, you owe me one. “

“ clearly, you're desperate. otherwise you wouldn't be here. “

“ i can't stand the sound of your voice — let alone the thought of kissing you. “

“ if i give you ten dollars, will you do it? “ “ i think that's an entirely different service, but sure. “

“ just kiss me. “

“ you? protective? boyfriend? “

Story prompt.

( I don't know if anyone would like this but I got an idea...)

A group of characters have been rounded up by an antagonistic group .

The leader orders, " leave the adults. It's the children you must kill. They're the most dangerous ones "

Why are the children dangerous than the adults?

Write a story.

JEALOUS, FIERCLY PROTECTIVE & TERRITORIAL PROMPTS

feel free to edit pronouns as needed! content warning for some strong language,  threats and implied violence.

to each other:

❝  you’re mine. only mine.  ❞

❝  i’m all yours.  ❞

❝  mine.  ❞

❝  yours.  ❞

❝  we belong to each other.   ❞

❝  you belong to me.  ❞

❝  i belong to you.  only ever you.  ❞

❝  i just didn’t like the way they were looking at you.  like you weren’t mine.  ❞

❝  you know i’m yours,  right?  i only have eyes for you.  ❞

❝  no one else is ever gonna have a chance with me.  you’re it.  you’re all i want.  ❞

❝  i chose you.  and i need you to trust that my decision is final.  trust me.  ❞

❝  wait are you jealous?  ❞

❝  aw,  baby.  it’s cute when you’re jealous.  ❞

❝  i don’t like the way they keep staring at you.   ❞

❝  i don’t like how they keep staring at me.   ❞

❝  are they making you uncomfortable?  i can do something about it.  ❞

❝  no one should even get to look at you unless you want them to.  ❞

❝  stop—  it’s okay.  they’re not worth your anger.  just kiss me.  ❞

❝  stop saying i’m jealous.  i’m not—  i just.  i don’t like having to share. ❞

❝  i’m not jealous,  who said i’m jealous?  ❞

❝  well if i’m all yours then kiss me like it.  ❞

❝  show everyone who i belong to.  ❞

❝  i’m gonna remind them you’re mine.  ❞

❝  i want everyone here to see that you’re mine.  ❞

❝  i want everyone here to see that i’m yours.  ❞

❝  hey—  look at me.  why are you all upset?  ❞

❝  you can’t keep getting your feathers all ruffled when anyone else gives me attention.  ❞

❝  they don’t deserve you—  i don’t deserve you.  but at least i’m aware of it.  ❞

❝  i promise there’s no one else.  you have my heart completely.  ❞

❝  hey,  is this asshole bothering you?  ❞

❝  tell me you’re mine.  ❞

to a third party:

❝  get the fuck away from them!  ❞

❝  look at them like that again and you’ll won’t be seeing anything.  ❞

❝  don’t you dare touch them.  ❞

❝  yeah it’s time to walk the fuck away.  ❞

❝  you’re gonna lose a finger if you don’t get outta my sight right now.  ❞

❝  you heard them,  get lost.  ❞

❝  lucky for you,  i don’t wanna ruin their night.  but i see you sniffing around here again you might not be so fortunate.  ❞

❝  you wanna lose a limb?  beat it,  fucker.  ❞

❝  see,  i woulda left it alone.  but you made them fucking cry.  so now you’re gonna lose your eyes.  ❞

❝  hey,  they said ‘no.’  ❞

❝  hey asshole,  shut the fuck up or i’ll make you shut up.  ❞

❝  what did you just say to them,  you little shit?  ❞

❝  oh yeah.  now you’re all quiet.  not so bold when you’re not the toughest guy in the room,  huh?  ❞

❝  get lost.  ❞

❝  go.  ❞

❝  leave.  before my patience runs out.  ❞

❝  get the fuck outta their face.  ❞

❝  hey,  that’s enough.  ❞

actions:

[ CLAIM ]  for one muse to possessively place their hands on their shoulders or hips. 

[ HOLD ]  for one muse to slide their arm around the other in a possessive way. 

[ SHELTER ]  for one muse to lean into the other’s side or hug them to seek comfort from a crowd or individual while in public. 

[ STAKE ]  for one muse to protectively and/or possessively stand behind the other to intimidate a third party. 

[ RESCUE ]  for one muse to intervene upon seeing a third party making the other one uncomfortable. 

[ CHASE ]  for one muse to interrupt and make a third party leave the other alone out of jealousy/possessiveness. 

[ TENSION ]  for one muse to get in a fight on behalf of the other. 

[ STOP ]  for one muse to break up a fight which started because of them. 

[ MEND ]  for one muse to treat the other’s wounds they got from protecting them. 

[ SCOLD ]  for one muse to treat the other’s wounds they got from fighting over them. 

[ CARESS ]  for one muse to possessively kiss the other in public.

[ TAKE ]  for one muse to passionately kiss the other,  fueled by jealousy. 

[ TAUNT ]  for one muse to flirt with a third party to try and get the other to act possessively. 

[ REMIND ]  for our muses to have passionate sex meant to remind one party who they belong to. 

[ EMBRACE ]  for one muse to dominate the other due to possessiveness/jealousy. 

[ LINKED ]  for one muse to hold the other’s hand in public to stake claim. 

[ INTERTWINE ]  for one muse to hold the other’s hand in public in a comforting manner. 

I wish you knew just how beautiful your existence is. Oh, if only I could show you, my love. As a masterpiece of art, I'd paint you . Breathtaking and beautiful. Because that is exactly what you are to me.

Little things in the hidden injury trope that give me life more than water does

Tying something between their teeth to stop their cries from being heard while they treat themselves in the dark

Bloodied bandages stuffed into the gap between the wall and the bed

Whumpee wearing long sleeves/pants but their bandages still finding a way to peek out

Blood running down their limb from inside their clothes and dripping onto the ground

Bloody footprints

Bloody handprints

Faint bloodstains on the floor that whumpee can’t get off no matter how hard they scrub

Whumpee limping as soon as the other person turns their back

Dark undereyes from obv no sleep

Those sexy beads of sweat and pale skin

Leaning against wall/ furniture whenever they get the chance

When a normally talkative character is quiet

Controlling their breath while they try to complete normal tasks but then doubling over and gasping for air behind closed doors

When they peel back the bandages to check their injury and it’s gotten worse

Whumpee trying to bring it up with someone but then deciding against it when the other person starts talking about future plans

Someone in the team feeling like there’s something wrong with whumpee but not knowing what so they don’t bring it up and then the GUILT they feel afterwards holy

Whumpee FINALLY fainting - behind closed doors and being found by someone later or just dropping to the ground while they’re with someone else

I mean just imagine character A talking and thinking whumpee is beside them and whumpee just drops out of frame with a sigh and a thud

Whumpee trying to tell the others that they’re fine and that they can handle it while they’re literally bleeding out on the ground

Bonus! The scene afterwards when whumpee wakes up and their wounds are bound in those crisp white bandages instead of the bloodied, dirtied torn pieces of clothing they’d used before

𝐏𝐈𝐍𝐍𝐄𝐃 𝐀𝐆𝐀𝐈𝐍𝐒𝐓 𝐀 𝐖𝐀𝐋𝐋 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.

lads if i ever have to type “pin against the wall” ever again in this lifetime, it’ll be too soon, but i really hope you enjoy these!! if you think of more that you would like to be added, let me know! please do NOT add more in the reblogs, it is VERY likely that i can and will be making a second part to this list! now go drink some water and i hope y’all enjoy the memes!

[ KISS ]:     sender pins receiver against the wall and kisses them passionately.

[ ANGER ]:     sender pins receiver against the wall out of anger.

[ CHALLENGE ]:     in a motion designed to challenge the receiver’s authority, sender pins receiver against the wall.

[ TRAINING ]:     during a sparring match, sender ends up pinning the receiver against the wall.

[ HEAT ]:      while in the middle of a make-out session, sender pushes the receiver up against the wall, unwittingly heating things up even more.

[ SHIELD ]:     in order to protect them from physical harm caused by a third party, the sender shoves the receiver against the wall and shields them with their body.

[ COVER ]:     while hiding from persecutors, sender pushes the receiver against a wall and uses their body to hide the receiver’s face from view.

[ HIDE ]:     while on the run, the sender hastily grabs the receiver and pins them against a wall that’s hidden from public view to avoid being seen.

[ STOP ]:     in order to stop the receiver from walking away, the sender guides them back and pushes them against a wall.

[ FIGHT ]:     while in a physical fight, sender shoves the receiver against the wall in an effort to gain the upper hand.

[ RESTRAIN ]:     sender pushes the receiver back against the wall to stop them from physically fighting the sender.

[ STEADY ]:     sender gently catches and guides the emotionally distressed receiver against a wall in order to physically steady them.

[ CLOSER ]:     while pinning the receiver against the wall, sender glances down at their lips, suddenly aware of how close they are to one another…

The serious one that needs to handle the dramatic one

"you are not going to die,"

"how many do you even need?"

"what are you doing?"

"he's always like this,"

"she's fine, she's just being dramatic,"

"fine! I'll go in first to make sure there's no spooky monsters or kidnappers!"

"at this rate, I'll kill you,"

"It was a joke, I was joking,"

"are you crying?"

"that is not what it meant,"

"Why are you like this?"

"you look fine,"

"she's not going to hate you,"

"that's a myth you don't have to... and you're doing it,"

"it's 5 meters? you made it sound like we'd be running across the country,"

"there she goes again,"

"There are witnesses, no one is going to kill you,"

"the world is not ending just because you forgot,"

"skipping meals isn't a death sentence,"

"If I don't sleep I will die, just go to bed,"