Made Another One

Tell us more about Moby Dick!! :D

Ishmael is a fascinating little specimen let me tell you. He has a reputation for being a “boring narrator” but that’s complete bullshit. Right out the gate he’s like “hello this is my (fake) name, I’m poor, I’m depressed, but luckily when I can tell I’m about to kill myself I hop my ass on a boat because the water can cure whatever’s wrong with you, also we are all being controlled by the puppet strings of the divine and free will is an illusion. It is now Page Three.”

The entire first part of the book is his story of meeting, falling in love with, and marrying a hot tattooed Polynesian man in what may be the first recorded case of the “there was only one bed” trope and it only gets wilder from there. This really caught be off guard tbh, I had no idea that there was so much gay stuff in this book.

I honestly cannot even pick my favorite Ishmael moment. Could it be him being adamantly on the wrong side of the “are whales fish or mammals” debate? That he suggests narwhal’s horns would be good for turning the pages of small books? When he hides behind the mast and eats some spermaceti because he just has to know what it tastes like? When he tattooed himself with measurements of a beached whale but rounded all the numbers because he also needed room for the poem he was writing on his arm? The gay sperm squeezing chapter? When he made his drunk listeners fetch him a priest and a Bible so he could swear he was telling the truth? And then lied????

Ishmael’s musings range from beautiful, lyrical prose that makes you stop and reread the section because damn, and chapters about How Rope Works and encyclopedic writing about the whaling industry. There are lofty theological debates and accusations about the reader being a fish. You spend much of this book wildly seasick because Ishmael’s voice is manic, hilarious, and disorienting. Once you’ve finished this story, you, too, will feel like you’ve spent three years aboard a whaling ship.

Although the unhinged tangents are often amusing, many people complain because they probably account for 90% of the book with only the remaining 10% devoted to the plot. Surely if we just got rid of Ishmael’s Nonsense it would be better, correct? No. This is Ishmael’s memoir. He knows how it ends. These plot-delaying anecdotes are purposeful; he does not want to reach the end because it is The End. The death of his friends and his husband. The inevitable, unforgiving blade of fate that slices the lives of of the Pequod’s crew short and leaves him alone and adrift at sea. Enjoy his journey, because it may seem long now but it ends all too soon.

Ranni and Rykard as narrative foils: an unnecessarily detailed deep dive

Ranni and Rykard both seek the same thing; the end of the Erdtree’s reign. In the past, the two collaborated on the Night of the Black Knives toward this purpose. But nowadays, the siblings’ paths are diverged, and they seem to follow completely separate agendas. Why? What happened? What drove them apart?

A main point of difference between Ranni and Rykard immediately post-Shattering is that Ranni is said to have “cast aside her Great Rune,” while Rykard kept his. Regarding the Great Runes, Finger Reader Enia says: “Tainted by the strength of their runes, [Marika’s] children warred.” The Great Runes are a source of power that corrupts, which Rykard fell prey to while Ranni removed the temptation.

As collaborators and as siblings, it is likely that they fought about this; Rykard believing that the strength of the runes is necessary to carry out their goals, and Ranni seeing the corrupting power of the runes for what it is. The resulting circumstance is, of course, Rykard’s participation in the war of the Shattering and his descent into power-hungry madness. Ranni, however, never strayed from her original goals, patiently plotting from the shadows.

Set on these diverging paths, the siblings’ actions shape them into narrative foils of each other… putting the rest under the cut because I can’t shut up:

Though both Ranni and Rykard seek to bring down the Golden Order, only one of them is ever called blasphemous. One definition of blasphemy is specifically “the crime of assuming oneself the rights or qualities of God,” and I think this is the definition that most applies to Rykard.

The Taker’s Cameo item states that, “when Rykard turned to heresy, taking by force became the rule. The gods themselves were no different, after all.” Here, we see Rykard directly imitating the behavior of the gods, though he curses them.

But not only does Rykard imitate the gods’ behavior; he also imitates Golden Order and Erdtree practices, albeit in a corrupted way. He utilizes weapons and sorcery that are both intelligence and faith-based, much like his father Radagon’s Golden Order incantations. Even the very concept of the God-Devouring Serpent can be seen as a perversion of the Erdtree… Rykard’s practice of devouring heroes to be togethaaa as famileee echoes the practice of Erdtree burial, where in both instances, a great mass of bodies is brought together to merge into one whole (the Serpent King and the Erdtree, respectively). The Serpent’s actions actually fit the Golden Order Law of Regression shockingly well: “all things yearn eternally to converge.”

The point of these comparisons is to show that Rykard isn’t actually making any meaningful change to the current world order… his plan is to essentially devour the current corrupt gods, and replace them with a new corrupt god (himself) that perpetuates the exact same practices. He and Ranni once sought to free the Lands Between from these corrupt gods, but he has become precisely what he hates most of all!

Ranni, on the other hand, does the opposite. Since the beginning of the Shattering, she has staunchly refused to engage with overt power grabs and warmongering. Instead, she has extricated herself from the system entirely, slaying her empyrean flesh and casting her Great Rune aside.

Regarding her new order, Ranni seeks to “betray everything, and rid the world of what came before,” tearing up the system from the very root. Her master plan is to completely remove the influence of the gods from the Lands Between, so rather than stay and rule as god-queen, she leaves: “As it is now, life, and souls, and order are bound tightly together, but I would have them at great remove. […] I would abandon this soil, with mine order.”

In Ranni's new age, life and souls are no longer directly tied to or influenced by the ruling order like they were during the age of the Erdtree. It makes perfect sense why Ranni would want to remove this influence, as she was born an empyrean with the Two Fingers' influence in her very flesh — one of her most crucial lines of dialogue in my opinion is when she says of the Two Fingers, “I would not be controlled by that thing.” with the most iron conviction in her voice.

In this way, Ranni is Rykard’s narrative foil: Rykard falls victim to the corrupting force of power, but Ranni resists the temptation. Rykard ends up imitating and becoming the gods which he hates, while Ranni is able to truly remove their influence. While Rykard trapped himself within a vicious cycle, Ranni was able to escape, freeing the Lands Between from the cycle as well. It's such a tragic end for two siblings who used to work together.

Goncharov Lore Thus Far, based on the top tumblr post results

Main cast are Goncharov himself, his wife Katya (née Michailov), and Andrey 

One side character is named Mario Ambrosini. He is described as a “sad boi” and is involved in gambling. 

Set in Naples and involving a drug ring/mafia. The plot seems to involve Russian organized crime attempting to get a foothold in Italy. 

There is a Boat Scene. Katya survives via resourcefulness. 

Andrey and Goncharov have a substantial amount of homoeroticism. Andrey also has an internet in Katya. This forms a true love triangle. 

At some point, Katya threatens to shoot Goncharov. This is framed as a Girlboss Moment. 

There is also a Beer Bottle Scene. 

Katya fakes her death. 

on a night of wint’ry fog, the rune of death was stolen

Rewatched Goncharov (1973) and did a few studies of my favourite scenes

comic for an ask project

some thoughts about Sinclair's past between the Christmas an lcb events... i saw no one who'd talk about that it's insane!!! so i'll be the one who'll do it (in comfortable for me art form)

Two friends sharing a quiet moment in th evening light.

Hell’s Chicken Sinner Sprites

so i finally decided to “tell” my dad about Project Moon. And by “tell” I mean “Limbus Company. Library of Ruina. They are definitely games I like” and nothing else.

4 days later he just texts me this

how am i

supposed to respond to this

"Messmer is Miquella" this "Messmer is Melina" that, we all know who Messmer *really* is