my blog is, and always will be, a safe place for people who are not confident in their english speaking abilities. you will never be judged or mocked here.
Tosca, Ho amato tutto / Keats, Love Letters to Fanny Brawne / Hozier, Take Me to Church / Les Misérables, Finale / Shakespeare, Romeo and Juliet / Richard Siken, Crush
We’re being “dramatic” for Breonna Taylor.
For Ahmaud Arbery.
For George Floyd.
For Tony McDade.
For the people who lost their siblings.
For the people who lost their children.
For the people who lost their parents.
For the people who lost their lives.
We’re being “dramatic” because people died. Because people suffered.
Shoutout to all those kids who were praised and encouraged when they wanted to be marine biologists and surgeons and physicists and wanted to cure diseases or go into politics, only to meet radio silence when they decide to be writers or artists, to study human behavior and become therapists or actors. The softer pursuits are only softer because society says they are so, and you are important. You deserve to be heard, and encouraged, and praised, and I hope you are.
You should be outraged. You should be enraged and if you are not, if the senseless killing of the black community at the hands of our police force does not anger you please reevaluate your humanity.
To be unmoved by the current issues of our society is a privilege. To prioritize looting and damage to property over lost black lives and police brutality is to lack humanity.
Please evaluate and educate yourself, this is a major issue and we need serious reform and revolution in this country.
You can’t love the Romantics and academia and remain ignorant and complacent.
Photos taken from @thetogfather on Instagram
Dark academia fashion inspiration ~
Bro, DON'T tempt me, I don't wanna pull out my sword and flirt with you. DON'T.
Recently I have seen a lot of excellent posts in the dark academia tags which call out the euro-centrism of this subculture and also give great recommendations for non-white cultural academia. So I decided to put together works of Indian authors that I read growing up in India as a literature student. Please note this list leans heavily towards works centred on Bengal due to my own heritage, and is by no means comprehensive or meant to represent the entire, varied diaspora of India.
Historical/political fiction:
the lives of others by neel mukherjee: chronicling the rise and fall of a bengali family against historical events like the partition, the 1943 famines, the bengal emergency etc. diverse cast of characters retelling history through multiple povs, lyrical prose, incredible research providing an insight into naxalite bengal. talks about how it feels to be a leftist when you are born and brought up in bourgeois privilege.
the lowland by jhumpa lahiri: everything!! written by jhumpa lahiri!! should be savoured!! but this gorgeous book in particular made me UGLY CRY. to summarise without spoilers, it's a story about two brothers, separated by inches and then by miles, a story about student revolutionaries, bengal burning and boston beaches, and it's a story about a beautiful, brilliant, tormented woman who loves and loathes in equal measure.
the shadow lines by amitav ghosh:** intergenerational trauma, dhaka riots and the entwined histories of two families- one in london and the other in calcutta. sharp, bittersweet and sometimes rather scandalous. if you enjoy ggm's works try this.
a flight of pigeons by ruskin bond**: after her father is killed in the 1857 sepoy mutiny, an anglo-indian girl, her mother, and female relatives are given shelter by the muslim family of one of the chief rebels. set in north india near UP, ruskin bond's writing is powerful and explores found families and the price of imperialism and war. chef's kiss.
train to pakistan by khuswant singh: the horrors of post independence sectarian violence as recounted by a fictional village on the indo-pak border with a population largely comprising muslims and sikhs. a harrowing read but evocative and honest.
shalimar the clown by salman rushdie: allegorical story about the kashmir valley unrest, told through the insane, shakespearean revenge tragedy spun out by kashmiri tightrope walker shalimar who falls in love with boonyi, a beautiful pandit girl, a love that dooms him.
a fine balance by rohinton mistry**: four strangers' lives spill into each other as india crumbles under the 1975 emergency. this one has everything political commentary, social satire, depiction of economic hardships and a whole range of characters from diverse backgrounds. side note: it's a pretty heavy and tragic read, please be careful.
Societal stories
the guide by rk narayan: raju, an impoverished, street smart boy in a fictional south indian town takes to conning people as a tour guide but things spiral out of control when he has an affair with a married classical dancer. allegorical writing, funny and eccentric, and there's a LOT of satire about desi stereotypes: fraud religious leaders, scandalous village affairs, neocolonial mindsets and well, dancing. had a great read of this one. don't watch the film, it's inaacurate and the author himself didn't like it :(
malgudi days by rk narayan: set in the same town as the guide, a collection of short stories about the colourful lives of small town dwellers, from astrologers to doctors to postmen. it's funny and poignant in equal measure. there's not a single mediocre story in here, they're all just......charming.
interpreter of maladies by jhumpa lahiri: stories set in boston and bengal about ordinary indian people and ordinary indian lives which are just so, so MASTERFULLY written and in such crystal bright detail it feels all too real. I recommend a temporary matter, when mr pirzada came to dine, sexy, mrs sen and this blessed house.
em and the big hoom by jerry pinto**: a goan family in late 20th century mumbai + their experience when the mother is diagnosed with bpd. I haven't read this book but it was highly recommended by my friends + authors who are greatly esteemed by me
any and every work by ruskin bond because my man literally GREW up around ayahs and tonga drivers and lonely gardeners and sad kite-makers and friends in small places. I recommend road to the bazaar: a collection of short stories about north indian children involving tigers in train tunnels, beetle races, rooftop gardens and the feeling of being home again.
the white tiger by aravind adiga**: epistolary novel that deals mostly with the class struggle in india as told by a village boy, who travels to delhi for work and his slow rise to success through monumental obstacles. a good read to look into the lives and the plight of underprivileged workers and the persisting class disparity in globalised india.
city of djinns by william dalrymple: travelogue/memoir/anecdotes of the author's time in delhi as he researches for the detritus of history in the country capital. non fiction but every bit as riveting as a well spun story.
Retellings/Biographies
rajkahini (transl: stories of kings) by abanindranath tagore: stories about the rajput rulers of western india and their glorious, semi-mythological histories of battles and heartbreaks and visions. the author was often termed a lyrical artist because his descriptive prose is so good it feels like a painting put into words.
empress: the astonishing reign of nur jahan by ruby lal: a feminist biography of my favourite figure from history, nur jahan, and her deliciously satisfying ascent as the sole female sovereign in the line of the great mughals. but wow, what a woman.
the palace of illusions by chitra banerjee divakaruni: retelling of the great epic mahabharata but from draupadi's point of view. poetic and magical, and her descriptions of female rage and the unfairness of society even in mythical canon is SUPERB.
Poetry!
sarojini naidu: patriotism, society, feminism, romance
nissim ezekiel: postcolonial, satire
ak ramanujan: society, classical retellings, folktale inspired poetry
agha shahid ali: socio-political, ghazal inspired poetry
tishani doshi: feminist, contemporary
eunice d'souza: contemporary, gender politics
Pure self indulgent recs
hayavadana by girish karnad: a ridiculous, criminally hilarious play-within-a-play about a love triangle and accidental body/torso swaps and a goddess who couldn't care less and a man with a horse head. yeah.
devdas by sarat chandra chattopadhyay: pls stop shoving the movie down my throat it's the cringiest depiction of bengali culture ever but yeah the novel is 💗💗 and it's about childhood sweethearts dev and paro, the cost of obsessions and lusts and an enigmatic courtesan chandramukhi who keeps loving the wrong things.
any and every work by rabindranath tagore should be considered academia but in particular his short stories, like the kabuliwalah and the postmaster.
the byomkesh bakshi series by sharadindu bandyopadhyay: written in the vein of poirot but in colonial bengal, follows one (1) sleuthy boy and his sidekick as they unravel psychological crimes and murder mysteries. some stories are just genuinely scary and all have eclectic casts. sharadindu said homoerotic/feral women/immoral genius people rights!
Like I said this list is not comprehensive!!! But I tried my best!!! I think we should really try to decolonize our reading tastes. And yes I purposely left out Arundhati Roy (because she is literally the only Indian author ever recommended in lists) Vikram Seth (because I do not like him) and Roshani Chokshi (because any one of the above)
I hope you guys get some good picks from this list :)
[** has heavy trigger warnings]
he lays there
in that dark embrace
with salt coated lungs
and a rotting tongue
he still sees
the sunlight holding
his body and laying
him down so gently
and when the
cold rushes in and
he can do nothing,
that golden boy
will cradle his
body, crumbling at the
touch, and he’ll laugh
one last time
- because he could never outshine a star
If you’ve followed me for a while, you know my all-time favorite book is Michael Ondaatje’s The English Patient. Anyone who truly loves this book (or the equally great—albeit different—film) has, at a minimum, become intrigued with one of the settings: the pre-WW2 Libyan Desert. I’m going to start a series of posts that will provide some background information to The English Patient (TEP). This is the first. Also, I should mention that while TEP is a work of fiction, it borrows (steals?) greatly from events and individuals who really existed. The explorers and cartographers of TEP traveled to the Libyan Desert in the early- and late-1930s in search of the “lost oasis” of Zerzura, a mythical city that curiously is said to have existed in one of the harshest stretches of the Libyan Desert. The discovery of an oasis here, in one of the last unexplored regions on earth, was a call to adventure with the promise of historical immortality for any fraternity of explorers who might find it, as with it they would breathe life and certainty into a people and culture that was rumored to have existed for centuries. More to come. Pictured: 1861 edition of Herodotus’ Histories; March 1933 and April 1939 editions of The Geographical Journal, published by the Royal Geographical Society, London.
Cultural Dark Academia
here’s pt. 2
After my last post about the lack of representation in academia, I felt it neccessary to provide some examples of what I’m talking about. Obviously there are more countries in the world than I can list and provide books for, so for a quick list this is what I got. !! Keep researching !! If you have any more books by POC please reply them !! If a country isn’t listed, that doesn’t mean it’s not important, this is just what I could get together real quick. If I made any mistakes, please let me know, we’re all learning. We need to help each other end eurocentrism in academia, so value representation and educate yourselves 💓💓💓
Chinese:
The Art of War by Sun Tzu
The Dream of the Red Chamber
The Water Margin
Romance of the Three Kingdoms
The Journey to the West
The Scholars
The Peony Pavilion
Border Town by Congwen Shen
Half of Man is Woman by Zhang Xianliang
To Live by Yu Hua
Ten Years of Madness by agent Jicai
The Field of Life and Death & Tales of Hulan River by Xiao Hong
Japanese:
A Personal Matter by Kenzaburo Oë
Haruki Murakami
Pakistani:
Moth Smoke by Mohsin Hamid
How to Get Filthy Rich in Rising Asia by Mohsin Hamid
Ghulam Bagh by Mirza Athar Baig
Masterpieces of Urdu Nazm by K. C. Kanda
Irani/Persian:
Rooftops of Tehran by Mahbod Seraji
Savushun by Simin Daneshvar
Anything by Rumi
The Book of Kings by Ferdowsi
The Rubiyat by Omar Khayyam
Shahnameh (translation by Dick Davis)
Afghan:
Earth and Ashes by Atiq Rahimi
A Thousand Splendid Suns by Khaled Hosseini
Indian:
The God of Small Things by Arundhati Roy
Aithihyamala, Garland of Legends by Kottarathil Sankunni
The Gameworld Trilogy by Samir Basu
Filipino:
Twice Blessed by Ninotchka Rosca
The Last Time I Saw Mother by Arlene J. Chai
Brazilian:
The Patriot and The Sad End of Policarpo Quaresma by Lima Barreto
Broquéis by Cruz e Sousa
Don Casmurro by Machado de Assis
Colombian:
Chronicle of a Death Foretold by Gabriel Garcia Marquez
Delirio by Laura Restrepo
¡Que viva la música! by Andrés Caicedo
The Sound of Things Falling by Jim Gabriel Vásquez
Mexican:
Bless Me, Ultima by Rudolf Anaya
Adonis Garcia/El Vampiro de la Colonia Roma by Luis Zapata
El Complot Mongol by Rafael Bernal
Egyptian:
The Cairo Trilogy by Nahuib Mahfouz
The Book of the Dead
Nigerian:
Rosewater by Tade Thompson
Things Fall Apart by Chinua Achebe
Malian:
The Epic of Sundiata
Senegalese:
Poetry of Senghor
Native American:
The Inconvenient Indian by Thomas King
Starlight by Richard Wagamese
Almanac of the Dead by L. Silko
Fools Crow by James Welch
Indigenous Australian:
Dark Emu by Bruce Pascoe
First Footprints by Scott Cane
My Place by Sally Morgan
American//Modern:
Real Life by Brandon Taylor
Namesake by Jhumpa Lahiri
The Hate U Give by Angie Thomas
The Poet X by Elizabeth Acevedo
Internment by Samir’s Ahmed
Their Eyes Were Watching God by Zora Neale Hurtson
Rivers of London Series by Ben Aaronovitch