gunsnlilies-blog
Just a wannabe writer trying to write 💭
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Latest Posts by gunsnlilies-blog
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Daily affirmations
I am a freak and that is ok
Anyone who hates on me for my writing has never picked up a pencil in their life
I should be more self indulgent
My characters should suffer more
Daily affirmations
I am a freak and that is ok
Anyone who hates on me for my writing has never picked up a pencil in their life
I should be more self indulgent
My characters should suffer more
I need you to understand that when I say "comments are appreciated!" I mean that I will reply to every one of them. I mean that an email with an ao3 notification has a higher priority than a message from my mother. I mean that I will have entire discussions in the comment section if you're up for it. Message me on tumblr and I will have the same discussions on an even more unhinged level. I will dissect entire personalities and ships and fictional political structures and worldbuilding with you. I will become your new best friend. You already ARE my new best friend. At the last battle, I would raise Anduril and say "For my ao3 readers" while a single tears rolls down my cheek, and dive into the fray. I would upload from beyond the grave if someone asked about the next chapter
Take my Hand's Wands
Hi, hello, I'm lady_angst, author of Underneath a Sea of Stars and the Take My Hand (Take My Whole World, Too) series. In this post I wanted to rant a little about the symbolism behind the wands Hermione and Bellatrix were offered in chapter 5 of Never Forget What You Are, the first entry of TMH which corresponds to the Philosopher's Stone, as there is more to them than meets the eye. Enjoy!
Hermione's wands:
1st: Sycamore wood & unicorn hair. According to the wandlore found on the HP wiki, sycamore made a questioning wand eager for new experience and losing brilliance if engaged in mundane activities. Thus, the sycamore's ideal owner was curious, vital and adventurous, and when paired with such an owner, it demonstrated a capacity to learn and adapt that earned it a rightful place among the world's most highly-prized wand woods.
Ollivander offered Hermione this wand after realising she had a curious, inquisitive mind. The wand failed to form a bond with her because of how adventurous it was, which Hermione ultimately is not.
2nd: Hazel & phoenix feather. Again, according to the wandlore, hazel wands were sensitive and often reflected their owners emotional state. They worked best for a master who understood and could manage their own feelings.
Ollivander offered Hermione this wand in case she was emotionally intelligent on top of inquisitive. The wand failed to form a bond with her because, as we all know, Hermione is very temperamental and gets often lost in her own feelings and pride (especially Book!Hermione).
3rd: Vine & dragon heartstring: Vine wands were among the less common types; they seemed strongly attracted by personalities with hidden depths, and their ideal owners were nearly always those witches or wizards who sought a greater purpose, who had a vision beyond the ordinary and who frequently astounded those who thought they knew them best.
Hermione's canonical wand! It suits her beautifully, as there is more to Hermione than meets the eye. She's more than just a bushy-haired, know-it-all Muggle-born. She seeks a greater purpose: rising above others' expectations of her, fighting for what's right, keeping her friends and loved ones alive. And she has a vision beyond the ordinary: seeing Bella for who and what she truly is (after messing up big time every once in a while, but hey, we all love us some drama).
Bellatrix's wands:
1st: Walnut & dragon heartstring. Walnut wands were often found in the hands of magical innovators and inventors; this was a handsome wood possessed of unusual versatility and adaptability. Highly intelligent witches and wizards ought to be offered a walnut wand for trial first, because in nine cases out of ten, the two will find in each other their ideal mate. Once subjugated, perform any task its owner desired, provided that the user was of sufficient brilliance.
Bellatrix's canonical wand! Ollivander offers it to her after analysing her: "Left-handed... Creative... Clearly intelligent... There's something else, though... Something to those eyes..." He sees her intelligence and the sharpness (and perhaps the darkness) that dwells within her, so he offers her her canonical wand. However, it doesn't form a bond with her despite sharing a connection because this Bellatrix and the canonical one are not entirely the same—her upbringing was radically different, which affects her personality and way of viewing the world.
2nd: Cedar & dragon heartstring. The cedar wand found its perfect home where there were perspicacity and perception. Garrick Ollivander believed that whenever he met one who carried a cedar wand, he found strength of character and unusual loyalty. The witch or wizard who was well-matched with cedar carried the potential to be a frightening adversary, especially if harm was done to those they were fond of, which often came as a shock to those who had thoughtlessly challenged them.
Originally, this was going to be her wand. It suits her (and her canon self) just fine. Perceptive, strong of character, and unusually loyal? A frightening adversary, all the more so when those she's fond of? Now that's just Bellatrix 100%. But! I decided against it in favour of the one she gets in the end.
Moreover, Ollivander offered this wand to her because it follows the "clearly intelligent, but perhaps a bit jagged" assessment he made of her at first.
3rd: Dogwood & unicorn hair. Dogwood wands were quirky and mischievous; they had playful natures and insisted upon partners who could provide them with scope for excitement and fun. It would be quite wrong, however, to deduce from this that dogwood wands were not capable of serious magic when called upon to do so; they had been known to perform outstanding spells under difficult conditions, and when paired with a suitably clever and ingenious witch or wizard, could produce dazzling enchantments.
Again, this wand follows the "clearly intelligent" assessment, only without the jagged bit. This wand suits her, too, since Bellatrix grows out of her shell throughout PS-PoA until she becomes self-assured and rather playful in GoF-OotP. It also goes on beautifully well with her Patronus in this story. That said, it'll take her years to get to that point, and even then she'll have a fair bit of trauma and life lessons weighing her down, which skews that playful nature and prevents a bond from forming.
4th: Blackthorn & dragon heartstring. Blackthorn wands, which was a very unusual wand wood, had the reputation, in Garrick Ollivander's well-merited opinion, of being best suited to a warrior. These wands appeared to need to pass through danger or hardship with their owners to become truly bonded. Given this condition, the blackthorn wand would become as loyal and faithful a servant as one could wish.
In Ollivander's own words: “How about a wand best suited to a warrior for a young witch with a warrior’s name?”. He wanted to see if perhaps the "jagged" bit was more important than the "clearly intelligent" one with this wand. It also suits her beautifully, and it comes close to the Bellatrix we see in canon, but Bellatrix is more than this, she is more than just a warrior, as we will learn through the series.
5th, 6th, 7th...14th: Unknown.
15th: Walnut & dragon heartstring. Identical to the first in components, length and flexibility, but radically different in shape and demeanour. The main differences between the original one and this one are: the date of creation (mirroring Bellatrix's own conception) and the state of the wood (mirroring Bellatrix's own personality and morality). The walnut tree from which Ollivander got the wood for these wands turned out to be rotten. It is up to interpretation whether the first wand was affected by the affected rot or not. The same goes for the second one, even if Ollivander claims that he managed to salvage some of the wood that was untouched by it.
This ends up being Bellatrix's wand in this series; one that is so similar yet so different to the original where it matters. Like Bellatrix herself. The foundation is the same, but the end result? That's yet to be seen. Here is a reference of the original one vs the tmh one:
(I'll be honest with you, though. I just wanted to give Bellatrix a normal-esque wand so that she doesn't get arthritis from holding her canonical one. Yes, I know that UaSoS's Bella has her canonical one, but she'll put its claw-like shape to good use at one point, shhh.)
If you made it all the way down here, hello again and thank you so much for reading this post! Have a cookie🍪.
Love, Lilith xx
Hello gorgeous!
Love all your graphics. Can I request dividers based Beauty and the Beast? I didn't find any of those in your library. Please feel free to ignore if not. Thanks.
Have a great day!
XOXO,
Avani
hello!!! I would love to make some - beauty and the beast is my fave fairytale 🌹 I hope these are close to what you’re looking for! thank you so much for this request, this was so fun 💖
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Writing Description Notes:
Updated 9th September 2024 More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
Other Words for "Look" + With meanings | List for writers
Many people create lists of synonyms for the word 'said,' but what about the word 'look'? Here are some synonyms that I enjoy using in my writing, along with their meanings for your reference. While all these words relate to 'look,' they each carry distinct meanings and nuances, so I thought it would be helpful to provide meanings for each one.
Gaze - To look steadily and intently, especially in admiration or thought.
Glance - A brief or hurried look.
Peek - A quick and typically secretive look.
Peer - To look with difficulty or concentration.
Scan - To look over quickly but thoroughly.
Observe - To watch carefully and attentively.
Inspect - To look at closely in order to assess condition or quality.
Stare - To look fixedly or vacantly at someone or something.
Glimpse - To see or perceive briefly or partially.
Eye - To look or stare at intently.
Peruse - To read or examine something with great care.
Scrutinize - To examine or inspect closely and thoroughly.
Behold - To see or observe a thing or person, especially a remarkable one.
Witness - To see something happen, typically a significant event.
Spot - To see, notice, or recognize someone or something.
Contemplate - To look thoughtfully for a long time at.
Sight - To suddenly or unexpectedly see something or someone.
Ogle - To stare at in a lecherous manner.
Leer - To look or gaze in an unpleasant, malicious way.
Gawk - To stare openly and stupidly.
Gape - To stare with one's mouth open wide, in amazement.
Squint - To look with eyes partially closed.
Regard - To consider or think of in a specified way.
Admire - To regard with pleasure, wonder, and approval.
Skim - To look through quickly to gain superficial knowledge.
Reconnoiter - To make a military observation of a region.
Flick - To look or move the eyes quickly.
Rake - To look through something rapidly and unsystematically.
Glare - To look angrily or fiercely.
Peep - To look quickly and secretly through an opening.
Focus - To concentrate one's visual effort on.
Discover - To find or realize something not clear before.
Spot-check - To examine something briefly or at random.
Devour - To look over with eager enthusiasm.
Examine - To inspect in detail to determine condition.
Feast one's eyes - To look at something with great enjoyment.
Catch sight of - To suddenly or unexpectedly see.
Clap eyes on - To suddenly see someone or something.
Set eyes on - To look at, especially for the first time.
Take a dekko - Colloquial for taking a look.
Leer at - To look or gaze in a suggestive manner.
Rubberneck - To stare at something in a foolish way.
Make out - To manage to see or read with difficulty.
Lay eyes on - To see or look at.
Pore over - To look at or read something intently.
Ogle at - To look at in a lecherous or predatory way.
Pry - To look or inquire into something in a determined manner.
Dart - To look quickly or furtively.
Drink in - To look at with great enjoyment or fascination.
Bask in - To look at or enjoy something for a period of time.
me doing anything else: omggg i just wanna write i could making so much progress on my WIP right nowww
me working on said WIP: scrolling on phone with laptop open on the same chapter it's been open on for days.
List of “cruel ways to push someone away (whether you mean it or not; whether it’s an act or not)” prompts
“Don’t you get it? You were always just entertainment for me.”
“How could you be so foolish to think I ever loved you? Like, really?”
“There’s nothing about you I’ve ever found interesting.”
“Oh, so you actually thought I cared about you?”
“Trust me when I say this but you are not important to me.”
“Realistically, what is there to love about you anyway?”
“So uh, what made you think I cared in the slightest?”
“Actions don’t always speak the truth, maybe you should understand that if you don’t want to get hurt next time.”
“Maybe… You shouldn’t have put your trust in someone else so much.”
“I warned you in the beginning that I wasn’t looking for anything serious, yet you didn’t listen. That’s not on me.”
“It’s not my fault you’re delusional.”
“I don’t… I’ve lost feelings for you.”
“Trust me, there are more important things in my life to worry about. You’re definitely not one of them.”
“I must have given you the wrong impression.”
“You make me want to give up on everything.”
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reblog if you’re a writer who feels guilt whenever they’re not writing and being productive, so I know I’m not the only one lol
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reblog if you’re a writer who feels guilt whenever they’re not writing and being productive, so I know I’m not the only one lol
reblog if you believe fanfics are as valid as books that were published and sold by authors who write as their main careers. I'm trying to prove a point
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How to write about someone’s appearance? Their physique, styles, face , clothes,?
How to Describe a Character's Appearance
-> dabblewriter.com
-> link to Character Description Prompts
Avoid Over-Describing
Overloading readers with too much information can be overwhelming and make your characters feel flat and one-dimensional. Focus on the details that are the most important to the story and the characters themselves.
If the character's appearance is not central to the story, then you may only need to give a basic description. If it plays a significant role, you may want to go into more detail. Always keep the purpose of your physical descriptions in mind.
Show Don't Tell
Don't blatantly state every little thing about your character's appearance, but rather show it through their actions and behaviors.
example: If they are tall, show that through their actions. They have to duck to get under a doorway, they help someone reach the top shelf, etc.
Include Personality Traits
A character's personality is what makes them memorable. Consider their motivations, values, beliefs, and quirks and give them a well-defined personality.
Avoid Stereotypes
Create characters that are more than just their cultural, racial, ethnic, or gender identity. Give them unique interests, hobbies, and personalities. Allow them to have flaws, contradictions, and diverse perspectives.
External Features
External features include a character's height, weight, body type, and general appearance. You can describe their skin color, hair color, eye color, and any distinctive features like freckles or scars. This type of description gives the reader a basic understanding of what the character looks like, which is helpful in creating a mental image.
Clothing
Describing the type of clothing they wear, including the colors, patterns, and how they fit, can reveal a lot about a character’s personality and social status.
For example, a character who wears tailored suits and expensive shoes might be a little snobby and concerned with their image, while a character who wears ripped jeans and t-shirts might be casual and relaxed.
Facial Features
Facial features can be used to give the reader a more in-depth understanding of a character's personality and emotions. You can describe their smile, the way they frown, their cheekbones, and their jawline. You can also describe their eyebrows, the shape of their nose, and the size and shape of their eyes, which can give the reader insight into their emotions.
Body Language
Body language can be used to give the reader an understanding of a character's emotions and personality without the need for dialogue. Describing the way a character stands, walks, or gestures can reveal a lot about their confidence level, mood, and attitude.
For example, a character who slouches and avoids eye contact is likely to be shy, while a character who stands up straight and makes direct eye contact is likely to be confident.
Words to Describe Various Features
Head and face
Oval: rounded, elongated, balanced, symmetrical
Round: full, plump, chubby, cherubic
Square: angular, defined, strong, masculine
Heart: pointy, triangular, wider at the temples, narrow at the chin
Diamond: angular, pointed, narrow at the forehead and jaw, wide at the cheekbones
Long: elongated, narrow, oval, rectangular
Triangular: angular, wide at the jaw, narrow at the forehead, inverted heart-shape
Oblong: elongated, rectangular, similar to oval but longer
Pear-shaped: narrow at the forehead, wide at the jaw and cheekbones, downward-pointing triangle
Rectangular: angular, defined, similar to oblong but more squared
Facial features
Cheeks: rosy, plump, gaunt, sunken, dimpled, flushed, pale, chubby, hollow
Chin: pointed, cleft, rounded, prominent, dimpled, double, weak, strong, square
Ear: large, small, delicate, flapped, pointed, rounded, lobeless, pierced
Eyes: deep-set, angled, bright, piercing, hooded, wide-set, close-set, beady, slanted, round, droopy, sleepy, sparkling
Forehead: high, broad, wrinkled, smooth, furrowed, low, narrow, receding
Jaw: strong, square, defined, angular, jutting, soft, weak, chiseled
Lips: full, thin, chapped, cracked, puckered, pursed, smiling, quivering, pouty
Mouth: wide, small, downturned, upturned, smiling, frowning, pouting, grimacing
Nose: hooked, straight, aquiline, button, long, short, broad, narrow, upturned, downturned, hooked, snub
Eyebrows: arched, bushy, thin, unkempt, groomed, straight, curved, knitted, furrowed, raised
Hair
Texture: curly, straight, wavy, frizzy, lank, greasy, voluminous, luxurious, tangled, silky, coarse, kinky
Length: long, short, shoulder-length, waist-length, neck-length, chin-length, buzzed, shaven
Style: styled, unkempt, messy, wild, sleek, smoothed, braided, ponytail, bun, dreadlocks
Color: blonde, brunette, red, black, gray, silver, salt-and-pepper, auburn, chestnut, golden, caramel
Volume: thick, thin, fine, full, limp, voluminous, sparse
Parting: center-parted, side-parted, combed, brushed, gelled, slicked back
Bangs: fringed, side-swept, blunt, wispy, thick, thin
Accessories: headband, scarf, barrettes, clips, pins, extensions, braids, ribbons, beads, feathers
Body
Build: slender, skinny, lean, athletic, toned, muscular, burly, stocky, rotund, plump, hefty, portly
Height: tall, short, petite, lanky, willowy, stocky, rotund
Posture: slouching, upright, hunched, stiff, relaxed, confident, nervous, slumped
Shape: hourglass, pear-shaped, apple-shaped, athletic, bulky, willowy, curvy
Muscles: defined, toned, prominent, ripped, flabby, soft
Fat distribution: chubby, plump, rounded, jiggly, wobbly, flabby, bloated, bloated
Body hair: hairy, smooth, shaven, beard, goatee, mustache, stubble
Weight: light, heavy, average, underweight, overweight, obese, lean, skinny
Body language: confident, nervous, aggressive, submissive, arrogant, timid, confident, relaxed
Body movements: graceful, clunky, fluid, awkward, jerky, smooth, agile, rigid
Build
Muscular: ripped, toned, defined, well-built, buff, brawny, burly, strapping
Athletic: fit, toned, agile, flexible, energetic, muscular, athletic, sporty
Thin: skinny, slender, slim, lanky, bony, gaunt, angular, wiry
Stocky: sturdy, broad-shouldered, compact, muscular, solid, robust, heavy-set
Overweight: plump, chubby, rotund, heavy, portly, corpulent, stout, fleshy
Fat: overweight, overweight, rotund, heavy, bloated, tubby, round, fat
Lean: lanky, slender, skinny, thin, wiry, willowy, spare, underweight
Larger: large, heavy, hefty, substantial, solid, overweight, portly, rotund
Skin
Texture: smooth, soft, silky, rough, bumpy, flaky, scaly, rough
Tone: fair, light, pale, dark, tan, olive, bronze, ruddy, rosy
Complexion: clear, radiant, glowing, dull, blotchy, sallow, ruddy, weathered
Wrinkles: deep, fine, lines, crow's feet, wrinkles, age spots
Marks: freckles, age spots, birthmarks, moles, scars, blemishes, discoloration
Tone: even, uneven, patchy, discolored, mottled, sunburned, windburned
Glow: luminous, radiant, healthy, dull, tired, lifeless
Tautness: taut, firm, loose, saggy, wrinkles, age spots, slack
Condition: healthy, glowing, radiant, dry, oily, acne-prone, sunburned, windburned
Style
Clothing: trendy, stylish, fashionable, outdated, classic, eclectic, casual, formal, conservative, bold, vibrant, plain, ornate
Fabric: silk, cotton, wool, leather, denim, lace, satin, velvet, suede, corduroy
Colors: bright, bold, pastel, neutral, vibrant, muted, monochrome
Accessories: jewelry, hats, glasses, belts, scarves, gloves, watches, necklaces, earrings, bracelets, rings
Shoes: sneakers, boots, sandals, heels, loafers, flats, pumps, oxfords, slippers
Grooming: well-groomed, unkempt, messy, clean-cut, scruffy, neat
Hair: styled, messy, curly, straight, braided, dreadlocks, afro, updo, ponytail
Makeup: natural, bold, minimal, heavy, smokey, colorful, neutral
Personal grooming: clean, fragrant, unkempt, well-groomed, grooming habits
Overall appearance: put-together, disheveled, polished, rough, messy, tidy
If you like what I do and want to support me, please consider buying me a coffee! I also offer editing services and other writing advice on my Ko-fi! Become a member to receive exclusive content, early access, and prioritized writing prompt requests.
This is the magic lucky word count. Reblog for creativity juice. It might even work, who knows.
fanfic writers, here’s a friendly reminder that you are not less of a writer if you haven’t posted anything in years, you are not less of a writer if your works aren’t as popular as other writers’, you are not less of a writer if some trolls left you rude comments (they either just want your attention or are simply intimidated/threatened by your talent), you are not less of a writer if you write short one-shots instead of a 100k novel-length fanfic, you are not less of a writer if you’re not satisfied with your writing (I promise you it’s so much better than you think, you should be proud of yourself), you are not less of a writer if you’re not comfortable posting any of your works at all.
you are always as valid as any other fellow writers out there.
another reminder: fanfic writing is not a competition, and it’s not a job. don’t put so much pressure on yourself. always remember, the point of writing fanfictions is that we get to have fun, escape reality into the world we create in which we can write anything we want.
it stops being a getaway and a safe place the second we treat writing fanfic as a job or a competition. no, you’re not writing for anybody. you’re writing for you. this world you create is just you and your blorbos. have fun. it’s your getaway.
“Success is not final, failure is not fatal: it is the courage to continue that counts.”
— Winston S. Churchill
“It’s rare to meet someone with a mind just as beautiful as their face.”
— Unknown
please please please please reblog if you’re a writer and have at some point felt like your writing is getting worse. I need to know if I’m the only one who’s struggling with these thoughts
Hogwarts School Uniform
The other day I read a series of posts on the Hogwarts uniform and how book!uniform differs from movie!uniform, which is more canonical and whether there’s been/there should be some retconning to unify the books, films and illustrations from different sources. Since wizarding fashion is one of my favourite subjects (particularly since the word “corsets” was mentioned in HBP), I thought I had to write a post about it. So here it goes.
On tradition and unmuggleness
As much as I like the movie uniforms, the way I see it, they’re irreconcilable with those described in the books, which, both because they’re from the book and because that’s how I see them in my head, I consider canonical. Most people point out as proof of this that in a couple of occasions we are told more or less directly that the basic (I’ll talk more about this later) uniform does not bear any house indicator (see the Penelope Clearwater and Crabbe-and-Goyle’d Ron-and-Harry Cases, both in CoS). This is true. However, what I see as a bigger issue is the fact that the movie!uniform is basically a muggle school uniform with robes instead of a blazer, which, considering how often we see wizards struggling with muggle clothing, doesn’t really add up. And given that school uniforms tend to be on the conservative side of fashion, it would make much more sense to have the Hogwarts uniform resemble traditional wizarding attire.
On openings and trouserslessness
The movie robes are completely open at the front save for one (PoA-onwards) or two (PS-CoS) little clasps, which would take next to no time to do up and undo, so the movie robes would be put on and off like a bathrobe or a coat. However, most (if not all) of the times we see Harry changing into his school robes he’s described as pulling them over his head. To me that implies that the front is not open all the way down, that maybe there’s just a small opening with a few buttons, like a polo shirt. Either that or the robes are open all the way down but fastening and unfastening them is so tedious that students simply never do them up or undo them all the way. In a pre-zipper world, a front opening like that would most probably mean a metric tonne of little buttons, at least (look up some old-timey portraits, particularly of women’s fashion. They took their buttons seriously). No one has time to fiddle with that many buttons, so it would be easier to undo a few of the top ones and pull the robes over your head.
Personally, I think the left-hand version fits the description of “plain black work robes” better. And yes, there’s no indication anywhere in the books that the sleeves are flared or gathered at the top, but they look more wizardy this way, so.
For an even more undeniable piece of evidence that supports the idea of having a closed front, look no further than Snape’s worst memory in OotP. When he gets levicorpused by James, we see his underwear. He’s not wearing trousers. Wh. Why is he not wearing trousers??? Because there’s no risk of accidental exposure of one’s undergarments when there isn’t a massive opening on the front of one’s robes, that’s why. Also, if for some sinister reason he had not been wearing trousers under open-fronted robes, everybody would’ve been able to see his pants already and it wouldn’t have been “funny” when James revealed them.
Moreover, it seems that trousers, even though they are worn in the wizarding world, are neither required nor part of traditional wizarding attire. See the old man at the Quidditch World Cup. Trousers have been adopted to some extent, but they are not considered wizarding clothing per se, but rather a garment borrowed from muggles. So if we go back to the idea that uniforms tend to be conservative, the Hogwarts uniform would have probably been designed to be worn with no clothes underneath other than underwear.
On hats gone with the wind and cloaks
Hats. “One plain pointed hat (black) for day wear.” Day wear. In the films (PS, basically), hats seem to only be worn on special occasions. And I can understand that; On set they’re probably a huge inconvenience as they like to fall off and have to be touched up constantly and may cover something/someone important. Still, canonically, a pointed black hat for day wear is part of the Hogwarts uniform.
Now, do not quote me on this, but I am positive that in one of the books there is a description of a windy day where students grab the brims of their hats so that they don’t get blown off. That’s the one and only time in the whole series (that I can remember) where the uniform hats are said to be brimmed. It makes sense, though, as traditional witch hats do have a brim. Modest brims seem adequate for uniforms. (I do think it is strange to make students wear hats indoors, but oh well.)
(Edit: ‘ “Maybe I’ll skive off Divination,” he said glumly as they stood again in the courtyard after lunch, the wind whipping at the hems of robes and brims of hats.’ - OotP, chapter 17)
Then there’s the winter cloaks. Again, plain and black, this time with silver clasps. No crest, no house colours. And there’s also the protective dragonskin gloves, which seem to be used both as protective gloves for Potions/Care of Magical Creatures/Herbology and as regular winter gloves.
On house pride (or the lack thereof)
So far we have established that the uniform consists basically of plain black garments: a set of black robes (closed front), a black cloak, a black hat. Hence, by default, there is no way to tell what house a student belongs to just by their attire. Or is there? Here’s where the “basic uniform” I mentioned before comes into play.
It is true that the robes, hats and cloaks are plain black when bought. And yet, there are many points in the story when Harry seems to simply know what house some students belong to, even when he clearly doesn’t know them. We get constant references to “a gorup of first year Ravenclaws” or “a Hufflepuff girl”, and since the story is told from Harry’s point of view rather than an omniscient narrator’s, there must be a way for Harry to tell apart people from different houses without knowing them personally. So how can we reconcile the ideas that some people’s house is recognisable at first sight while other people’s isn’t? It’s quite simple: CUSTOMISATION.
Bagdes, scarves, appliques, ribbons, hat ornaments, buttons, socks, belts, and a long etc, to show your house pride. Just as we can get jumpers and hoodies and caps and whatnot with the name and colours of our uni or specific college, kids in the wizarding world are probably able to buy (and make) house merchandise. These items would be available at Diagon Alley and Hogsmeade, and parents would send them to their children once they’ve been sorted or the kids themselves would be able to get them via owl order.
Some students may only wear a small badge on their chest. Others a scarf+turtleneck undershirt+bandana+animal-shaped hat bauble combo. I love to imagine some kids wearing ridiculously tacky things, like red-and-gold neck ruffles or bee-striped boots. And those kids who are not as inclined to show off their house? They can just wear their basic black uniform.
— May Sarton, from “Journal of a Solitude.”
ꜱʜᴏᴡ, ᴅᴏɴ'ᴛ ᴛᴇʟʟ (ɪɪ)
fear - open mouth - backing away - fake smiles - hugging themselves - long / dragged breaths - rocking
jealousy - snide remarks - darting looks - self-deprication - visible judging - folded arms - arguing a fair point
hurt - steadying breaths - overly bobbing head - teary - anger - trembling - pressed lips - insisting everything is 'fine'
lying (ticks) - picking at nails - touching hair - licking lips - laughing too loud - avoids subjects - won't meet eyes
worry - reaching out physically - pursing lips - looking to others - reassuring smiles - looking you up and down - tilted head - sympathetic nod
shame - will not meet eyes - feet turned away - teary - desperate - fidgeting - begging
humiliation - lashes back - cheeks flush - palms turn sweaty - face frowns -> brows scrunch, lips pull back - teary
love - looks for approval - blushing / turning red - clammy palms - nervous around certain people - laughs hard - turning clumsy - slip of thought
Characters are like piñatas. The real fun begins when you break them