Crappy Character Analysis, Part 6

Crappy Character Analysis, part 6

I've been putting off this one, simply because I love Contrarian, everyone loves Contrarian, and I was worried I wouldn't do him justice. BTW, if you haven't read any others, I'd recommend at least reading Cold and Stubborn before this one.

part 1 (Broken)

part 2 (Skeptic)

part 3 (Cold)

part 4 (Paranoid)

part 5 (Stubborn

VOICE OF THE CONTRARIAN

Contrarian is my favorite voice, so let’s just get that out of the way. I’m doing my best to give him a fair analysis, but if there are any flaws, that’s probably why. I’d say a good 40% of Contrarian content was added after the Pristine Cut, probably because the fandom loved him so much. He basically lives up to his name. Any time someone says something, he immediately tries to counter it. Slay the Princess? No thanks. The world beyond yours is beautiful? Eh, it ain’t all that. Take the knife? Only to throw it out the window! In fact, throwing the knife out the window is his MO, seeing as he does it in three separate chapters (Stranger, Razor (No Way Out), and Fury (through Adversary)) and the only reason he doesn’t do it in the other two chapters he shows up in is because there are no windows for the blade to go out of. He also dabbles in bending reality, working together with Stubborn to keep you moving without your muscles. He is also, objectively, kind of a jerk. He calls Hero a baby for being upset at whatever abomination you see in the Stranger, refuses to give the Narrator vital information, antagonizes Stubborn by calling him weak, and then proceeds to manipulate him into throwing away your weapon, and then delivers the line that goes to the affect of “Oh, are we lying? I’m happy to be here, and I like all of you.” Of course, he does turn a new leaf at the end of the Stranger, and if you get the Stranger’s cabin at the end, he seems to have matured since the last time you’ve seen him.Contrarian exists to amuse himself. You get him by not taking the consequences of your actions seriously (not going to the cabin, fighting the Adversary unarmed, not taking the blade/stabbing yourself in the Razor, cutting your throat in the Tower). This attitude makes him careless. He wants to sow chaos, start conflicts, and just have fun. His commitment to the bit helps you survive and fight in the Apotheosis and the Fury. Who cares if you die? You were going to anyway. Contrarian doesn’t fully realize the effects his recklessness has on others until it is far too late. In the Razor, if he throws the knife out the window, he thinks of it as a funny bit. But after he realizes that there will be no getting it back, he admits he might have acted too hastily. Something similar happens in the Stranger. There may be a more deep-seated root to his nature, as well. One that most people miss. Contrarian is a contrarian out of frustration. You tried running away from the problem, and now it got worse. Now you have to face it, and he isn’t happy. If he has to confront his own mistakes, well, he isn’t going to make it easy. If he has to be miserable, so does everyone else. He reminds me of Cold, in a way. One turns to indifference, while the other turns to indignation. This point is accentuated by a line in the Stranger ending, where he confesses that he thinks of himself as the worst part of you. In the Stranger, it takes the entire world collapsing in on itself for Contrarian to fully realize the harm he’s caused. Once he sees the bigger picture, he shows remorse, and suggests that you try and help the Princess. In the Stranger ending, when you return to her cabin, he’s had more time to cool down and reflect, and he shows a surprising maturity, holding back on yeeting the blade. This may be the only voice who got significantly more content in the Pristine Cut, yet whose depth lies in pre-Pristine Cut content.