can you look the moon in the face. when you stare at the palm of your hand how far away does it feel; are you in your bones or are you only watching them move. when you feel things is it an echo or is it a ripple; the wake of an emotion that you ride on, unsure how long youโll spend with seawater in your mouth instead of your lungs again. when you speak your name does it belong to you or do the letters tumble out already leaving, running. does every moment happen on a delay, so you are witnessing life through a hole cut in a sun visor, telescoped, down a chamber, in a wet room somewhere else, to someone else, to someone not-you. does your life happen elsewhere, behind a door you closed or was closed on you, behind a wall you built or else was built out of you, beyond or inside a growing rip you never quite learned how to mend; belonging to some distant skeleton who cannot hear you begging: please, please, please, for the love of god, let me come home again.
some of my favorite spooky ladies + flowers and bouquets ๐น๐ย ย
i think villains in general provide better, more epic romances because they're allowed to go to extremes. they're allowed to put their love over the greater good. they're allowed to be selfish. the best a hero can offer you is number two, because their duty comes first. villains, though. villains will burn down the world for a last kiss goodbye.
BLU
Asuka, furious.
The End of Evangelion - Love is Destructive
Move ya body girl
LOVE the set design in the new batman movie. they said fuck that penthouse, white walled, all glass mansion shit, bruce wayne lives in dracula's castle
Someone passed me a note in my math class and when I opened it it was a drawing of a hare. The hare looked at me and said, โThe mountains have roots. They want the sky back.โ And then the ink seeped through the paper until I was holding a completely black and soaked note.
The Shining (1980) dir. Stanley Kubrick
im literally so i just i literally i actually just okay so this is i mean alright so