Arguablyacademic - Romanticizing The Mundane

a memory 

Just sent a Uquiz to a (mostly) dead group chat by accident but instead of unsending it we all took it to find out our toxic traits and now we are all hanging out for the first time in 3 years.....self recognition through uquiz

Access to safe abortion is a woman’s right.

And abortion is a decision to be made between a woman, her doctor, her family, and her god.

...Not a majority white male cohort of politicians with a false sense of morality.

And your judgement?

It matters not.

<end>

when you hate richard cameron’s life decisions but also kind of like him because he has the potential to be a good person:

wasnt a failed assassination. it was a successful long-range ear piercing by a deranged claires employee. they force femmed him. because of woke

Dead Poets Society and Mental Illness

I realise that this may come at a sensitive time due to the tragic and heartbreaking death of Robin Williams through depression and suicide, but I’ve had this on my mind for a long time, and I want to write it out to clear my head of it.

Todd and Social Anxiety. At the start of the film (and less so throughout) Todd is a very anxious, jittery fellow, who refuses to read poetry in front of other people, stammers a little and remains very quiet. These are all classic signs of Social Anxiety Disorder.

Neil and Bipolar Disorder. One minute, Neil is playing Puck and is so incredibly happy. The next, he is dead. Although Bipolar disorder generally takes longer than that to change between stages, some people do report that their Bipolar Disorder can se over a day or two. Just look at the rest of the film: Neil is either wildly passionate and reckless (eg. throwing the desk set over the bridge) or he is utterly blank and quiet (eg. when with his parents after the performance). I think he had, to some extent, Bipolar Disorder.

Charlie and Depression. Throughout the film, Charlie presents himself as a reckless, happy and funny character. However, I feel like he had depression. He was so reckless and unconsciously attention-seeking that he pulled that phone prank, consequences be damned, just for that tiny bit of attention. He cried when he told Todd of Neil’s death. He appears so internally broken in some scenes (“Damn it Neil, the name’s Nuwanda.” coming to mind) that I can’t help but think he was depressed. Due to his reckless and impulsive behaviours, I feel like Neil’s death would have shocked and damaged him as much as Todd, if not more. I mean, he punched a sneak knowing that he would be expelled. He had given up. Another sign of depression.

https://uquiz.com/quiz/8hL5Xi/what-problematic-queer-trope-would-you-be

here have a uquiz uwu

So I got inspired by @stephen-meeks-pal’s post and decided to take it a step further...

you can always start over. you can always catch up. you can still be who you dream of being. it’s not too late for you.

gd. richard gansey iii is literally Such a deeply bizarre dude. this short WASP kid from a wealthy and respected political family really just said nope to all of that and decided to be a 15 year old hitchhiker bum in europe entirely alone from all of his family and spend his teenage years hyperfixating on an obscure piece of welsh history because he resurrected from the dead and he thinks that the dead king from celtic mythology saved his life. he comes to aglionby like, yes i am likeable and perfectly normal, i am neurotypical, i am a generic richboy who is excellent at social cues and societal norms, you will all love me, my near-obsessive hyperfixation with an obscure mythical ruler due to severe ptsd and a near-death experience (about which i claim i did in fact die, and came back to life) is super normal, it is so unremarkable and normal of me to think that said long-dead king actually didn’t die at all but he came to a tiny little town in southern virginia to go to sleep for a couple hundred years and this is absolute fact in my mind, i am the posterboy for WASP politics men when they are teenagers. like what do they all think of him.