Oh John, Sherlock Doesn’t Need Someone To Do That For Him. He Has YOU.

Oh John, Sherlock Doesn’t Need Someone To Do That For Him. He Has YOU.

Oh John, Sherlock doesn’t need someone to do that for him. He has YOU.

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6 years ago

Being an adult means first reading Sam's "Well, I'm back." quote at the end of LOTR as a ten year old and thinking it's a weird stupid ending, and then reading it again as a 24 year old and crying because it's the most beautiful perfect ending ever written in the history of literature.


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4 years ago

Just listened to a much-garbled but still understandable recording of Queen Victoria speaking. As someone historically interested, the thing that saddens me most is the fact that we'll never know what these people sounded like. Did Abraham Lincoln really sound as high-pitched as contemporary accounts said he did? What was it like to hear Harriet Tubman speak? There's a few seconds of silent video of Anne Frank, but what did she sound like? Every so often I find myself looking up videos of people like Eva Peron and I listen to her speak and she's alive to me in a way a lot of these people aren't and it's all because I can listen to her voice.

3 years ago

Everybody likes to poke fun at Midwesterners and our strange slang, but seriously I think it’s hilarious that it never leaves our vocabulary. My aunt has lived in Florida for the past thirty years and she still catches herself saying, “Ope!” when startled, and calling soda “pop”.


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9 years ago
David Tennant And Olivia Coleman Behind The Set Of Broadchurch Series 2
David Tennant And Olivia Coleman Behind The Set Of Broadchurch Series 2
David Tennant And Olivia Coleman Behind The Set Of Broadchurch Series 2
David Tennant And Olivia Coleman Behind The Set Of Broadchurch Series 2
David Tennant And Olivia Coleman Behind The Set Of Broadchurch Series 2
David Tennant And Olivia Coleman Behind The Set Of Broadchurch Series 2

David Tennant and Olivia Coleman behind the set of Broadchurch Series 2

5 years ago

Perhaps I’m mistaken here, but every time I watch BBC Sherlock all the way through, I feel like the dynamic of Sherlock and John changes between TRF and TEH. Sherlock is still the brilliant detective and John is still the faithful blogger and friend; but it’s their individual reactions to St Barts and the subsequent two years that have changed how they react to one another. 

Sherlock’s still an insufferable prat most of the time, and he still misses social cues 99.9% of the time, but he’s softer around the edges. The way he interacts with Archie, his reactions to James Sholto locked in his hotel room, his MANY little moments with Mary, all reflect on a man who went through hell during his two years away and rather than becoming even more closed off and alienated than normal actually found it hard to be as much of an island as before. His circle of friends is small but he finds it impossible not to be somewhat gentler to them than before Moriarty’s scheme on the rooftop. Or rather, he had come to care for John and Greg and Mrs Hudson a great deal before the rooftop, but Moriarty forced him to actively prove it and once the lid was popped open it was impossible for it to be sealed completely again.

It’s rather like the Twelfth Doctor, who starts out as oblivious to social cues and more of an anti-hero than any Doctor before, a man who is harsh and unforgiving to those who anger him and has absolutely no recognition of friendship or even the desire to hug; who by the end of his tenure and with the help of his companions, whether it be Clara or Bill or Nardole or even Missy, has softened to the point where he even initiates a hug with Bill and Nardole and clearly has no desire to break it. Of course, Sherlock and the Twelfth Doctor are both written by Moffatt, so it’s not so much of a surprise that their dynamics are so similar.

John, on the other hand, grew sharper due to St Barts and the subsequent two years. His anger with Sherlock’s necessary deception is unrelenting and viscous, and it’s clear that even if he forgave Sherlock of it in TEH we can still see its latent existence all too clearly in TLD. He’s a man who fell to pieces once again in the wake of a life-changing tragedy and when he managed to glue himself back together some of the pieces were either missing or more brittle. He has less patience for Sherlock’s actions, he actively confronts Sherlock about the latter’s drug use during TAB, and I will not even get started in on the morgue scene during TLD. (That will be addressed later in another post eventually.) Where Sherlock’s learned response to the two years-hiatus is newfound understanding, John’s is anger, which all culminates in TLD and finds a somewhat solved dynamic in TFP. 


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8 years ago
RED SKELTON’S CELLPHONE

RED SKELTON’S CELLPHONE


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6 years ago

but it was NOT YOUR FAULT BUT MINE

and it was YOUR HEART ON THE LINE

i really FUCKED IT UP THIS TIME

didn’t I MY DEAR

didn’t I my -

image
5 years ago

Am I he only one who thinks that Desert Bluffs is one of the countless alternate Night Vales that’s just been warped and broken by the Smiling God? Just me? Okay.


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6 years ago

I think perfection is ugly. I want to see scars, failure, disorder, distortion.

Yohji Yamamoto (via quotemadness)


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5 years ago

Watching/reading Shakespeare's Richard II:

Them: Isn't he a bit overdramatic?

Me: Well, yeah, he's supposed to be an overdramatic shit.


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anera527 - LostInthePast
LostInthePast

Domain of a Broadie fanfic author

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