Frodo & Bilbo Play Scrabble Regularly And Are VERY Competitive

Jenny ran into the mysterious woman quite by accident in the streets of the planet Earth, which she had learned through her various journeys that her father often frequented. It was a busy, curious place, this third rock from the sun, and she thought maybe she could understand why he liked it so much.

“Oh! Excuse me, seems I lost track of where my feet were going. Entirely my fault.”

The woman was dressed rather oddly, with a long lilac-colored overcoat and a dark shirt with suspenders. But it was the large eyes staring back at her that caught her attention the most. They were old. Incredibly old. Old, and wise, and shining with an inner fire that Jenny instantly recognized. 

And the woman seemed to know she would run into Jenny, because she quite simply held out a hand and handed her a bouquet of flowers.

“Violets,” she explained. “They represent remembrance. And I never forgot about you for a day, Jenny.”

An electric shock seemed to shiver down Jenny’s spine. It would be too cliche to ask how this woman knew her name; besides, she began to suspect she knew already. She barely dared to hope. It should be impossible. 

Shouldn’t it?

“Who are you?” She asked anyway, because those eyes were too familiar even if they weren’t the deep brown she remembered. 

And the woman smiled, a wide unfettered smile. “I’m the Doctor.”

“acephobia isn’t real”

hhmmmmm?

hhmmmmmmmm?

HHHMMMMMMMM??????

HHHHHMMMMMMMMMMMMM?????

what the fuck do you call all of this bullshit then????

RED SKELTON’S CELLPHONE

Aziraphale’s and Crowley’s discussions are interesting in Good Omens simply because their such utterly different approaches to them. Now I really enjoy Crowley’s points but right now I’m focusing on Aziraphale’s side because despite the several years he’s lived on Earth and the books upon books he’s read he falls back on one simple reason for everything that happens.

Ineffability,

And maybe that reason works sometimes. And it certainly does; it leaves just enough wriggle room, just enough doubt, that his opponent can’t definitely say that he’s wrong. After all, in Good Omens God is real even if He hasn’t been seen or heard from in a few millennia. Crowley can’t say that there isn’t a Higher Plan.

But what he does do is learn how to counter-argue the Ineffability reason.

It seems to me that at this point Aziraphale is using the Ineffable Plan as an excuse. It’s like hearing all the churchgoers out there when questioned about God’s existence or why bad things happen to good people they simply reply, ‘You have to take it by faith, that’s all.’ Take it be faith, take it for Ineffability.

Which of course leads to Crowley’s logical rebuttals. That’s the key difference, I think, when looking at their conversations. Aziraphale relies on the possibility of the Ineffable Plan, while Crowley has taken the time to learn how to perceive an argument on all sides and come up with a counter argument for everything the angel says. His reasons make sense, which only highlights how desperate Aziraphale’s Ineffable argument sounds sometimes.

Which just makes it all the more brilliant when he uses the Ineffable argument to run circles around Metatron and Beelzabub later on in the story.

Wriggle room always wins an argument. He must have learned it from Crowley.

The thing I'm most grateful about the DW franchise for is that it has taught me how to FINALLY spell 'twelfth' correctly.

I see Crowley’s ‘you idiot’ and agree it’s utterly heartbreaking...

But I raise you Aziraphale’s pleading, ‘Come with me’, is just as much.

David Tennant and Olivia Coleman behind the set of Broadchurch Series 2

I was rewatching random moments of Broadchurch season 2 the other day and started wondering what Ellie Miller actually thinks of Hardy`s ex wife. I couldn´t figure it out, whether she just doesn´t know her enough to judge if she likes her or not or what she thinks. This might be random but I thought I´d ask the one who knows this show much better than I do. What do you think? What does Ellie think about her?

It’s an interesting question. Honestly, I’m not sure if even Ellie knows what to think of her. I’m guessing she must know about how the pendant got lost and what Tess did to Hardy, but she also seems very open-minded, and she’s not willing to demonise Tess or judge her for it.

Ellie and Tess are compared and contrasted a great deal, and just like Joe and Alec, they are depicted as opposites. The women look similar, they are both Hardy’s DSes, they’re both mothers - but they make opposing choices. E.g. Ellie is invited to have an affair at work - she refuses. Tess, on the other hand, committed adultery. The two of them are rivals for Hardy in a way, but Chibnall’s writing is clever and nuanced enough to avoid the whole cliche of women fighting over some dude.

But back to the central question - what does Ellie think of Tess? Remember this is Ellie Miller. Staunch, take-no-shit feminist. Our very first scene showed her greeting all her friends and handing out presents to them right before she chewed out her boss for sexist bullshit. She’s a woman-loving social butterfly and she gets on well with everyone she meets. And if she doesn’t get on with someone, she makes it her mission to smother them with kindness. With this in mind, what I find striking is that Ellie is quite awkward around Tess. She’s friendly enough, but most of the time she’s with Tess and Alec she’s silent and caught between the two, often in a physical sense.

The first time she meets Tess, Hardy acts like a colossal jackass. He doesn’t tell Ellie that Tess is his ex-wife, he’s bitter and aggressive and insulting. Granted, Tess doesn’t behave all that appropriately either, but Ellie is reproving of his behaviour, and the impression is that she’s neutral in this particular marital war. Yes, Hardy is her friend, and yes he was the wronged party in a lot of ways, but his behaviour is inappropriate and she won’t enable it or tell him it’s okay. She whacks him and tells him off. She treats Tess just like she’d treat anyone else.

Tess acts as an obstacle to getting the case reopened, and several times Ellie sighs or rolls her eyes when Tess refuses again to reopen. But she also respects Tess’ capabilities as a detective. For all that happened with the Sandbrook case, Tess is good at her job. She’s competent and efficient, and once she’s put her mind to something she can do it easily. Ellie might not agree with everything she did in her personal life, or even all her professional choices, but she respects her capabilities.

What’s interesting is how quickly Tess can put her off guard. One of my favourite scenes is when Hardy wakes up after his pacemaker and Ellie’s there. They start bickering (because that’s their thing) and Tess comes in.

This shot is so well-composed, I love it. Look at the placement of the hands; it looks like they’re touching, and Ellie is gripping the bed so tight it’s like she’s holding his hand by proxy. Then Tess comes in:

They look up and Ellie’s reaction is almost one of guilt. It’s like she’s been caught. She does this weird shuffle and looks between the two of them, then quickly takes her hand away.

It’s not jealousy Ellie’s expressing - it’s more like embarrassment that she’s been caught with Hardy like this - by his ex-wife no less. There’s also an odd possessiveness. I wish I could gif this scene because Olivia Colman’s acting is so subtle and awkward, and you feel like Ellie herself isn’t sure how she feels. Someone encroaching on her bickering with Hardy? What is this? And does she trust anyone else to look after this idiot besides herself? Not that she cares about him, haha.

Later on, when Tess answers Alec’s phone on his behalf, Ellie gets a tiny bit flustered: “Oh! Oh, I was expecting him to answer.”

In a deleted scene, Hardy is begging Tess to reopen the case. Ellie is silent, and looks like a kid whose parents are fighting. Then Hardy slips up. He says to Tess “Please, love.” Tess immediately scoffs and looks to Ellie. “Did he just call me love?”

Ellie does not rise to the teasing. As Hardy swears and groans over his slip-up, Ellie tries to lighten the mood by saying, “I called the teacher “mum” once. Still can’t think about it without wincing.”

It goes over about as well as you’d expect. It’s fascinating to see social butterfly Ellie Miller flounder like this. She genuinely doesn’t know what to do in this situation, but we know her sympathies are with Hardy. Tess invites her to join her in laughing at him; she abstains and makes a joke about herself. Then Hardy demands to know why Tess doesn’t want this case reopened; she says she does, but she’s still got a career to protect. Hardy’s speechless. Tess leaves, and Ellie makes a face and mouths ‘ouch’ to Hardy as they get into the car together. It’s just a little nod of sympathy that shows, hey, that was out of line, I disapprove, and I’m on your side.

Ellie’s a woman who’s determined to see the best in everyone. I think she likes Tess and respects her in the professional sense, but she’s disgruntled by certain aspects of her personality and on a personal level it nettles her to see Hardy and Tess close, and she exhibits a certain reluctance to leave them alone. She’s quietly protective of Hardy, more so as the season goes on, and I think in S3 the differences between Ellie and Tess’ values will drive a wedge further between them. At the moment, Ellie isn’t quite sure how to feel about Tess - she’s conflicted on that point, but many of the things Tess does and says and how she treats Hardy don’t sit well with her.

As for how Tess feels about Ellie - well, she definitely resents the closeness between Hardy and Ellie. Regardless of her feelings for Hardy, I think Tess enjoys being loved by him. She’s ambitious and has a certain superiority complex. It’s natural for her to want to be the best detective or the most beloved of Hardy. Ellie represents a threat to that, and even if she doesn’t openly dislike her, she too is quietly unsettled. When she first meets her, there is a sense she believes Ellie is Hardy’s girlfriend, and this sets up that uneasy undercurrent.

The two most telling scenes are when Alec arrests Claire. Tess smugly informs him everything’s set up and she’s on top of the investigation. She says she’ll interview Claire with him. Automatically, Hardy says, “No. I need Miller.”

“Course you do,” she mutters with barely concealed resentment.

Then Tess pulls some evidence Ellie asked her to find. Ellie’s impressed by how quickly she did it. Tess looks Hardy in the eye and says, “I’m really good.” Hardy, however, ignores Tess, looks at the evidence and yells to Ellie, “Outstanding. Out-bloody-standing!” This makes Ellie grin like a dope.

Stay salty, Tess.

Tess’ reaction makes me wonder how Hardy used to treat her when she was his DS. Was he always complimenting her? Is that why she seems so sure of herself? Is Tess watching Hardy shower the exact compliments on Miller that he used to bestow on her? Divorced or not, it must sting.

In all, I think the women do respect each other, and they treat each other civilly. There’s never any hint of close friendship, however, and there is an underlying tension or an awkwardness to the way they act that will probably get worse in S3, though I don’t think Chibnall will ever make it so they’re doing anything as dull as fighting over Hardy. However, Ellie’s growing protectiveness of Hardy may certainly lead her to view Tess less and less favourably, because Tess has and continues to treat Hardy unfairly, and if he won’t stand up for himself and accept he’s not the guilty one, Ellie might have to force his hand.

I always thought this shot in Age of Ultron looked familiar. The picture on the bottom is the closing scene of John Wayne’s film “The Searchers”, which ends on a rather bittersweet note with his character Ethan Edwards standing outside while everyone else is inside. The similarity isn’t just in how the scenes in both movies were shot, however. 

“Ethan Edwards is a throwback to an older time, a more violent age when the frontier was still wild. He’s a loner, a desperado who’s broken his fair share of laws and isn’t above shooting a man in the back. He isn’t cut out for family life like Martin, and now that his mission is over he’s outlived his purpose.”